The site will take its usual January break starting next week, so this entry is my last chance to point out some upcoming releases.
Jeremy Denk, c.1300-c.2000, Feb. 8
I’ll be seeing Jeremy Denk in concert in a few weeks, but he won’t be performing the sprawling program of this two-disc set spanning seven centuries of music.
Vinyl
Mindy Smith, One Moment More, Jan. 29
Mindy Smith is so far the only country music singer whose voice reminds me of Harriet Wheeler of the Sundays.
Prince, Musicology, Feb. 8 Prince, 3121, Feb. 8
Musicology was heralded as a return to form, but I found it less interesting than 3121. But even 3121 was less interesting than The Gold Experience, which I would consider getting on vinyl. But really, when is the Love Symbol album getting reissued?
This past year, I started keeping a log of purchases every week, and a cursory look at those entries show how much catalog has taken over my collection.
Like last year, many of these purchases come from Lifelong Thrift Store or Goodwill. A month-long CD sale at Easy Street Records contributed quite a number of titles. I’ve whittled down nearly 600 purchases to a list of Favorite 10.
Catalog
Patti Smith, Horses: The first time I played this album, I didn’t get it. So I played a few more times and became fascinated with it on each play.
Boris, Pink: I remember other Japanese indie rock fans fawning over this album, and it’s taken me 12 years to get around to finding out why.
David Bowie, Scary Monsters: At first I was going to be boring and choose Ziggy Stardust or Let’s Dance as my favorite Bowie album, but this one takes it, hands down.
Bruce Springsteen, Nebraska: I like the story of how this album came about just as much as I like the end result.
Fugazi, The Argument: Fugazi didn’t make a bad album, just less good ones. The Argument would probably be Fugazi’s best album if 13 Songs and Repeater weren’t in the way.
Joni Mitchell, Court and Spark: I went on a Joni Mitchell binge this year, and this album is the only one I really like. Sorry, Blue.
Roxy Music, Avalon: Quite the dapper album.
The Jimi Hendrix Experience, Are You Experienced: It’s weird how familiar this album feels after years of hearing covers by Kronos Quartet, Sting and Emmylou Harris.
The Pogues, Rum Sodomy and the Lash: I didn’t accommodate the Pogues during my Celtic phase of the mid-90s because they were more rock than Celtic.
Wire, Pink Flag: I’m also fond of the self-titled Killing Joke album.
The last half of the year was stuffed with reissues that were of particular interest for me.
Reissues
Art of Noise, In No Sense? Nonsense! (Deluxe Edition):(Who’s Afraid Of …?) The Art of Noise! may have all the hits, but the post-ZTT albums from 1986 and 1987 are the band’s creative peak.
Camouflage, Voices and Images (30th Anniversary Edition): This reissue received a limited run in Germany, so pick it up before they’re all gone.
Johnny Hates Jazz, Turn Back the Clock (30th Anniversary Edition): The acoustic re-recording of this album works quite well, given how reliant the original was on MIDI.
Kate Bush, Remastered Part I and Remastered Part II: It’s apparent on which side Kate takes in the loudness wars, because these remasters do nothing with the volume. In the case of The Red Shoes, it’s actually pulled back. But they sound great, particularly Part I.
Julee Cruise, The Voice of Love: I so dug Floating Into the Night that I didn’t think it could be topped. It wasn’t, because The Voice of Love is a different beast.
Sasagawa Miwa, Houjou -BEST 03-18-: I passed on the two most recent Sasagawa Miwa albums, but this retrospective does a good job of highlighting the best parts of her output.
Frank Ocean, Endless: This album was better than Blonde.
Prince, Piano and a Microphone 1983: How about a vinyl reissue of the Love Symbol album?
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
And now we enter some new territory. I didn’t start collecting music in earnest till 1985, and I wouldn’t start exploring catalog music till 2005. Raiding thrift shops has allowed me to fill in a lot of history, which is why were expanding the range of this retrospective to as far back as 1978. Today, we start with 1984.
Stephen Sondheim, Sunday in the Park with George
The Replacements, Let It Be
Soundtrack, Amadeus
Andersson / Rice / Ulvaeus, Chess
Art of Noise, Who’s Afraid of? … the Art of Noise!
Madonna, Like a Virgin
Prince and the Revolution, Purple Rain
Bruce Springsteen, Born in the USA
Arvo Pärt, Tabula Rasa
Thompson Twins, Into the Gap
Other favorites from the year:
Guadalcanal Diary, Walking in the Shadows of the Big Man
Nena, 99 Luftballons
Eurythmics, 1984 (For the Love of Big Brother)
Sade, Diamond Life
I was much more into arcade video games — the classic era of Pac-Man and Galaga — than music in 1984. The only album I owned from that time is 99 Luftballons. Everything else I would discover later.
My 12-year-old self would not have known what to make of the Replacements or Arvo Pärt. He would have scoffed and wretched over the idea that Madonna or Prince could rank on such a list. They were his brother’s albums, after all.
He certainly did not have the sophistication or patience for two LPs of Mozart, although he might have really liked watching Amadeus.
And he would have definitely protested the inclusion of Bruce Springsteen on the list, all the while gazing lustily after the cover of Born in the USA.
He would have totally understood the Thompson Twins, though.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
This list is the last of the original years covered in my previous survey. The Favorite 10 hasn’t changed, but the extended list has gotten longer.
Tears for Fears, Songs from the Big Chair
Sting, The Dream of the Blue Turtles
Arcadia, So Red the Rose
ABC, How to Be a Zillionaire!
10,000 Manaics, The Wishing Chair
Clannad, Macalla
Kate Bush, Hounds of Love
Soundtrack, Macross Song Collection
Midnight Oil, Red Sails in the Sunset
Andrew Lloyd Webber, Requiem
Other favorites from the year::
Camper Van Beethoven, Telephone Free Landslide Victory
Eurythmics, Be Yourself Tonight
Hiroshima, Another Place
The Pogues, Rum Sodomy and the Lash
Simple Minds, Once Upon a Time
Sade, Promise
Hüsker Dü, New Day Rising
The Replacements, Tim
The Outfield, Play Deep
INXS, Listen Like Thieves
Lisa Lisa and Cult Jam with Full Force, Lisa Lisa and Cult Jam with Full Force
The Power Station, The Power Station
The Family, The Family
Prince and the Revolution, Around the World in a Day
Younger Me would approve of most of this list.
He would have gasped at the inclusion of Prince, considering the Sibling Rivalry Collection Race was at its height, and this kind of intrusion would be accompanied by a drubbing.
And he would groaned at the inclusion of The Outfield. Older Me would then advise him to wait 20 years before a real appreciation could begin.
I capped this survey at 1985 because my collection before that year wasn’t extensive enough for much punditry. Weekly visits to thrift shops in the last three years have allowed me to fill in enough gaps to keep going till 1978.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
In 2008, my collection tapered off with releases before 1987. I went so far as to call 1986 an uninteresting year. I’ve since had time to explore the year in greater depth.
The Art of Noise, In Visible Silence
Janet Jackson, Control
Soundtrack, Megazone 23 Song Collection
Paul Simon, Graceland
XTC, Skylarking
The Smiths, The Queen is Dead
Prince & the Revolution, Parade
Nakamori Akina, Fushigi
Duran Duran, Notorious
Club Nouveau, Life, Love and Pain
Other favorites from the year:
Anita Baker, Rapture
Bananarama, True Confessions
Fishbone, In Your Face
Run DMC, Raising Hell
Peter Gabriel, So
John Adams, Harmonielehre
Enya, Enya
Dwight Yoakam, Guitars, Cadillacs, Etc. Etc.
R.E.M., Lifes Rich Pageant
Pet Shop Boys, Please
Kronos Quartet, Music of Sculthorpe, Sallinen, Glass, Nancarrow, Hendrix
The Human League, Crash
If you told Younger Me that Older Me would like So and Raising Hell, Younger Me would wretch. At the time, Run DMC and Peter Gabriel were so ubiquitous, I felt I would never need to hear “Walk This Way” or “Sledgehamer” for the rest of my life.
One advantage of growing older is no longer caring about looking at all fashionable.
Younger Me would have been puzzled by the inclusion of Dwight Yoakam on the extended list, to which Older Me would have to tell Younger Me to wait 9 years.
Younger Me: Oh, I was wondering whether I should get that Human League album. Is it really that good? Older Me: Yeah, but I don’t think you’d quite appreciate it at your station in life. Wait a few years. Younger Me: Really? How many? Older Me: 30.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
We’ve actually revisited 1992 earlier in the year, and this list hasn’t changed, although I did tack on L7 and Helmet in the extended list.
Wayne Horvitz / The President, Miracle Mile
Máire Brennan, Máire
Henryk Górecki, Symphony No. 3 (Dawn Upshaw, David Zinman, London Sinfonietta)
k.d. lang, Ingenue
Sade, Love Deluxe
En Vogue, Funky Divas
Prince and the New Power Generation, 0(+> (Love Symbol Album)
Emmylou Harris and the Nash Ramblers, At the Ryman
Kronos Quartet, Pieces of Africa
Robin Holcomb, Rockabye
Other favorites from the year:
The Sugarcubes, Stick Around for Joy
Faith No More, Angel Dust
Sonic Youth, Dirty
Helmet, Meantime
L7, Bricks Are Heavy
Helmet got caught up in the grunge craze of the early ’90s, even though they were clearly not grunge. Wikipedia says Helmet’s staccato riffage would influence Mastodon, Marilyn Manson, Nine Inch Nails, Korn and Linkin Park.
I’ll admit I picked up Meantime because of the grunge-adjacent marketing hype. I didn’t hold onto it, but like Shudder to Think’s Pony Express Record, I couldn’t shake it. So I brought it back into my collection when it was reissued on vinyl earlier in the year.
Bricks Are Heavy also suffered a bit of guilt by association. Butch Vig had been doing miraculous work with Smashing Pumpkins, Nirvana and Sonic Youth. Surely, L7 would follow in that vein. I didn’t warm up to it. I’m not sure how 25 years turned around my perception of the album, but it did.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The original list from 1994 didn’t even include an extended list. That’s how austere the selections from the year were.
Talitha Mackenzie, Solas
Freedy Johnston, This Perfect World
Wayne Horvitz/Pigpen, V as in Victim
Harry Connick, Jr., She
Guided By Voices, Bee Thousand
Everything But the Girl, Amplified Heart
Kronos Quartet, Night Prayers
Jayne Cortez and the Firespitters, Cheerful & Optimistic
John Zorn/Masada, Alef
Madonna, Bedtime Stories
Other favorites from the year:
Prince, The Black Album
Blur, Parklife
Pizzicato Five, Made in USA
Shudder to Think, Pony Express Record
Elliott Goldenthal, Interview with a Vampire
At the time of its limited release, I was actually very curious about The Black Album. Part of it was all the hype surrounding its initial aborted release, but I was still mostly ambivalent about Prince to pass on it. Its underdog status among Prince’s work makes me like it just a bit more.
A top 10 list I would have compiled in 1994 would have listed the Interview with a Vampire soundtrack. It’s actually a really good score. It’s too bad the movie sucked eggs. I watched twice — the first time to evaluate its faithfulness to the novel (somewhat), the second to evaluate it as a film (awful). The only thing that mars the soundtrack is the unfortunate cover of Sympathy for the Devil by Guns N’ Roses.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I had trouble coming up with a Favorite 10 of 1995, so I left it at nine. I’ve since had time to fill the remaining spot with an album I shouldn’t have let go.
Emmylou Harris, Wrecking Ball
The Klezmatics, Jews with Horns
John Zorn/Masada, Hei
Värttinä, Aitara
Björk, Post
Enya, The Memory of Trees
Kronos Quartet, Performs Philip Glass
Alanis Morissette, Jagged Little Pill
Tears for Fears, Raoul and the Kings of Spain
Tracy Chapman, New Beginning
Other favorites from the year:
Prince, The Gold Experience
Bang on a Can All-Stars, Industry
Janet Jackson, Design of a Decade, 1986-1996
Fugazi, Red Medicine
Radiohead, The Bends
Ned’s Atomic Dustbin, Brainbloodvolume
John Zorn, Elegy and Kristallnacht
A year-end list at the time would have included Tracy Chapman, but New Beginning got cut in purge before the original list was compiled. It took the discovery of her second album, Crossroads, for me to revisit New Beginning and realizing what a mistake I’d made.
The Gold Experience is a surprising entry in the extended list. The era when Prince was known by the Love Symbol was a creatively fraught time, so it overshadows just how good The Gold Experience is.
I’ve attempted to explore Radiohead in the past few years to understand my general ambivalence to them. So far, The Bends is the only album I really like, which is of course an obvious choice. Modern classical musicians all seem to love them, which surprises me. Café Tacuba does far more interesting work.
So many gay male artists are releasing new music this summer, it makes me wonder why they all didn’t put everything out in June. But muses can’t be rushed. Nor marketing plans.
Steve Grand, Not the End of Me, July 6
I listen to a lot of really serious music. I need Steve Grand to stop me from being too melancholy.
Luciano Berio, Sinfonia (Roomful of Teeth, Seattle Symphony, Ludovic Morlot), July 20
I went to the Saturday performance of this piece on the recommendation of my music theory professor.
Jake Shears, Jake Shears, Aug. 10
I’ve never really cottoned to Scissor Sisters, even though they seem to be in my wheelhouse.
Death Cab for Cutie, Thank You for Today, Aug. 17
The first two albums of Death Cab’s major label of phase made me wonder if they would follow R.E.M.’s downward creative trajectory in a similar fashion, but Codes and Keys and Kintsugi actually stemmed that tide. I’m not encouraged by the band’s comparison of this new album to Narrow Stairs, however.
Julee Cruise, Three Demos, Aug. 17
I loved Floating Into the Night, so I’m curious to hear these early drafts. A reissue of The Voice of Love also arrives the same day.
Troye Sivan, Bloom, Aug. 31
I was nowhere near the target market for Blue Neighborhood, but I liked it anyway.
Craig Armstrong, Sun on You, Sept. 7
Craig Armstrong is known more for his film scores, mostly because few of his studio albums get US releases. Here’s hoping a streaming release makes up for that drought.
Renée Fleming, Broadway, Sept. 7
A Broadway album? With Andrew Lloyd Webber’s “Tell Me on a Sunday”? And a song from Stephen Sondheim’s A Little Night Music that isn’t “Send in the Clowns”? OK, Renée Fleming, I’ll bite.
Prince, Piano and a Microphone 1983, Sept. 14
Sure, I’m curious enough to check out this set of demos, but what I’d like to know is when the vinyl reissue campaign will get to the Love Symbol album.
Vinyl
U2, Achtung Baby, July 27
U2, Zooropa, July 27
Zooropa is an odd album in the U2 canon, recorded in a spontaneous rush with experiments that work (“Numb”) and some that fail (“Lemon”). Despite a lavish repackaging, Achtung Baby had not yet been reissued in stand-alone black vinyl.
![[Jeremy Denk - c.1300-c.2000]](https://musicwhore.org/wp-content/uploads/2019/01/jeremy-denk-c1300-c2000-brdr-545-300x300.jpg)
![[Art of Noise - In No Sense? Nonsense!]](http://musicwhore.org/wp-content/uploads/2018/12/ArtOfNoiseInNoSenseNonsense-300x300.jpg)
![[Thompson Twins - Into the Gap]](http://musicwhore.org/wp-content/uploads/2018/12/ThompsonTwinsIntotheGap170433_f-300x289.jpg)
![[The Outfield - Play Deep]](http://musicwhore.org/wp-content/uploads/2018/12/TheOutfieldPlayDeep1985142461_f-300x294.jpeg)
![[Nakamori Akina - Fushigi]](http://musicwhore.org/wp-content/uploads/2017/12/nakamori-akina-fushigi-300x300.jpg)
![[Helmet - Meantime]](http://musicwhore.org/wp-content/uploads/2018/11/HelmetMeantime1992167799_f-300x300.jpg)
![[Soundtrack - Interview with a Vampire]](http://musicwhore.org/wp-content/uploads/2018/11/VariousArtistsSoundtracks12739_f-300x299.jpg)
![[Tracy Chapman - New Beginning]](http://musicwhore.org/wp-content/uploads/2018/11/TracyChapmanNewBeginning145003_f-300x300.jpg)
![[Prince - Piano & a Microphone 1983]](http://musicwhore.org/wp-content/uploads/2018/09/PrincePianoandaMicrophon195267_f-300x300.jpg)
![[Steve Grand - Not the End of Me]](http://musicwhore.org/wp-content/uploads/2018/07/steve-grand-not-the-end-of-me-300x263.jpg)