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Purchase log, 2018-06-19

[NUMBER GIRL - Shibuya ROCKTRANSFORMED Joutai]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Black Flag, Damaged
  • D’Angelo, Voodoo
  • GLAY, pure soul
  • Joni Mitchell, Blue
  • Joni Mitchell, The Hissing of Summer Lawns
  • The Beatles, Abbey Road
  • The Human League, Crash
Vinyl
  • Joni Mitchell, Blue
  • Joni Mitchell, The Hissing of Summer Lawns
  • Sade, Lovers Rock
  • Sade, Soldier of Love
Blu Ray
  • NUMBER GIRL, Shibuya ROCKTRANSFORMED Joutai
  • NUMBER GIRL, Kirorku Eizou LIVE 1999-2002

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Favorite Edition: Desert Island

[Duran Duran - Rio]

Nobody talks about desert island discs any more.

In fact, a whole generation of readers might find the premise a bit preposterous — a list of 10 albums with which you would want to be stranded on a desert island. You had to suspend belief that you had an infinite electrical supply and a working playback device.

Then music escaped its physical confines, and iPods allowed people to carry entire music collections with them, which today’s subscription services dwarf in terms of supply.

But the desert island disc list still makes for a good thought exercise — in this era of abundance, what would you do in a moment of scarcity? What 10 albums feel as comfortable and reliable as that old jacket or blanket?

I think it’s only in the last decade that my list has finalized.

Duran Duran, Rio

As a teenager, my desert island disc list would have probably included Duran Duran in most slots. While I would hate to leave behind The Wedding Album, Rio is pretty much the go-to album for any Duranie.

Kronos Quartet, Black Angels

The Quartet for Strings No. 8 by Dmitri Shostakovich would be my desert island classical piece — I never tire hearing it. This album introduced me to the piece, and the title work has also become essential repertoire for me.

John Zorn, Naked City

I imagine there will be many frustrating days living on a desert island, and this album would help greatly to cope with those days.

Emmylou Harris, Wrecking Ball

Growing up in Hawaii meant automatically dismissing country music. Emmylou Harris introduced me to the better stuff.

Neutral Milk Hotel, In the Aeroplane Over the Sea

I was introduced to this album in 2009, right around the time it was starting to get difficult to find something new to move me. So yeah, I was surprised myself.

Cocco, Bougainvillia
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
Shiina Ringo, Karuki Zaamen Kuri no Hana

I feel a bit self-conscious over the fact three Japanese titles show up on this list, but given the number of really good albums that clustered around 1999-2004, it’s was tough keeping SUPERCAR, AJICO and fra-foa off the list, let alone the two Shiina Ringo albums that preceded Karuki Zaamen Kuri no Hana.

Robin Holcomb, Robin Holcomb

This album reminds me that pop songwriting doesn’t always need to be sweet.

U2, The Joshua Tree

To be honest, this album usually fights for its spot on the list with In Tua Nua’s The Long Acre.

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45 Albums for 45 Years: A Birthday Retrospective (1990s)

[Talitha Mackenzie - Solas]

An analysis of Spotify data in 2015 quantified how listeners stray from popular titles as they age. I don’t know if the music I listened to in my 20s could have ever been called “popular”, but compared to the excitement of discovery in the ’80s, the ’90s were bit of a let-down.

Grunge was conflated to represent all forms of post-punk music, and the major label gold rush to find the next Nirvana eventually dead-ended into Nickelback. In response, I took up Celtic music, downtown New York jazz, modern classical music, Japanese indie rock and country music.

I was at sea.

Shiina Ringo, Shousou Strip

Sure, the loud guitars, infectious melodies and epic production could have won me over, but it was the conclusion of “Gibusu” where the effects go utterly bugfuck that convinced me Shiina Ringo was a keeper.

NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT

I may have eventually found my way to Sonic Youth and Pixies by some other means, but it was NUMBER GIRL that was my gateway to old school punk.

Madonna, Ray of Light

This album arrived when I was exploring the gay bars in Austin after I moved away from home. I still like this album. I cannot say the same for gay bars or Austin.

Neutral Milk Hotel, In the Aeroplane Over the Sea

Like probably most people who love this album to death, I didn’t discover it till about many, many years after it was released. But it has enough of a late-’90s patina to evoke that period.

Cocco, Bougainvillia

The few articles about Cocco translated into English I found on the Internet at the time seemed to credit her for paving the way for Utada Hikaru and Shiina Ringo, and we should all be thankful for that.

Steve Reich, Music for 18 Musicians (Nonesuch)

I wouldn’t encounter this 1996 Nonesuch recording till it was compiled in a 2005 boxed set. Philip Glass was waning as my favorite minimalist, and this recording pretty much catapulted Reich to the top.

Emmylou Harris, Wrecking Ball

The only people in Hawaii who listened to country music lived on the military bases. But a interview promo disc of Emmylou Harris talking about Wrecking Ball got me interested in the album. It made my move to Austin, Texas two years later slightly more plausible.

Talitha Mackenzie, Solas

As much I loved Clannad and Enya, Talitha Mackenzie drew the connections between Scottish waulking songs and hip-hop, Bulgarian folk music and techno.

Duran Duran, The Wedding Album

It was great seeing people getting back into Duran Duran, but I don’t think my love for this album would have been reinforced without the aid of the Tiger Mailing List, the first Internet community in which I participated.

Smashing Pumpkins, Gish

Nevermind would have been the easy choice, but I would have never picked up the seminal Nirvana album if Butch Vig hadn’t worked with Smashing Pumpkins on Gish beforehand.

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Looking ahead: January-April 2016

[Henryk Górecki - Symphony No. 4]

Henryk Górecki, Symphony No. 4, The Tansman Episodes, Jan. 22

First announced for a release in September 2015, then October, this posthumous symphony finally arrives. I bet the hold up was coordinating with the vinyl release of Górecki’s Symphony No. 3.

Conrad Keely, Original Machines, Jan. 22

Part of me is always skeptical about solo projects, but the two tracks previewed by Superball Music on YouTube has me optimistic about this album.

 Santigold, 99 Cents, Feb. 26

Does anyone else get the sense that the anticipation for this album has been a bit tepid? Her label doesn’t seem to be pouring much effort in getting the word out.

Royal Wood, Ghost Light, April 22

I hope the creative momentum Royal Wood started with The Burning Bright continues with this next release.

Vinyl

Björk, Vulnicura Strings, Jan. 8

I still can’t figure out if I like Vulnicura Strings over Vulnicura.

Henryk Górecki, Symphony No. 3, Jan. 22

In anticipation of this release, I listened to Górecki’s previous symphonies. The Third definitely deserves its chart-topping status, but the symphonies leading up to it are far more demanding.

Sonic Youth, Goo, Jan. 26

I actually found a used copy of this album on vinyl selling for a not-exorbitant price, but if I didn’t, I would be picking it up.

Original Soundtrack, High Fidelity, Jan. 29

This release is regular black vinyl. I do see the Record Store Day orange vinyl pressing about town, though.

NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT, Jan. 29

NUMBER GIRL, SAPPUKEI, Jan. 29

NUMBER GIRL, NUM-HEAVYMETTALIC, Jan. 29

My brother’s Amazon Japan gift certificate arrives just in time.

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