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Purchase log, 2019-03-19

[Pop Will Eat Itself - This Is the Day ... This Is the Hour ... This Is This!]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

This past weekend was the Friends of the Seattle Library Book Sale, which usually provides a few weeks’ worth of listening.

Catalog

CD
  • Aretha Franklin, Aretha’s Best
  • Atmosphere, Overcast!
  • Beck, Mutations
  • Billy Idol, Idolize Yourself: The Very Best of Billy Idol
  • bis, The New Transistor Heroes
  • Björk, Drawing Restraint 9
  • Bon Jovi, Slippery When Wet
  • Branford Marsalis Quartet, Crazy People Music
  • Daniel Lanois, Acadie
  • David Bowie, Pin Ups
  • Dawn Upshaw, Voices of Light
  • Einstürzende Neubauten, 80-83 Strategies Against Architecture
  • György Ligeti, Ligeti Edition 5: Mechanical Music
  • Jane’s Addiction, Nothing’s Shocking
  • Joanna Newsom, Ys
  • John Zorn, The Gift
  • Johnny Cash, American Recordings
  • Josquin des Prez / Giovanni Palestrina, Motets / Masses
  • Led Zeppelin, Led Zeppelin II
  • Lizz Wright, The Orchard
  • Lovage, Nathaniel Merriweather Presents … Lovage: Music to Make Love to Your Old Lady By
  • Mazzy Star, So Tonight That I Might See
  • Mike Patton, Adult Themes for Voice
  • Oingo Boingo, Dead Man’s Party
  • Osvaldo Golijov, Ainadamar
  • PJ Harvey, Let England Shake
  • PJ Harvey, Rid of Me
  • Pop Will Eat Itself, This Is the Day … This Is the Hour … This Is This!
  • Queen Latifah, Nature of a Sista
  • Robert Palmer, Addictions Volume 2
  • Roberta Flack, First Take
  • Sonic Youth, Washing Machine
  • Soundgarden, Louder Than Love
  • Spice Girls, Spiceworld
  • Stephen Sondheim, Putting it Together (Original Cast Recording)
  • The Beatles, Yellow Submarine
  • The Mars Volta, De-Loused at the Comatorium
  • The White Stripes, Get Behind Me Satan
  • Thelonious Monk Quartet with John Coltrane, At Carnegie Hall
  • Tom Tom Club, Tom Tom Club
  • William Grant Still, Africa
  • XTC, Nonsuch
  • Yaz, You and Me Both
  • Various Artists, Stay Awake
  • Soundtrack, Pride and Prejudice (BBC Television serial)
  • Soundtrack, Sen to Chihiro no Kamikakushi (Spirited Away)
  • Soundtrack, Sense and Sensibility
Vinyl
  • Dead Or Alive, Mad, Bad, and Dangerous to Know
  • Eleanor Steber, Barber: Knoxville: Summer 1915 / LaMontaine: Songs of the Rose of Sharon
  • Millions Like Us, Millions Like Us
  • Olivier Messiaen, Et Exspecto Resurrectionem Mortuorum / Couleurs de la Cité Celeste
  • Olivier Messiaen, Petites Liturgies de la Présence Divine
  • Olivier Messiaen, Tashi Plays Messiaen – Quartet for the End of Time
  • Robert Palmer, Clues
  • Robert Palmer, Double Fun
  • Robert Palmer, Maybe It’s Live
  • Robert Palmer, Pride
  • Robert Palmer, Sneakin’ Sally Through the Alley
  • Stephen Sondheim, Pacific Overtures (Original Broadway Cast)
  • William Schuman, Symphony No. 3 / Symphony for Strings
  • Yvonne Elliman, Yvonne
  • Soundtrack, A Room with a View

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Favorite Edition Rewind: 2000

[Tomosaka Rie - Shoujo Robot]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.

  1. Shiina Ringo, Shouso Strip
  2. Cocco, Rapunzel
  3. NUMBER GIRL, SAPPUKEI
  4. SUPERCAR, Futurama
  5. eX-Girl, Big When Far, Small When Close
  6. Sleater-Kinney, All Hands on the Bad One
  7. Idlewild, 100 Broken Windows
  8. FEED, Make Every Stardust Shimmer!
  9. Tomosaka Rie, “Shoujo Robot”
  10. Sade, Lovers Rock

Other favorites from the year:

  • Do As Infinity, Break of Dawn
  • Yaida Hitomi, daiya-monde
  • PJ Harvey, Stories from the City, Stories from the Sea
  • OBLIVION DUST, Butterfly Head
  • At the Drive-In, Relationship of Command
  • L’Arc~en~Ciel, REAL
  • Bonnie Pink, Let Go
  • MISSILE GIRL SCOOT, Fiesta!
  • Smashing Pumpkins, MACHINA/The Machine of God
  • m-flo, Planet Shining
  • Juanes, Fíate Bien
  • Emmylou Harris, Red Dirt Girl
  • U2, All That You Can’t Leave Behind
  • La Ley, Uno
  • Sinéad O’Connor, Faith and Courage
  • Soundtrack, High Fidelity
  • BBMak, Sooner or Later

At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.

Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯

Idlewild’s 1000 Broken Windows takes the spot vacated by U2.

Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.

I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.

The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.

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