It looks like the January break is going to last for a bit longer.
At the start of January, I took a trip home to inspect a box of records my mom discovered. It turned out to be most of my dad’s records and a fraction of my brother’s collection. My two sisters’ meager collections were nowhere to be found.
I shipped everything worth taking. (A number of Disney storybook records were unsalvageable.) Alas, I had run out of shelf space to accommodate the new arrivals.
So I spent a weekend assembling new shelves and moving old shelves around, all the while listening to some my brother’s penchant for hard rock and light metal.
By the time I was finished organizing everything, the month had ended. So I’ve written nothing, but I’ve listened to a lot.
And I’ll share it with you once I make sense of it.
That sure was a lot of writing I did in November and December. So much so that I’m taking a break for the month of January. Purchase Log entries will continue in the interim, but new entries begin again in February.
I don’t write about my music projects here on Musicwhore.org because that’s not the intent of the site. It’s all about other people’s music that I admire.
But I have to say I’m really proud of the album I released at the end of March.
It’s titled Travis, and most of the songs were written around the time I was preparing to leave Austin, emotionally if not physically.
I actually finished recording it back in 2016, but I had other things I wanted to release before then. So I’ve had two years to live with the finished product, and it’s so far the best-sounding album I’ve recorded. Upgrading some components of my home studio to use a better class of software helped a lot.
I also stretched my abilities as a self-taught audio engineer, relying slightly less on computers to make up for my faults as a musician.
Somehow I managed to keep up a publishing schedule through one of the busiest quarter’s I’ve encountered in my remedial academic career. Yes, that’s right — I’ve been juggling school, work, music projects and this blog.
So now it’s time to recharge a bit and give 2018 a chance to unfold its musical offerings.
Musicwhore.org is going on a break for the month of January. That is, I’ll take time in January to write new entries that I hadn’t been writing in December. And those new entries won’t show up till February.
If I were to be technical about it, Musicwhore.org was born on Sept. 21, 2000, when I registered the domain name.
There’s a few problems.
I had already been writing music reviews online for at least a year before hand, and some of those entries can be found in the earliest archive. This review of Freedy Johnson’s Blue Days, Black Nights dates back to Aug. 1, 1999. But it was published when the site was called The Soloist’s Notebook, and that date isn’t very accurate because that entry in particular was written before systems such as Movable Type and WordPress came into widespread use.
In that case, Musicwhore.org didn’t so much launch as it did re-brand.
I’m inclined to consider the domain registration date as the official starting point for the site, since no other record seems more definitive.
That means this site is 16 years old. The web itself is only 25 years old. I’ve been building web pages since 1995. Let’s break down those stats.
I’ve been working on the web for 21 out the web’s 25 years, or 84 percent of the web’s life time.
I’ve been writing for this site for roughly 16 of those 21 years, or 76 percent of my web career.
Because I haven’t taken down any of the old versions of the site, I’ve got 16 years bad and half-baked opinions out there for search engines to crawl and for readers to ignore.
It’s probably time to take a look back at some of that stuff to see how badly off-the-mark I was. I might do so in addition to the weekly entries.
Should be fun.
P.S. Happy Birthday, Musicwhore.org! You’re not old enough to be drafted, but you may get your driver’s permit just yet!