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Favorite Edition Rewind: 1999

[SUPERCAR - JUMP UP]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Here’s my matrix of the most important years in music for the last 4 decades:

  • 2010s: 2015 (so far)
  • 2000s: 2002
  • 1990s: 1998
  • 1980: 1987

The years adjacent to the ones listed are also pretty pivotal, which is the case for 1999. The list doesn’t change much, but a lot of great music came out that year.

  1. NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
  2. Shiina Ringo, Muzai Moratorium
  3. Utada Hikaru, First Love
  4. ACO, absolute ego
  5. Nina Hynes, Creation
  6. SUPERCAR, Jump Up
  7. The Flaming Lips, The Soft Bulletin
  8. Port of Notes, Complain Too Much
  9. Mandy Barnett, I’ve Got a Right to Cry
  10. The Kiss Offs, Goodbye Private Life

Other favorites from the year:

  • L’Arc~en~Ciel, ray
  • Jordan Knight, Jordan Knight
  • eX-Girl, Kero! Kero! Kero!
  • NUMBER GIRL, DESTRUCTION BABY
  • OBLIVION DUST, Reborn
  • UA, turbo
  • Moby, Play
  • Maná, MTV Unplugged
  • Dr.StrangeLove, Twin Suns
  • The Roots, Things Fall Apart
  • Fantastic Plastic Machine, Luxury
  • Asylum Street Spankers, Hot Lunch
  • Café Tacuba, Revés/Yo Soy

A retrospective addition of SUPERCAR bumps L’arc~en~Ciel to the extended list. Futurama was the first SUPERCAR album I owned, and I liked it so much, I was hesitant to explore the band’s early work, out of fear it wouldn’t live up.

As it turns out, Futurama was the last of SUPERCAR’s great albums. The first two albums are classics in their own right. I’ve yet to dig into Ookeah! and Ooyeah!

I’ve only added Moby, The Roots and Fantastic Plastic Machine to the extended list, but albums by Wilco, Rage Against the Machine, Built to Spill and Mos Def could have made it on there. I just wanted to avoid the kind of crowding we saw in 2002 and 2003.

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Favorite Edition Rewind: 2000

[Tomosaka Rie - Shoujo Robot]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.

  1. Shiina Ringo, Shouso Strip
  2. Cocco, Rapunzel
  3. NUMBER GIRL, SAPPUKEI
  4. SUPERCAR, Futurama
  5. eX-Girl, Big When Far, Small When Close
  6. Sleater-Kinney, All Hands on the Bad One
  7. Idlewild, 100 Broken Windows
  8. FEED, Make Every Stardust Shimmer!
  9. Tomosaka Rie, “Shoujo Robot”
  10. Sade, Lovers Rock

Other favorites from the year:

  • Do As Infinity, Break of Dawn
  • Yaida Hitomi, daiya-monde
  • PJ Harvey, Stories from the City, Stories from the Sea
  • OBLIVION DUST, Butterfly Head
  • At the Drive-In, Relationship of Command
  • L’Arc~en~Ciel, REAL
  • Bonnie Pink, Let Go
  • MISSILE GIRL SCOOT, Fiesta!
  • Smashing Pumpkins, MACHINA/The Machine of God
  • m-flo, Planet Shining
  • Juanes, Fíate Bien
  • Emmylou Harris, Red Dirt Girl
  • U2, All That You Can’t Leave Behind
  • La Ley, Uno
  • Sinéad O’Connor, Faith and Courage
  • Soundtrack, High Fidelity
  • BBMak, Sooner or Later

At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.

Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯

Idlewild’s 1000 Broken Windows takes the spot vacated by U2.

Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.

I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.

The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.

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Favorite Edition Rewind: 2003

[The Wrens - The Meadowlands]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Back in February, I argued 2002 was an important year in music of the 2000s. 2003 is no slouch in that regard either. The list from that year sees no major changes.

  1. Shiina Ringo, Karuki Zaamen Kuri no Hana
  2. ACO, Irony
  3. Molotov, Dance and Dense Denso
  4. Café Tacuba, Cuatro Caminos
  5. ART-SCHOOL, LOVE/HATE
  6. Sasagawa Miwa, Jijitsu
  7. bloodthirsty butchers, Kouya ni Okeru bloodthirsty butchers
  8. Bonnie Pink, Present
  9. downy, untitled third album
  10. Explosions in the Sky, The Earth Is Not a Cold, Dead Place

Other favorites from the year:

  • Outkast, Speakerboxxx/The Love Below
  • Death Cab for Cutie, Transatlanticism
  • Bleach, Bleach
  • The Postal Service, Give Up
  • NUMBER GIRL, Sapporo OMOIDE IN MY HEAD Joutai
  • Onitsuka Chihiro, Sugar High
  • Original Cast Recording, Avenue Q
  • Emmylou Harris, Stumble Into Grace
  • NIRGILIS, Tennis
  • Rufus Wainwright, Want One
  • Hayashi Asuca, Saki
  • Caitlin Cary, I’m Staying Out
  • The Bad Plus, These Are the Vistas
  • DJ Krush, Shinsou ~Message from the Depth~
  • Benjamin Gibbard / Andrew Kenny, Home, Vol. 5
  • The Wrens, The Meadowlands
  • Longwave, The Strangest Things

The only change is switching out Explosions in the Sky for Outkast, and the extended list adds the Wrens and Longwave.

I was working at Waterloo Records in 2003, and legitimate download services hadn’t gotten off the ground yet to stem the tide of rampant file sharing. So I was discovering a lot of great music through word of mouth and on the job.

While I’ve added a number of 2003 titles to my collection in the following years, few have edged their way into this already crowded field.

So I guess I’m pretty set where 2003 is concerned.

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Favorite Edition Rewind: 2009

[Alarm Will Sound - a/rhythmia]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The 2009 list went through a revision, and subsequent discoveries from the year weren’t moving enough to dislodge anything.

  1. … And You Will Know Us by the Trail of Dead, The Century of Self
  2. LEO Imai, LASER RAIN
  3. Van Tomiko, Van.
  4. Alarm Will Sound, a/rhythmia
  5. Onitsuka Chihiro, DOROTHY
  6. Shiina Ringo, Sanmon Gossip
  7. Tomosaka Rie, Toridori.
  8. mono, Hymn to the Immortal Wind
  9. Wendy & Lisa, White Flags of Winter Chimneys
  10. Sacha Sacket, Hermitage

Other favorites from the year:

  • Office, Mecca
  • Kronos Quartet, Floodplain
  • The Bad Plus joined by Wendy Lewis, For All I Care
  • Utada, This Is the One

In explaining the dearth of new releases on this list, I mentioned that I spent more time listening to catalog music, but like 2012 and 2011, I haven’t picked any more titles from 2009 in the 9 years that have passed.

It makes me think it wasn’t a terribly interesting time for discovery.

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Favorite Edition Rewind: 2014

[Huck Hodge - Life Is Endless Like Our Field of Vision]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The 2014 list has already gone through one revision, and this version expands it slightly.

  1. D’Angelo and the Vanguard, Black Messiah
  2. John Luther Adams, Become Ocean
  3. Sturgill Simpson, Metamodern Sounds of Country Music
  4. Royal Wood, The Burning Bright
  5. The Bad Plus, The Rite of Spring
  6. Meredith Monk, Piano Songs
  7. Inventions, Inventions
  8. MONO, Rays of Darkness
  9. Shiina Ringo, Gyakuyunyuu ~Kouwankyoku~
  10. BADBADNOTGOOD, III

Other favorites from the year:

  • Juanes, Loco de Amor
  • The Drums, Encyclopedia
  • Cocco, Plan C
  • Shaprece, Molting EP
  • Huck Hodge, Life Is Endless Like Our Field of Vision
  • Taylor Swift, 1989
  • Sam Amidon, Lily-O
  • U2, Songs of Innocence

The year started with Juanes topping the list. He’s now been bumped off the Favorite 10 in favor of BADBADNOTGOOD. Despite that change, the Favorite 10 is pretty solid. The remaining list, however, has expanded to include The Drums and Taylor Swift.

You read that right.

I’ve been curious about 1989 for a while, but I felt no desire to stream it. Yet, a thrift store copy selling for $2 was more incentive to check it out. I wonder why that is? I ended up liking it more than I thought I would.

The Drums’ Encyclopedia didn’t start out as a favorite, but when I stopped expecting it to be a carbon copy of the self-titled debut, its strengths became apparent. That said, it’s really a strange album.

The last addition to the list is an album by Huck Hodge, a University of Washington music composition professor from whom I took a number of classes. I actually heard most of this album in class, so it made sense to own a copy of it.

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Favorite Edition Rewind: 2017

[Sampha - Process]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Do I have new favorites? Which ones have fallen out of favor? This time around, we’ll cover a greater span of time from as recently as last year, all the way to 1978!

We start with last year’s list.

This most recent decade won’t see much in the way of significant revisions, as I explore deeper into catalog releases than following new artists. Wouldn’t it be odd if I discover new artists from 2017 five years from now? Probably not.

  1. Onitsuka Chihiro, Syndrome
  2. Royal Wood, Ghost Light
  3. RADWIMPS, Your name.
  4. Sam Smith, The Thrill of It All
  5. Sam Amidon, The Following Mountain
  6. Kronos Quartet, Folk Songs
  7. Gaytheist, Let’s Jam Again Soon
  8. Eluvium, Shuffle Drone
  9. Sampha, Process
  10. Living Colour, Shade

Other favorites from the year:

  • Anne Dudley, Anne Dudley Plays the Art of Noise
  • David Rawlings, Poor David’s Almanac
  • Jason Isbell and 400 Unit, The Nashville Sound
  • Leo Imai, Film Scum EP
  • Renée Fleming, Distant Light
  • Shiina Ringo, Gyakuyunyuu ~Kuukoukyoku~
  • Brandon Stansell, Slow Down
  • Sufjan Stevens / Nico Muhly / Bryce Dessner / James McAlister, Planetarium

Jason Isbell’s previous two albums ranked high on the Favorite Edition lists of 2013 and 2015, but The Nashville Sound had a tenuous grip on its position in the 2017 list. The late discovery of Sampha and Eluvium gave Isbell the final nudge.

Anne Dudley took up Eluvium’s vacated spot, nearly knocking Living Colour off.

Brandon Stansell makes his first appearance on the list. Stansell performed at the Concert for Love and Acceptance, hosted by Ty Herndon. Like Herndon, Stansell is a country artist, although he’s starting his career out of the closet.

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Purchase log, 2018-06-05

[Emmylou Harris - The Ballad of Sally Rose]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Adele, 19
  • Anonymous 4, An English Ladymass
  • Beastie Boys, Ill Communication
  • Don Byron, Tuskegee Experiments
  • Jan Garbarek and Hilliard Ensemble, Officium
  • Miles Davis, Milestones
  • Miles Davis, Nefertiti
  • Miles Davis, Porgy and Bess
  • Samuel Barber / Erich Korngold: Violin Concertos (Gil Shaham; London Symphony Orchestra, Andre Previn)
  • The Beatles, Revolver
Vinyl
  • Everlast, Whitey Ford Sings the Blues
  • Keith Jarrett, Solo-Concerts: Bremen Lausanne
Blu Ray
  • Shiina Ringo, Hatsuiku Status: Gokiritsu Japon

Reissues

CD
  • Emmylou Harris, The Ballad of Sally Rose (Deluxe Edition)

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Purchase log, 2018-05-29

[Thomas Bartlett and Nico Muhly - Peter Pears: Balinese Ceremonial Music]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New Releases

CD
  • Thomas Bartlett and Nico Muhly, Peter Pears: Balinese Ceremonial Music
  • Various Artists, Adam to Eve no Ringo (Shiina Ringo tribute album)

Catalog

CD
  • Minutemen, Double Nickels on the Dime
Vinyl
  • Dwight Yoakam, Guitars Cadillacs Etc. Etc.
Blu Ray
  • Stephen Sondheim, Company (2006 Production)

 

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Favorite Edition: Desert Island

[Duran Duran - Rio]

Nobody talks about desert island discs any more.

In fact, a whole generation of readers might find the premise a bit preposterous — a list of 10 albums with which you would want to be stranded on a desert island. You had to suspend belief that you had an infinite electrical supply and a working playback device.

Then music escaped its physical confines, and iPods allowed people to carry entire music collections with them, which today’s subscription services dwarf in terms of supply.

But the desert island disc list still makes for a good thought exercise — in this era of abundance, what would you do in a moment of scarcity? What 10 albums feel as comfortable and reliable as that old jacket or blanket?

I think it’s only in the last decade that my list has finalized.

Duran Duran, Rio

As a teenager, my desert island disc list would have probably included Duran Duran in most slots. While I would hate to leave behind The Wedding Album, Rio is pretty much the go-to album for any Duranie.

Kronos Quartet, Black Angels

The Quartet for Strings No. 8 by Dmitri Shostakovich would be my desert island classical piece — I never tire hearing it. This album introduced me to the piece, and the title work has also become essential repertoire for me.

John Zorn, Naked City

I imagine there will be many frustrating days living on a desert island, and this album would help greatly to cope with those days.

Emmylou Harris, Wrecking Ball

Growing up in Hawaii meant automatically dismissing country music. Emmylou Harris introduced me to the better stuff.

Neutral Milk Hotel, In the Aeroplane Over the Sea

I was introduced to this album in 2009, right around the time it was starting to get difficult to find something new to move me. So yeah, I was surprised myself.

Cocco, Bougainvillia
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
Shiina Ringo, Karuki Zaamen Kuri no Hana

I feel a bit self-conscious over the fact three Japanese titles show up on this list, but given the number of really good albums that clustered around 1999-2004, it’s was tough keeping SUPERCAR, AJICO and fra-foa off the list, let alone the two Shiina Ringo albums that preceded Karuki Zaamen Kuri no Hana.

Robin Holcomb, Robin Holcomb

This album reminds me that pop songwriting doesn’t always need to be sweet.

U2, The Joshua Tree

To be honest, this album usually fights for its spot on the list with In Tua Nua’s The Long Acre.

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Looking Ahead: April-May 2018

[Janelle Monáe - Dirty Computer]

I like April Fools Day and Halloween, but I’m never ambitious enough to pull of a prank or a costume.

SUPERCAR, PERMAFROST, April 25

I think I’m covered in terms SUPERCAR best albums, but the special edition of this compilation comes with a Blu Ray edition of the video collection P.V.D. COMPLETE 10th Anniversary Edition. I would have gotten that Blu Ray without the CD.

Janelle Monáe, Dirty Computer, April 27

I have to admit I would rather much see Janelle Monáe on screen than in sound. She was terrific in both Hidden Figures and Moonlight, and I would watch the hell out of a Cindy Mayweather movie. But the only album of hers I remotely like is the Metropolis EP.

Courtney Barnett, Tell Me How You Really Feel, May 18

Sometimes I Sit and Think, and Sometimes I Just Sit was one of many great albums to emerge in 2015, but I’ve not yet cottoned to anything else.

Various Artists, Adam to Eve no Ringo (Shiina Ringo Tribute), May 23

The artists contributing to this Shiina Ringo tribute album don’t seem to be very adventurous. Given the two volumes of Reimport albums, I would have thought Tomosaka Rie or Kuriyama Chiaki would have participated. And did anyone ask Mukai Shuutoku?

Vinyl

U2, All That You Can’t Leave Behind, April 13

All That You Can’t Leave Behind was the mea culpa album for Pop, which is also being reissued on vinyl at the same time.

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