It was bound to happen — an influx of Christmas gift money allows me to explore more albums after the year-end post goes online. None of these albums would knock off anything in the final list, but they’re definitely worthy of some belated consideration.
Anne Dudley, Anne Dudley Plays the Art of Noise
Anne Dudley, Gary Langan and J.J. Jeczalik rebooted the post-Trevor Horn version of the Art of Noise to reissue In Visible Silence. In the midst of it, Dudley released her own interpretations of Art of Noise tracks using mostly piano and percussion with some clever arrangements. The album was released in Japan, and the band hinted it would eventually see a US/UK release. I was not patient, and I think Art of Noise fans are missing out.
Dudley strips away the obfuscating aspects of the original Art of Noise tracks to bring out their musicality. On “Legs”, the croaking bass line turns into clusters that lose none of the original’s percussiveness. Added bonus: she covers the Buggles’ “Video Killed the Radio Star.”
Onitsuka Chihiro, Tiny Screams
I actually listened to Tiny Screams when it came out (via the Evil Sharing Networks) and vowed to get my own copy when the Christmas money came. The more I listened to it, the more I favored it over Cocco’s four-disc live extravaganza. The barebones arrangements of the original recordings somehow get stripped even further and become more intense (“BORDERLINE”).
R.E.M., Automatic for the People (Deluxe Edition)
I’ve already gone on record about my ambivalence toward Automatic for the People. I wasn’t inclined to get the deluxe edition of the album till I heard its companion live disc playing in-store at Easy Street Music. The playlist mixes just the correct amount of new material with familiar, throwing in a surprise on occasion. If anything, I’ve played the live disc — R.E.M.’s only concert in 1992 to promote the album — more times than I have the remastered album.
Leo Imai, Film Music EP
OK, I need to follow Leo Imai on some sort of social media site. Last I paid attention, Imai released his third solo album, Made from Nothing, in 2013. Since then, he formed another group, Metafive, and now he’s released an album of film music. The Film Music EP is available in the US through online services, but the full Film Music album is available only at live shows.
Imai has grown bolder as a writer. The four instrumentals on Film Music EP refract the influence of his KIMONOS bandmate Mukai Shuutoku, but “Videotape” shows Imai can be catchy when he wants to be.
Tags: anne dudley, favorite edition, leo imai, onitsuka chihiro, r.e.m., the art of noise
2017 was a rather active year in music, but when it came to new releases, I opted to leave a lot of stuff on the shelf. A decade ago, new albums by Arcade Fire and Grizzly Bear would have been breathlessly awaited. I don’t get the sense either had much staying power beyond their release dates.
As a result, I ended up purchasing a total of 34 new titles, approximately 7 percent of my total buying activity. The remaining purchases? Catalog and reissues. This list, in other words, comes from a small pool of albums.
- Onitsuka Chihiro, Syndrome
- Royal Wood, Ghost Light
- RADWIMPS, Your name.
- Sam Smith, The Thrill of It All
- Sam Amidon, The Following Mountain
- Kronos Quartet, Folk Songs
- Gaytheist, Let’s Jam Again Soon
- Living Colour, Shade
- Jason Isbell and 400 Unit, The Nashville Sound
- Renée Fleming, Distant Light
Sam Smith and Living Colour are the big changes from the mid-year list. The Thrill of It All isn’t as weird as I hoped it could be, but it’s a more appealing album than Smith’s debut.
Shade is the perfect soundtrack for the frustration of living under the current administration. Pre-release press mention the blues as a springboard for the album, but really, Living Colour transform the blues in ways that are nigh unrecognizable.
Other favorites from the year:
- Eluvium, Shuffle Drone: I hate both the repeat and shuffle buttons on my playback mechanisms. That said, Matthew Cooper deserves mad props for creating an album that puts both buttons to excellent use.
- Sampha, Process: I admit I didn’t listen to this album till a few weeks ago, once it started showing up on year-end favorite lists.
- David Rawlings, Poor David’s Almanack: My long-simmering discovery of Gillian Welch will have to wait for another entry, but it’s the reason David Rawlings shows up here.
- Shiina Ringo, Gyakuyunyuu ~Kuukoukyoku~: Part of me misses the rocking Ringo-chan of the early 2000s, but then hearing these songs side-by-side with the artists who recorded them first deepens my appreciation for her.
- Sufjan Stevens / Nico Muhly / Bryce Dessner / James McAlister, Planetarium: It helps to have heard this album with a laser light show.
- The Drums, Abysmal Thoughts: Jonny Pierce takes over the show.
- Cocco, Cocco 20 Shuunen Kinen Special Live at Nippon Budokan ~Ichi no Kan x Ni no Kan~: The live performances don’t stray too far from what’s heard in the studio, but Cocco’s voice doesn’t seem to have aged a bit.
- Duran Duran, Thanksgiving Live at Pleasure Island: If you’re a fan of the seriously-underrated Medazzaland, this live album is a must-have.
Tags: bryce dessner, cocco, david rawlings, duran duran, favorite edition, gaytheist, james mcalister, jason isbell, kronos quartet, living colour, nico muhly, onitsuka chihiro, radwimps, renee fleming, royal wood, sam amidon, sam smith, sampha, shiina ringo, sufjan stevens
When you can find a second-hand vinyl copy of Suzanne Vega’s Solitutde Standing for $1, does the world really need a reissue that costs $30? Same goes for the soundtrack to Top Gun — was it really such a cultural watershed?
Vinyl reissues make up just a sliver of recorded music sales, but it’s the only sector experiencing rapid growth. So if Please Hammer Don’t Hurt ‘Em by MC Hammer can get a reissue, then nothing should stop the following titles from showing up on wax. From what I can tell, none of these titles have ever been issued on vinyl.
Fastball, All the Pain Money Can Buy
The stars aligned for Fastball on this album, but tensions in the band prevented them from capitalizing on that momentum. It still holds up well after nearly 20 years.
Patty Griffin, Flaming Red
You need look no further than Silver Bell to hear how well Flaming Red would sound on vinyl. Griffin doesn’t usually indulge her rock side, but like the title of this album, she burns when she does.
Freedy Johnston, This Perfect World
This album was in constant rotation on my player back in 1994, and I didn’t care if it storm up the charts. It didn’t, so the likelihood for a reissue are slim.
Hajime Chitose, Hainumikaze
I’ve so far not been impressed by vinyl pressings of domestic Japanese albums. The market is still driven mostly by CDs, so Japanese labels don’t put much care into the sound of vinyl releases. In my fantasy world where they did, I would so want to hear Hajime Chitose’s voice on vinyl.
Onitsuka Chihiro, INSOMNIA
All the ballads on this album should make remastering it for vinyl not insurmountable. Right?
Hem, Rabbit Songs
I’m surprised the only album in Hem’s discography available on vinyl is Departures and Farewells. I would have thought Rabbit Songs had been reissued a long time ago.
Utada Hikaru, Ultra Blue
The last Utada album to be issued on vinyl was DEEP RIVER.
Duran Duran, Medazzaland
The masters for Duran Duran’s most underrated album is owned by the band, so the fate of a vinyl reissue is entirely up to them. Nick Rhodes has mentioned he would love to see it happen.
Tags: duran duran, fastball, freedy johnston, hajime chitose, hem, onitsuka chihiro, patty griffin, utada hikaru, vinyl collecting
I usually publish this entry at the start of July. Unfortunately, all the releases in which I’m most interested came out in June, and I didn’t want to make hasty judgements. So I held off till I had a few weeks to live with these latecomers.
Labels, why did you all wait till the middle of the year? Couldn’t you have spread some of this joy over the previous 6 months?
- Onitsuka Chihiro, Syndrome: This album really recaptures the sound and mood of her debut album.
- Royal Wood, Ghost Light: This album was released in 2016 but limited to Canada. So I’m calling it a 2017 album because of its worldwide release in January. The Burning Bright is so far Wood’s best album, but Ghost Light isn’t a slump for a follow-up.
- Renée Fleming, Distant Light: I’m not sure Fleming’s sound suits Samuel Barber’s Knoxville 1915, but the orchestral arrangements of Björk songs works really well.
- RADWIMPS, Kimi no Na wa: I’m pretty much throwing this soundtrack on the list because the movie was amazing, and it’s impossible to hear “Katawaredoki” without tearing up. (You just have to watch the movie to understand.) The English version of the songs came out really well.
- Sam Amidon, The Following Mountain: Amidon does some strange things with traditional material, but this time around he writes his own songs and lets his jazz side out a bit more.
- Kronos Quartet, Folk Songs: Kronos takes a back seat to the singers — who include Amidon, Olivia Chaney, Rhiannon Giddens and Natalie Merchant — but these arrangements of mostly traditional songs are far from genteel.
- Jason Isbell and 400 Unit, The Nashville Sound: Isbell is the kind of songwriter whose music continues to play in your head after it’s finished on the player.
- Gaytheist, Let’s Jam Again Soon: Oh, it’s loud!
- Sufjan Stevens / Nico Muhly / Bryce Dessner / James McAlister, Planetarium: I don’t know if this album needs to be 75 minutes long, but it’s a fascinating listen nonetheless.
Tags: bryce dessner, favorite edition, gaytheist, james mcalister, jason isbell, nico muhly, onitsuka chihiro, radwimps, renee fleming, royal wood, sufjan stevens
The moment I announced I’m taking a break, a whole bunch of new releases appear on the schedule. I’d be remiss not to preview them.
Royal Wood, Ghost Light, Jan. 27
Ghost Light was released in Canada back in April 2016, but an international release had to wait till now. The cover for this edition — Wood in silhouette — matches the title, but I prefer the Canadian cover because Wood looks hotter in a t-shirt.
Sleater-Kinney, Live in Paris, Jan. 27
I’m still kicking myself for missing the band’s three-night run in Seattle.
Onitsuka Chihiro, Syndrome, Feb. 1
I haven’t paid much attention to Onitsuka Chihiro since her lackluster cover album FAMOUS MICROPHONE. So it was a surprise to find out she’s on yet another new label, and she released an independent album with a band in 2014.
Deee-Lite, World Clique (Deluxe Edition), March 3
Yeah, it’s about time this album got the reissue treatment.
George Michael, Listen Without Prejudice, Vol. 1 (Deluxe Edition), March 3
I’ll deal with George Michael’s untimely death in a future entry. I didn’t pick up this album till after I heard the news, and I can understand both the initial underwhelming reception and its subsequent critical acclaim.
Cocco, 20 Shuunen Request Best + Rare Track, March 21
What? I’ve been listening to Cocco for 20 years now?
The Old 97s, Too Far to Care, Jan. 13
When I first started buying up vinyl in 2013, I considered getting the reissue of Too Far to Care. I decided against it because I wanted to track down titles preceding the CD era first. By the time I was ready to get it, all the copies had been snatched up. I snagged a used copy two weeks before I saw Music on Vinyl would reissue the original album without the bonus tracks. *sigh*
MONO, Under the Pipal Tree, Jan. 20
I don’t think MONO really topped this debut album till Hymn to the Immortal Wind.
Madonna, The Immaculate Collection (Colored Vinyl), Jan. 24
Am I really going to drop cash on a compilation where I have most of the tracks on other vinyl releases? Evidently.
Eurythmics, Greatest Hits, Jan. 27
I still have all the Eurythmics albums I bought back in the ’80s. I only had to flesh out my collection with In the Garden and We Too Are One.
Madonna, Confessions on the Dance Floor, Jan. 31
This album was really welcome after a pair of back-to-back disappointments with Music and American Life.
Eluvium, Copia, Feb. 3
I would be so on board with a reissue of An Accidental Memory in Case of Death.
Duran Duran, The Wedding Album, Feb. 10
Let’s see if this release date sticks. I think it’ll have been nearly a year since this reissue popped up on the schedule.
John Zorn, Spy Vs. Spy: Music of Ornette Coleman, March 3
I found an original Nonesuch pressing of this album many months back, but it’s a definite recommendation for anyone who loves Naked City.
Tags: cocco, deee-lite, duran duran, eluvium, eurythmics, george michael, john zorn, looking ahead, madonna, mono, onitsuka chihiro, royal wood, sleater-kinney, the old 97s