… And You Will Know Us by the Trail of Dead, X: The Godless Void and Other Stories, Jan. 17
When Trail of Dead announced they would take a hiatus after releasing their ninth album, it felt like the right time. They’d been at it for 20 years, and they sure deserved the break. Their return is also nicely timed — I have to say I’ve missed them.
Ben Watt, Storm Damage, Jan. 31
I’m still somewhat surprised Ben Watt has spent his post-Everything But the Girl solo career thus far being a troubadour.
Neneh Cherry, Raw Like Sushi (Deluxe Edition), Jan. 31
I came around to this album quite late, but I’m glad to see it get some deluxe treatment.
CHARA+YUKI, echo, Feb. 14
The closest thing we’ll get to a MEAN MACHINE reunion.
Onitsuka Chihiro, REQUIEM AND SILENCE, Feb. 20
Onitsuka Chihiro commemorates the 20th anniversary of her debut with yet another compilation, this one spanning three major labels.
Sam Sparro, Boombox Eternal, Feb. 21
If the pre-release single “Everything” reflects the remainder of the album, I’m on board.
Clannad, In a Lifetime Anthology, March 13
I probably don’t need this anthology given the depth of my Clannad collection, but I wait eagerly for news of US dates on their farewell tour.
LOVE PSYCHEDELICO, 20th Anniversary Box, March 25
Another band celebrating their 20th anniversary is LOVE PSYCHEDELICO. The 20th Anniversary Box compiles 4 CDs of singles, a Blu Ray or DVD of the duo’s acoustic tour, an LP of acoustic recordings and a score book. I’m tempted by the score book alone. The singles collection will also be sold separately (COMPLETE SINGLES 2000-2019), and the acoustic recordings will be released on vinyl (TWO OF US Acoustic Recording Session at VICTOR STUDIO 302.)
Unlike 2018’s Both Directions at Once, this album is not so much lost as unreleased. Coltrane recorded a soundtrack for the film Le chat dans le sac, but most of the sessions were not used in the final cut.
Sturgill Simpson, Sound and Fury, Sept. 27
Judging by the first single, I don’t think this album can be called “country.” The fact it will be accompanied by an anime film is about as far from country as anyone gets.
BBMAK, Powerstation, Oct. 11
Finally! A date! Albeit for the digital release. I don’t need an autographed copy of the CD, which is available for pre-order on the band’s site. I’m hoping a normal, vanilla pre-order will be available. Soon.
Jason Isbell and 400 Unit, Jason Isbell and 400 Unit, Oct. 18
I remember when I was really getting into Southeastern, I tried listening to Isbell’s previous albums. At the time, I didn’t really warm up to Sirens in the Ditch or the self-titled album with 400 Unit. I think enough time has passed since then to revisit what I passed over. Also arriving on the same date is Here We Rest. Both albums have been remixed and remastered.
Michael Kiwanuka, Kiwanuka, Oct. 27
I picked up Michael Kiwanuka’s debut, Home Again, from Goodwill for $1.99. I liked it enough to pick up Love & Hate at full price.
One new song out of a 52-track career retrospective? I think I’m fine.
The Replacements, Dead Man’s Pop, Sept. 27
Don’t Tell a Soul was the first album I bought from the Replacements, so I’m interested to hear this period of the band’s history expanded on this boxed set.
Cocco, Star Shank, Oct. 2
Three years is pretty much the average gap between Cocco albums these days, now that she’s diversified into fashion, films, stage acting and literature. So she’s right on schedule.
Explosions in the Sky, The Rescue, Aug. 16 Explosions in the Sky, How Strange Innocence, Aug. 16
Explosions in the Sky wrote and recorded The Rescue in two weeks, and it’s a surprisingly tight album given its self-imposed constraints. Previously available only at the band’s shows, it gets a vinyl reissue for the band’s 20th anniversary.
Pinback, Summer in Abaddon (15th Anniversary Edition), Sept. 27
During my days as a record store employee, I got the impression Pinback was a fairly mellow band. So when I found this album at the thrift store, I was taken aback by how boisterous it was.
NUMBER GIRL, Kanden no Kioku, Nov. 3 NUMBER GIRL, DESTRUCTION BABY, Nov. 3
Just as Universal was starting to neglect NUMBER GIRL’s albums, the band reunites and gives the label a reason to dig into the archives. Oh, thank goodness.
Midnight Oil, Breathe Tour 97, Nov. 29
I’m unclear about whether this album was actually released on Record Store Day 2019. It showed up on the list, only to disappear as the April date approached. But it’s up on Discogs, so … where was it available? And is this reissue vaporware?
I would not have been interested in remixes when Control came out, but I bet I’ve heard them without realizing I have.
Re-Flex, Politics of Dancing (Deluxe Edition), July 26
The title track alone is probably worth the price of the entire album. It’s a collection of reliably-80s synth pop, heavy on the beats and big on melody. I found this album on CD at the thrift store, and I’m actually heartened to see it reissued.
Sleater-Kinney, The Center Won’t Hold, Aug. 16
I don’t even listen to St. Vincent, and I was excited to hear she was producing the new Sleater-Kinney album. Is that weird?
Ty Herndon, Got It Covered, Aug. 23
Herndon had already teased this album, posting short videos on Instagram of the recording process. He’s already changed the gender references on his big hit, “What Mattered Most.” I’m hoping he doesn’t stop there.
Kronos Quartet, Terry Riley: Sun Rings, Aug. 30
It’s a Terry Riley anniversary year! So of course Kronos commemorates it with a release of a piece they’ve performed in concert for at least a decade.
BBMak, Powerstation, late August
OK, guys, you’ve announced a title and a track list. What about an actual release date?? Part of me wished this album was a track-by-track cover of The Power Station, i.e. the Duran Duran site project with Robert Palmer and Tony Thompson of Chic.
Janet Jackson, Rhythm Nation, July 26 Janet Jackson, The Velvet Rope, July 26
I already have an original pressing of Rhythm Nation, but the length of the album doesn’t allow it to fit well on a single disc. So I would welcome a double LP with improved sound.
The Velvet Rope is Janet’s most underrated album and deserves more attention.
I had high but cautious hope for 57th and 9th. That will learn me.
Shiina Ringo, Sandokushi, May 27
This album adds six new tracks to the seven already released in various downloads and singles. Does anyone else get the sense Ringo-chan is phoning it in? I would think a 20-year anniversary would warrant a big reissue campaign in addition to a new album.
Eluvium, Piano Works, May 31
The deluxe edition vinyl release of this new album of piano works includes a sheet music book of Eluvium’s keyboard works.
Madonna, Madame X, June 14
Rebel Heart turned out better than I expected, but that seems to be the exception than the rule in recent years.
Prince, Originals, June 21
This compilation brings together demos of songs Prince wrote for other singers. I wonder if in the distant future we’ll hear The Family with Prince’s vocals.
Sigur Rós, Ágætis byrjun (Deluxe Edition), June 21
I like Sigur Rós, and Ágætis byrjun is a fine album. I’m not sure I love it enough for 4-CDs or 7-LPs.
James Blake, Assume Form, May 31
I hesitated on getting James Blake’s latest album till I found an unopened copy at the thrift store for $3. It’s turned out to be one of the better releases of 2019.
Kronos Quartet with Mahsa and Marjan Vadat, Placeless, March 22
This album is already available on streaming services, which means I’ve had a chance to listen to it. Unfortunately for Kronos and the Vadats, the new Solange album has also monopolized my attention.
Henryk Górecki, Symphony No. 3 (Beth Gibbons, Krzysztov Penderecki, Polish National Radio Symphony), March 29
I don’t know about this one. Portished has never been a band I could internalize, and while I like Górecki’s third symphony, its reputation has become a bit outsize. I’m wondering how Penderecki got roped into it.
Emerson String Quartet and Evgeny Kissin, The New York Concert, April 12
The works on this program are tamer than what I normally pursue, but I like both the Emerson and Kissin.
Björk, Vespertine: A Pop Album as an Opera (Nationaltheater Mannheim), April 12
I’m willing to give this one a chance, if only because Vespertine is one of the few Björk albums I no longer own. I couldn’t get into it when it came out, so I welcome a chance to hear it in another context.
Jack Ingram, Ridin’ High … Again, April 26
I’ve been wondering what’s up with Jack Ingram. I stopped following him when he decided to make friends with country radio, but he left that behind at the end of his Big Machine contract. His 2016 album, Midnight Motel, is breezy and off-the-cuff, so I’m curious to hear what’s next.
NUMBER GIRL, OMOIDE IN MY HEAD 1 ~BEST & B-SIDES~, May 1
More time has passed since NUMBER GIRL’s break-up than the band was ever together, and a large portion of the band’s discography is out of print. So on the heels of their reunion tour, this collection of singles and b-sides gets reissued for a generation who missed out the first time.
Onitsuka Chihiro, Syndrome (Premium Edition), March 20
Aside from a poster and a photo book, this premium edition of Syndrome also includes a second disc of the entire album without vocals. Karaoke! It’s also housed in an LP-sized jacket. I say, just stick a vinyl version of the album in that jacket!
Weezer, Weezer (The Teal Album), March 8
I’m usually ambivalent about Weezer, but this album is actually fun. It’s been available on streaming services for a while now.
Gang of Four, Happy Now, March 29
I might check this out when it’s released, but I have to admit I haven’t even listened to Complicit yet. The band’s previous album, What Happens Next, was one of the last I downloaded from eMusic before I canceled my subscription.
Idlewild, Interview Music, April 5 (UK)
Idlewild dropped off my radar right around the middle of the last decade, so I’m not sure if they’ve got successively safer with each album or if they reverted back to the brashness of Hope Is Important.
The Drums, Brutalism, April 5
I think I’m still following the Drums because Jonny Pierce synthesizes post-punk in a way more sophisticated than Interpol, the Killers or the Strokes ever did.
Massive Attack, Mezzanine (Deluxe Edition), April 19 (UK)
I picked this album up from the thrift store in 2018. I like it, but enough to drop money on a deluxe edition?
BBMak, TBD, April 26
Don’t judge. I’ll be in London when this album comes out. HMV will probably be shuttered by that time.
… And You Will Know Us by the Trail of Dead, Madonna, March 5
I missed out on the 2013 reissue of this album, so I’ve already placed my pre-order.
Mikami Chisako, I AM Ready!, March 6
I won’t lie — I would rather see fra-foa’s Chuu no Fuchi reissued on vinyl, but I AM Ready! was enjoyable. Maybe enjoyable enough to get on vinyl?
Utada Hikaru, “Face My Fears”, March 6
I’m getting this less for the new song and more for the English version of “Chikai”, going by the title “Don’t Think Twice”. “Chikai” is probably the most rhythmically confounding song Utada has written.
The site will take its usual January break starting next week, so this entry is my last chance to point out some upcoming releases.
Jeremy Denk, c.1300-c.2000, Feb. 8
I’ll be seeing Jeremy Denk in concert in a few weeks, but he won’t be performing the sprawling program of this two-disc set spanning seven centuries of music.
Mindy Smith, One Moment More, Jan. 29
Mindy Smith is so far the only country music singer whose voice reminds me of Harriet Wheeler of the Sundays.
Prince, Musicology, Feb. 8 Prince, 3121, Feb. 8
Musicology was heralded as a return to form, but I found it less interesting than 3121. But even 3121 was less interesting than The Gold Experience, which I would consider getting on vinyl. But really, when is the Love Symbol album getting reissued?