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Favorite Edition Rewind: 2012

[Cody ChesnuTT - Landing on a Hundred]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

What I find most remarkable about the 2012 list is the number of albums listed under honorable mentions. The revised list has culled a lot of those titles. I probably listed so many because I didn’t feel passionate enough about any of them.

  1. Solange, True
  2. Santigold, Master of My Make-Believe
  3. Jeremy Denk, Ligeti/Beethoven
  4. … And You Will Know Us By the Trail of Dead, Lost Songs
  5. Frank Ocean, channel ORANGE
  6. Cody Chesnutt, Landing on a Hundred
  7. ASIAN KUNG-FU GENERATION, Landmark
  8. ZAZEN BOYS, Stories
  9. Tokyo Jihen, Shinyawaku
  10. Duran Duran, A Diamond in the Mind

Other favorites from the year:

  • Scissor Sisters, Magic Hour
  • Roomful of Teeth, Roomful of Teeth
  • Gossip, A Joyful Noise
  • Tokyo Jihen, Tokyo Collection
  • TOUMING MAGAZINE, TOUMING MAGAZINE FOREVER
  • OBLIVION DUST, 9 Gates of Bipolar
  • Gaytheist, Stealth Beats

Cody ChesnuTT dislodges Scissor Sisters from the original list, and Frank Ocean jumps up a few spots. Otherwise, there are no remarkable changes.

If anything, 2012 has turned out to be something of a dud year. When I review my purchases in subsequent years, 2012 releases are scant, and most of the albums I bought that year only garner no more than a 3-star rating.

 

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Looking ahead, April-July 2015

[Jason Isbell - Something More Than Free]

Part of me still misses ICE Magazine, the publication dedicated to reporting on new releases and reissues. Super Deluxe Edition has done a good job recapturing the kind of reporting that went into ICE. I’ve adjusted to using Pause and Play for tracking new releases, but sometimes, I get more relevant information from the personalization features on Discogs.

ICE launched in the early ’90s to track compact disc releases. It ended publication just as the download market ate into CD sales. If a similar publication were to launch today, it would probably report on which artists have made their content exclusive on which streaming service. And vinyl. Talk about turnabout being fair play.

10,000 Maniacs, Twice Told Tales, April 28

This latest incarnation of 10,000 Maniacs brings Mary Ramsey back into the fold and welcomes a guitarist who also doubles on vocals. For this album, the Maniacs reach for the roots, covering the traditional music that has informed their sound.

Roomful of Teeth, Render, April 28

Sometimes I wonder what would happen if I had the temerity to stick with my composition studies in college. It might have sounded like the stuff happening in Brooklyn with the likes of Roomful of Teeth, So Percussion and Alarm Will Sound.

Takaakira Goto, Classical Punk and Echoes Under Beauty, May 5

Taka wrote this album around the time MONO started getting orchestral. I’ve enjoyed the rougher sound of Rays of Darkness too much to want to go back in time.

Emmylou Harris and Rodney Crowell, The Traveling Kind, May 12

Brian Ahrens didn’t produce this second duet album, but Harris and Crowell wanted The Traveling Kind to reflect where they are as artists now. It’s hard not to have high expectations.

Deebs/Jarrell Perry, Shift, May 19

A lot of attention will focus on the second album by Frank Ocean, but for my money, Jarrell Perry does a far more adventurous job pushing the edges of R&B.

Faith No More, Sol Invictus, May 19

Yeah, yeah, insert grumbling about Jim Martin’s lack of involvement here. I’m still curious.

NOW Ensemble, Dreamfall, May 26

See above about labelmates Roomful of Teeth.

Jason Isbell, Something More Than Free, July 17

Damn, Jason Isbell is looking mighty fine on that cover photo. I couldn’t get enough of Southeastern, so I’ve spent the last few months devouring his 2011 album Here We Rest. Now a new set is just going to keep this jones going.

Frank Ocean, Boys Don’t Cry, July 2015

Hey, Frank, could you convince Universal Music to put out a decent vinyl issue of channel ORANGE as well? Thanks.

Duran Duran, TBD, September 2015

Not since Colin Thurston has Duran Duran worked with the same producer twice. Mark Ronson brought out not just the vintage sound of Duran Duran but also the unmistakable essence of a Duran Duran song. Here’s hoping the latter gets retained if the former evolves.

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