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Purchase log, 2019-05-21

[Soundtrack - Macross: Ai Oboete Imasu Ka?]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

I traveled to Austin for the record convention this past weekend. I didn’t find much of what I wanted, but I did find a lot of what I didn’t know I wanted. This list includes purchases at Waterloo Records and End of an Ear.

New releases

CD
  • Jamila Woods, Legacy! Legacy!
  • Kronos Quartet with Masha and Marjan Vadat, Placeless

Catalog

CD
  • a-ha, Hunting High and Low
  • Bill Frisell, Before We Were Born
  • Dwight Yoakam, Buenas Noches from a Lonely Room
  • Grizzly Bear, Shields
  • Johnny Cash, At Folsom Prison
  • Joy Division, Closer
  • Robert Palmer, Pride
  • Robert Palmer, Some People Can Do What They Like
  • Shovels & Rope, Swimmin’ Time
  • Tomita, The Planets
  • Witold Lutoslawski, Symphonies / Concertos / Vocal and Choral Works
Vinyl
  • Branford Marsalis Quartet, Crazy People Music
  • Everything But the Girl, Everything But the Girl
  • Franz Josef Haydn, Streichquartette, op. 20, 2 & 4 (Quarteto Esterhazy)
  • Giovanni Palestrina, Pope Marcellus Mass / Stabat Mater / Three Motets (Pro Cantione Antiqua, Bruno Turner)
  • Janet Jackson, Janet Jackson
  • Johnny Cash, At Folsom Prison
  • Kacey Musgraves, Same Trailer Different Park
  • Marilyn Manson, Antichrist Superstar
  • Megadeth, So Far … So Good … So What!
  • Olivier Messiaen, La Nativité du Seigneur (Jennifer Bate)
  • Olivier Messiaen / Toru Takemitsu, Messiaen: Turangalîla Symphony / Takemitsu: November Steps (Toronto Symphony, Seiji Ozawa)
  • Seawind, Seawind
  • The Old 97s, Too Far to Care
  • Soundtrack, Macross: Ai Oboete Imasu Ka?
  • Soundtrack, The Iron Giant
  • Various Artists, Brown Bags to Stardom
  • Various Artists, Boulez, Messiaen & Koechlin
  • Various Artists, Music by Busoni, Franz Schmidt and Lutoslawski

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Favorite Edition Rewind: 1996

[Café Tacuba - Avalancha de Exitos]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1996 was my final year in college, a year before I would earn the kind of disposable income that would go into building a music collection. While the Favorite 10 of 1996 remains mostly unchanged, the extended list includes many more discoveries I couldn’t afford to hear at the time.

  1. Soundtrack, William Shakespeare’s Romeo + Juliet
  2. Värttinä, Kokko
  3. Soundtrack, Robotech Perfect Collection
  4. Asylum Street Spankers, Spanks for the Memories
  5. Various Composers, Gay American Composers
  6. Original Cast Recording, Rent
  7. Marilyn Manson, Antichrist Superstar
  8. Everything But the Girl, Walking Wounded
  9. Shawn Colvin, A Few Small Repairs
  10. Robin Holcomb, Little Three

Other favorites from the year:

  • Midnight Oil, Breathe
  • Dead Can Dance, Spiritchaser
  • Emmylou Harris, Portraits
  • Kronos Quartet, Howl USA
  • UA, 11
  • Yen Town Band, Montage
  • Neutral Milk Hotel, On Avery Island
  • Aphex Twin, Richard D. James Album
  • Weezer, Pinkerton
  • Sleater-Kinney, Call the Doctor
  • Clannad, Lore
  • Café Tacuba, Avalancha de Exitos

I could actually add more titles from Wilco, Helmet, Gillian Welch, DJ Shadow and Amuro Namie to the extended list, but I haven’t lived with them as long as the ones I’ve already added.

I owned the Richard D. James album at one point. It was a promo from the student newspaper, but I was such a neophyte with EDM that I couldn’t make heads or tails of it. As it turns out nobody could really make heads or tails of it.

The original extended list didn’t include Lore because it had already fallen victim to a collection purge. I rediscovered the album after the death of Padraig Duggan.

Avalancha de Exitos was the first album by Café Tacuba I would encounter, but I wouldn’t purchase it till many years later. I borrowed it from a friend and liked it. But I stayed away from it because it’s a cover album of music of which I had no reference.

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