Archives

Looking ahead, October-November 2018

[Bill Frisell - Nashville]

Quite a number of interesting vinyl reissues and deluxe editions coming down the pike …

Cher, Dancing Queen, Sept. 28

I think some gay cultural norm dictates I should show interest in this convergence of iconography, and I do, albeit more from an anthropological standpoint.

Johnny Hates Jazz, Turn Back the Clock (Deluxe Edition), Oct. 5

“Shattered Dreams” is an awesome single, and Turn Back the Clock was a decent album — something I’m glad I encountered but couldn’t consider a must-have. And yet I’m looking forward to this deluxe edition release.

Camouflage, Voices and Images (Deluxe Edition), Oct. 19

I actually like this album more than Turn Back the Clock, and the limited pressing of 1,500 copies for the CD (500 for vinyl) is nudging me to pre-order.

Sasagawa Miwa, Houjou -BEST ’03~’18-, Oct. 31

Has it really been 15 years since Sasagawa Miwa’s debut? This best album contains 10 previously released tracks, 3 new songs and a new version of “Himawari”.

Art of Noise, In No Sense? Nonsense! (Deluxe Edition), Nov. 2

This album doesn’t lend itself to singles as easily as In Visible Silence, but it’s a worthwhile, challenging listen, a period where the band pushed the limits of technology and music.

Dead Can Dance, Dionysus, Nov. 2

Dead Can Dance has always struck me as a band I should have been digging in high school, but at the time, their albums were available only as imports.

Hajime Chitose, Hajime Uta ~Chitose Hajime Amami Shimauta Shu~, Nov. 14

Hajime Chitose returns to her roots as a shima uta singer on this 7-track mini album.

Mikami Chisako, I AM Ready!, Nov. 28

Mikami Chisako starts anew with music reminiscent of fra-foa’s second album, if the YouTube clips on her official site are any indication. I have to admit I’ve missed her, and Chuu no Fuchi is still one of my favorite albums. It’s criminal that it’s out of print.

Vinyl

Living Colour, Time’s Up, Sept. 28

I’d be all over this reissue from Megaforce Records if I hadn’t already found an original pressing a number of years ago. This album doesn’t seem to have had the same impact as its predecessor, but it some ways, it expands and perhaps improves upon Vivid.

YEN TOWN BAND, Montage, Nov. 3

I’ve never encountered a vinyl reissue from YEN TOWN BAND that didn’t immediately sell out.

Utada Hikaru, Hatsukoi, Nov. 7

Any chance for a vinyl reissue of ULTRA BLUE?

Bill Frisell, Nashville, Nov. 9

Bill Frisell had always incorporated Americana, country and folk into his music, but Nashville is the strongest statement of those influences, resulting in one of his most accessible albums. Robin Holcomb shows up on two covers.

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Looking ahead: January-February 2018

[Steve Reich - Pulse / Quartet]

The fact I can actually post a preview entry this early in the year makes me hopeful we won’t see a repeat of last year’s lopsided schedule.

Igor Stravinsky, Chant Funébre / Le Sacre du Printemps, Jan. 12

This album featuring a newly discovered work by Igor Stravinsky comes out a week after I’ll have heard the Seattle Symphony perform it. I’ll own yet another version of The Rite of Spring, though.

Sasagawa Miwa, Atarashii Sekai, Jan. 31

Last time I checked in with Sasagawa Miwa, she was moving in a jazz direction.

Rhye, Blood, Feb. 2

The singles preceding this album release make me think I ought to place a pre-order.

Steve Reich, Pulse / Quartet, Feb. 2 (vinyl on March 30)

The cover of this album almost fooled me into thinking Reich had gone back to ECM. For proof, compare the Reich cover with John Surman’s forthcoming album Invisible Threads on ECM:

[John Surman - Invisible Threads]
[Steve Reich - Pulse / Quartet]

 

Kronos Quartet and Laurie Anderson, Landfall, Feb. 16

Anderson contributed to Kronos’ Fifty for the Future initiative, and they’ve included the piece in recent concerts. I’m curious to hear more of this collaboration.

Vinyl

My Bloody Valentine, Loveless, Jan. 18 (UK)

Kevin Shields sure went to a lot of trouble remastering this album for vinyl, when it wasn’t really recorded for analog in the first place.

SUPERCAR, HIGHVISION, March 30
SUPERCAR, ANSWER, March 30

I became a SUPERCAR fan just as the band changed its sound, so the recent vinyl reissues of Three Out Change!! and JUMP UP allowed me to discover its early work. I’m coming around to the idea that maybe that first era was better than what followed.

Shiina Ringo, Gyakuyunyuu ~Kuukoukyoku~, March 30

Have you seen how much the Shiina Ringo vinyl reissues from 2009 are going for on the secondhand market? I’ve got mine pre-ordered.

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