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Concert Edition 2016

[Sturgill Simpson, Paramount Theatre, Nov. 11, 2016]

Sturgill Simpson posted a photo of the crowd at his Seattle show on Nov. 11, 2016. I was standing pretty close to the stage, and sure enough, I spotted myself in the pic. His show capped yet another active year of concerts, which included a trip to Portland and two weeks of modern American symphonic music.

Sō Percussion, Jan. 31, 2016

Like Kronos Quartet before it, Sō Percussion commissions original works that often push technological boundaries as much as musical ones. The first time I saw Sō in Austin, the quartet performed Dan Trueman’s neither Anvil nor Pulley, which required performers to use old game console controllers to manipulate a Bach keyboard piece.

For this concert, Bryce Dessner’s Music for Wood and Strings features the Chordstick, a custom instrument that combines a hammered dulcimer with an electric guitar.

Seattle Symphony, [untitled 2], Feb. 5

The big piece performed at this concert of mid-20th Century New York City composers was Rothko Chapel by Morton Feldman. 2016 would eventually find Seattle Symphony programming four Feldman pieces in various concerts. Crowd reaction, of course, ranged from the usual restlessness to outright departure.

Seattle Symphony, Berio: Sinfonia, Feb. 6

I hadn’t planned on attending this concert till my music theory professor devoted an entire class on the piece. The fact Roomful of Teeth performed with the symphony was another incentive.

Kronos Quartet, Feb. 20

Sorry, the live performance of Beyond Zero: 1914-1918 did not convince me to pick up the DVD, but it’s always nice to hear Franghiz Ali-Zade’s Mugam Sayagi.

Ty Herndon, Feb. 25

It was a sparse crowd at El Corazon, and Herndon played a stripped down set of his hits. He also previewed “If You” and mentioned his new album would be out in May. House of Fire arrived in September, albeit with a larger promotional splash.

Jeremy Denk, March 18

The Goldberg Variations and Ligeti Etudes in a single night. Yeah, it was a good concert.

John Adams, Scheherezade.2, March 19

Oh wow, did Leila Josefowicz bring her A-game. I picked up the Nonesuch recording of this work when it was released because it’s an amazing display of athleticism. I think I like this work more than Adams’ first Violin Concerto.

Stephen Sondheim, Assassins, Feb. 26

As much of a Stephen Sondheim fan that I am, I’ve so far only seen two of his works on stage. Honolulu Community Theatre did Sunday in the Park with George back in the early ’90s. ACT Theatre did Assassins. That’s a show that will test your startle response.

Rhye, Apr. 21

Seattle Theatre Group scheduled Rhye and Courtney Barnett for the same night, and I wanted to see both of them equally. I ended up going to Rhye because Barnett’s show sold out. Despite illness, Milosh sounded awesome.

Santigold, May 14

I couldn’t decide who I wanted to see more — Santigold or the SG1 Dancers. It turned out I loved them both.

Seattle Symphony, Beethoven and Gershwin, June 11

A scheduling conflict prevented me from attending the first [untitled] concert of the season, so I traded the ticket for a program of Beethoven and Gershwin works. The evening started with the Seattle premiere of Anna Clyne’s This Midnight Hour, which the crowd seemed surprised to enjoy.

Seattle Symphony, Tuning Up!, June 17-July 2

After years of attending SXSW, I decided I was going to stay away from Bumbershoot. Then Seattle Symphony announced a two-week summer festival of American modern works, and I couldn’t part with my money fast enough. The clerks at David and Co. thought I was a performer because I was there for every concert. George Perle, Morton Feldman, Philip Glass, Julia Wolfe — I was definitely the target market for this festival.

Matt Alber, June 26

A bout of pneumonia prevented me from seeing Matt Alber in 2014, so his show in June was a nice way to participate in at least one gay pride event this year.

Explosions in the Sky, Sept. 2

I thought it was odd Explosions in the Sky announced a whole bunch of Pacific Northwest dates without including Seattle, so I opted to travel down to Portland and catch them at the wonderful Crystal Ballroom. The day after I bought my ticket, the band announced its Bumbershoot date. Bullet dodged.

Sigur Rós, Sept. 20

The last time Sigur Rós performed in Seattle was in 2012, and the show sold out by the time I could access the Seattle Theatre Group site. This time, I got into the pre-sale. The amazing light show was equal parts Einstein on the Beach and TRON.

Seattle Symphony, Prokofiev and Beethoven, Sept. 24

For this concert, the symphony premiered a piece by Gabriel Prokofiev and included The Love of Three Oranges by his grandfather, Sergei. It had been so long since I listened to Three Oranges that I anticipated Peter and the Wolf instead.

Seattle Symphony, [untitled 1], Oct. 28

I’m not as versed in the works of Witold Lutoslawski, but then who is?

Sturgill Simpson, Nov. 11

Sturgill Simpson doesn’t do encores, and why should he when he plays two hours straight? That show pretty much made me wonder why I’m still going to rock concerts in my mid-40s. How could Simpson have the endurance to do those shows for six months, when just watching him exhausted me?

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Looking ahead: September-October 2016

[John Adams - Scheherezade.2]

Well, Frank Ocean finally dropped his much anticipated album Blonde. I think the fall 2016 release schedule can get drunk and go home now.

John Adams, Scheherezade.2, Sept. 30

John Adams brought Scheherezade.2 to the Seattle Symphony last season. Leila Josefowicz must have dropped some mean gauntlet for Adams to create a work of such athleticism. I’m not sure if I absorbed enough of the piece in the concert hall because that was a lot of music.

Steve Reich, The ECM Recordings, Sept. 30

From what I can tell on Amazon, this reissue of Steve Reich’s albums on ECM won’t split the movements of each work into individual tracks. That would seem to be an important oversight to correct on a reissue.

MONO, Requiem for Hell, Oct. 14, 2016

Reports indicate the orchestras are on their way back on this album.

Nico Muhly and Tietur, Confessions, Oct. 21

Songs inspired by YouTube comments performed by a Baroque ensemble — if anyone can make this premise work, it’s Nico Muhly.

Shaprece, COALS, Oct. 28

Shaprece’s performance with Seattle Symphony was riveting, and I’ve been looking forward to this album since.

Ty Herndon, House on Fire, Nov. 11

Ty Herndon announced this album was to be released back in May when he performed in Seattle back in February, but now it looks like he has some label interest. No date has been specified for the release. UPDATE, 09/11/2016: Herndon announced a release date of Nov. 11, 2016, with pre-orders starting on Oct. 11, i.e. National Coming Out Day.

Vinyl

Angelo Badalamanti, Music from Twin Peaks, Sept. 9

I can’t hear that descending/ascending bass line without picturing the dancing little man.

Madonna, Something to Remember, Sept. 13

Ray of Light seems to have dropped off the release schedule for now with Something to Remember taking its place.

Emmylou Harris, Red Dirt Girl, Sept. 23

Like Wrecking Ball before it, Red Dirt Girl was a pivotal album for Emmylou Harris, marking her transition from interpreter to songwriter.

Kronos Quartet, Pieces of Africa, Sept. 23

I’m hoping this release is the first in a series of Kronos Quartet vinyl reissues because I’m not yet in the financial straits to track down the European pressing of Black Angels.

Duran Duran, The Wedding Album, Sept. 23

This reissue was actually listed for a March release, which came and went without notice. Then it popped back up for September.

Sting, The Studio Collection, Sept. 30

Brand New Day and Sacred Love make their first appearance on vinyl, but the only album I’m really interested in is Ten Summoner’s Tales, a European release of which I can still snag online.

Philip Glass and Kronos Quartet, Dracula, Oct. 28

In time for Halloween!

 

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Looking ahead: April-May 2016 (and September, too)

[Dolly Parton / Linda Ronstadt / Emmylou Harris = Complete Trio Collection]

Why should I be surprised the vinyl bug that bit me hard in 2013 has expanded its scope to include reissues never released on vinyl? It’s because I’ve already back-filled my pre-owned collection, and I still can’t get enough. Record Store Day doesn’t make it any easier.

Guided By Voices, Please Be Honest, April 22

Back again? Oh, it’s another configuration.

Dolly Parton / Emmylou Harris / Linda Ronstadt, Complete Trio Collection, Sept. 9

Finally! This reissue was rumored to be available back in October 2015, on the same day as Henryk Górecki’s Symphony No. 4. Now it’s turned into a bigger deal, with simultaneous vinyl releases.

Vinyl

Lin-Manuel Miranada, Hamilton, April 15

This musical is more than two-hours long. I don’t think it’s all going to fit on two LPs.

Sonic Youth, Murray Street, April 22

I remember this album getting overplayed on the Waterloo Records in-store stereo system. I think it’s why I sold it for cash after a few years.

Rufus Wainwright, Poses, May 6

I didn’t like Rufus Wainwright at first. His nasal voice is an acquired taste, but the writing on Poses won me over, and I’ve been a fan ever since. This album appears on vinyl for the first time.

Moby, Play, May 13

I haven’t listened to this album in more than 15 years. I didn’t really need to because it wasn’t licensed to holy hell at the time.

Dolly Parton / Emmylou Harris / Linda Ronstadt, Trio II, Sept. 9

At the time this album was released, it seemed the trio couldn’t really give it a heavy promotional push. I remember one TV appearance where Linda Ronstadt lost it, and then everyone was back to boy bands and pop idols.

Record Store Day

Emmylou Harris, Wrecking Ball

Why limit this album to Record Store Day? Really, it should just be in print on vinyl. Period.

Clint Mansell / Kronos Quartet, Requiem for a Dream

I saw Requiem for a Dream with some friends during its theatrical release. I left the theater recognizing it was a good film. I just didn’t like it. I don’t own the soundtrack, and while I collect Kronos on vinyl when I can, I’m pretty ambivalent about this release.

Death Cab for Cutie, “Tractor Rape Chain / Black Sun”

I was nicely surprised by Death Cab for Cutie’s cover of “Bad Reputation” by Freedy Johnston. “Tractor Rape Chain” is also one my favorite Guided By Voices songs.

Shadowy Men on a Shadowy Planet, I Guess We’re a Fucking Surf Band After All

I have no doubts I won’t get my hands on this release, but I’m only interested in Savvy Show Stoppers. I hope at some point Yep Roc splits this box set into individual reissues.

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Favorite Edition 2015: Half year

[Björk - Vulnicura]

2015 is turning out to be one of those years where the really good albums suck so much oxygen out of the rest of the release schedule that it’s tough to put together even a speculative list.

That’s a long-winded way to say Sleater-Kinney’s return has pretty much overshadowed everyone else.

    • Sleater-Kinney, No Cities to Love: Sleater-Kinney left at the height of their career, and a 10-year hiatus did nothing to dim that achievement.
    • Björk, Vulnicura: I like Björk best when she’s more beat-oriented because her more introspective work tends to meander. This album is too wrenching to mess around.
    • Madonna, Rebel Heart: I would agree this album is Madge’s best since Ray of Light mostly because it’s head and shoulders above the last few meandering discs she put out, Confessions on the Dancefloor not withstanding.
    • Steve Grand, All American Boy: The rockist in me should rally against everything about this album, but I can’t bring myself to do it.
    • Takaakira “Taka” Goto, Classical Punk and Echoes Under the Beauty: The decidedly non-orchestral direction of MONO’s Rays of Darkness was a welcome direction that I feared this album would be a relapse. It’s not.
    • Kronos Quartet, Tundra Songs: I was bracing myself for more international crossover, but this album is some pretty adventurous and spellbinding music.
    • Torche, Restarter: I liked Harmonicraft, but Gaytheist’s Stealth Beats was more my speed. Then Torche recorded this album.
    • Emmylou Harris and Rodney Crowell, The Traveling Kind: I hate to say this, but this album is what you would expect from artists with the calibers of Emmylou Harris and Rodney Crowell. Old Yellow Moon, though, kind of exceeded that.

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