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Looking ahead: January-March 2015

[Sleater-Kinney - No Cities to Love]

Barely two weeks into 2015, and the release schedule for the rest of the first quarter looks incredibly busy. Some of them are Musicwhore.org favorites, and others ought to be.

Sleater-Kinney, No Cities to Love, Jan. 20

NPR First Listen has featured No Cities to Love in this week before the album’s release, and damn if it doesn’t sound like Sleater-Kinney never went away.

The Decemberists, What a Terrible World, What a Wonderful World, Jan. 20

It’s probably too much to ask for this album to be the best R.E.M. has recorded since splitting up.

Exposé, Exposure (Deluxe Edition), Jan. 20

For an ’80s radio pop album, Exposure is pretty enduring. A deluxe edition, though, means endless remixes of the album’s four hit singles.

Kate Pierson, Guitars and Microphones, Feb. 17

Cindy Wilson’s absence was sorely felt on the B-52’s Good Stuff, the follow-up to the massive hit Cosmic Thing. So it’ll be interesting to hear how Kate Pierson sounds without the rest of the band around her.

Gang of Four, What Happens Next, Feb. 24

That’s the question with only Andy Gill as the only remaining original member of the band.

Shiina Ringo, “Shijou no Jinsei”, Feb. 25

Post-Tokyo Jihen Shiina Ringo has been sparse with new music, but with a new single arriving barely three months after an album, does this mean the drought has ended?

Madonna, Rebel Heart, March 10

I’m so past hoping this album is anywhere within league of Like a Prayer, Ray of Light or, heck, even Bedtime Stories. MDNA was just plain forgettable.

Inventions, Maze of Woods, March 17

Now, that’s a quick turn-around.

Death Cab for Cutie, Kintsugi, March 31

Chris Walla is no longer with the band and consequently no longer at the producer’s desk. Codes and Keys is the closest Death Cab has reached to the sublimity of The Photo Album or Transatlanticism since signing to a major label. So this album is pretty much make-or-break.

Björk, Vulnicura, March 2015

The most interesting aspect of this announcement, for me, is the silence from Nonesuch Records regarding its release.

Vinyl reissues

Guided By Voices, Bee Thousand, Jan. 27

On my list of Albums I Want Reissued on Vinyl, Bee Thousand resides in the upper echelon. Previous entries on said list included The Woods by Sleater-Kinney, The Photo Album by Death Cab for Cutie, the self-titled Metallica album and Floating Into the Night by Julee Cruise. All these titles appeared in 2014.

Sigur Rós, Ágætus Byrjun, Feb. 17

I’m also holding out hope for a Takk … reissue.

LOVE PSYCHEDELICO, ABBOT KINNEY, Feb. 18

All of LOVE PSYCHEDELICO’s albums are getting a vinyl reissue to coincide with a pair of retrospectives coming out the same day. ABBOT KINNEY, however, is the duo’s best.

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Looking ahead: MONO, … Trail of Dead, U2

[MONO - Rays of Darkness]

I forgot to include a few titles from the last round-up.

U2, Songs of Innocence, Oct. 14

Yeah, I’m old enough to have actually downloaded this album from the iTunes, and yes, I know exactly who U2 is. Giving away an album for free can really backfire if the album in question doesn’t spur a fan to buy a physical copy. I may drop the cash because Songs of Innocence is better than No Line on the Horizon. Unfortunately, it’s as forgettable as anything the band has produced since the end of the last century.

MONO, The Last Dawn, Oct. 28
MONO, Rays of Darkness, Oct. 28

I’m rather glad MONO has finally realized that their orchestral sound can only go so far, and I look forward to hearing the reportedly rawer sound. But two albums?

… And You Will Know Us by the Trail of Dead, IX, Nov. 4

What can I say? I’m a sucker for the grandeur.

Fugazi, First Demo, Nov. 11

As a latecomer to Fugazi, the news of a release of music I’ve so far not yet encountered is pretty much equivalent to saying it’s a new album.

And these releases just hit retail:

John Luther Adams, Become Ocean

Part of me was really tempted to catch the premiere of this work by the Seattle Symphony, but I’m not as familiar with John Luther as I am with John Coolidge. NPR First Listen previewed the album, and skeptic though I may be of accolades — including a Pulitzer — this one was well deserved.

yMusic, Balance Problems

I think my fascination with New Amsterdam Records has cooled off a bit, but the label still grabs my attention from time to time. This collection includes pieces by Nico Muhly, Timo Andres and Sufjan Stevens. What? No Bryce Dessner or Richard Reed Parry?

 

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Looking ahead: Steve Reich, Nico Muhly, Cocco, Shiina Ringo

[Steve Reich - Radio Rewrite]

In the past, I’d feature upcoming releases that were editorially interesting. That is, they looked interesting even if I would never listen to them. I’m changing that policy to feature only things I plan on exploring myself.

The Drums, Encyclopedia, Sept. 23

I admit — I started listening to The Drums because I caught a video of “Forever and Ever, Amen” and thought Jonny Pierce’s shirt … accentuated his physique. He tripped my gaydar, unreliable as it is. The self-titled debut album was pretty good. The follow-up, not as much. I’m willing to give this third album a shot, now that the band is down to a duo.

Steve Reich, Radio Rewrite, Sept. 30

Whatever Radiohead references Reich throws into this piece will be totally lost on me given my ambivalence about Radiohead, but I am interested to hear Jonny Greenwood’s complete re-recording of Electric Counterpoint.

Nico Muhly, Two Boys, Sept. 30

I was wondering at what point Nonesuch would snag Nico Muhly for a recording.

Sam Amidon, Lily-O, Sept. 30

I look forward to hearing what Bill Frisell contributes to Sam Amidon’s modernized folk.

Cocco - 「プランC」

Cocco, Plan C, Oct. 8

Part of me wondered whether Pas de Bourée was something to tide fans over till a proper album release. The next question is whether it’s a harbinger of what’s to come.

Shiina Ringo, Hi Izuru Tokoro, Nov. 5

Shiina Ringo resumed releasing singles as a solo artist a year before disbanding Tokyo Jihen, and she’s put out four thus far. Taken together, they don’t really hint at a direction her music would go. Her self-cover album Gyakuyunyuu was a fascinating mess. I’m interested to see how she pulls it all together.

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