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Favorite Edition 2018 Catalog

[Art of Noise - In No Sense? Nonsense!]

This past year, I started keeping a log of purchases every week, and a cursory look at those entries show how much catalog has taken over my collection.

Like last year, many of these purchases come from Lifelong Thrift Store or Goodwill. A month-long CD sale at Easy Street Records contributed quite a number of titles. I’ve whittled down nearly 600 purchases to a list of Favorite 10.

Catalog

  1. Patti Smith, Horses: The first time I played this album, I didn’t get it. So I played a few more times and became fascinated with it on each play.
  2. Boris, Pink: I remember other Japanese indie rock fans fawning over this album, and it’s taken me 12 years to get around to finding out why.
  3. David Bowie, Scary Monsters: At first I was going to be boring and choose Ziggy Stardust or Let’s Dance as my favorite Bowie album, but this one takes it, hands down.
  4. Bruce Springsteen, Nebraska: I like the story of how this album came about just as much as I like the end result.
  5. Fugazi, The Argument: Fugazi didn’t make a bad album, just less good ones. The Argument would probably be Fugazi’s best album if 13 Songs and Repeater weren’t in the way.
  6. Joni Mitchell, Court and Spark: I went on a Joni Mitchell binge this year, and this album is the only one I really like. Sorry, Blue.
  7. Roxy Music, Avalon: Quite the dapper album.
  8. The Jimi Hendrix Experience, Are You Experienced: It’s weird how familiar this album feels after years of hearing covers by Kronos Quartet, Sting and Emmylou Harris.
  9. The Pogues, Rum Sodomy and the Lash: I didn’t accommodate the Pogues during my Celtic phase of the mid-90s because they were more rock than Celtic.
  10. Wire, Pink Flag: I’m also fond of the self-titled Killing Joke album.

The last half of the year was stuffed with reissues that were of particular interest for me.

Reissues

  • Art of Noise, In No Sense? Nonsense! (Deluxe Edition): (Who’s Afraid Of …?) The Art of Noise! may have all the hits, but the post-ZTT albums from 1986 and 1987 are the band’s creative peak.
  • Camouflage, Voices and Images (30th Anniversary Edition): This reissue received a limited run in Germany, so pick it up before they’re all gone.
  • Johnny Hates Jazz, Turn Back the Clock (30th Anniversary Edition): The acoustic re-recording of this album works quite well, given how reliant the original was on MIDI.
  • Kate Bush, Remastered Part I and Remastered Part II: It’s apparent on which side Kate takes in the loudness wars, because these remasters do nothing with the volume. In the case of The Red Shoes, it’s actually pulled back. But they sound great, particularly Part I.
  • Julee Cruise, The Voice of Love: I so dug Floating Into the Night that I didn’t think it could be topped. It wasn’t, because The Voice of Love is a different beast.
  • Sasagawa Miwa, Houjou -BEST 03-18-: I passed on the two most recent Sasagawa Miwa albums, but this retrospective does a good job of highlighting the best parts of her output.
  • Frank Ocean, Endless: This album was better than Blonde.
  • Prince, Piano and a Microphone 1983: How about a vinyl reissue of the Love Symbol album?

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Purchase log, 2018-12-11

[Wolf Hall - Tudor Music Soundtrack]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

In addition to big scores at the thrift shops, I headed up to Vancouver, BC to visit Sikora’s Classical Records before it closed down for good.

New releases

CD
  • ASIAN KUNG-FU GENEARTION, Hometown
  • Wayne Horvitz, Those Who Remain

Catalog

CD
  • Alarm Will Sound, Modernists
  • Anton Webern, Complete Webern (Pierre Boulez)
  • Bob Mould, Workbook
  • Cocteau Twins, Heaven or Las Vegas
  • DJ Shadow, The Private Press
  • Fugazi, Instrument Soundtrack
  • George Antheil, Symphony No. 4 ‘1942’ / Symphony No. 5 / Over the Plains (John Storgårds, BBC Philharmonic)
  • ISIS, Panopticon
  • John Adams, Absolute Jest / Grand Pianola Music (Michael Tilson Thomas, San Francisco Symphony)
  • John Rutter, Requiem
  • mclusky, mclusky do dallas
  • The Dillinger Escape Plan with Mike Patton, Irony Is a Dead Scene
  • The Mars Volta, De-Loused in the Comatorium
  • Tweet, Southern Hummingbird
  • yMusic, Balance Problems
  • Soundtrack, Star Wars: A New Hope
  • Soundtrack, Star Wars: The Empire Strikes Back
  • Soundtrack, Wolf Hall: Tudor Music

Vinyl

  • Giovanni Palestrina, Missa Papae Marcelli / Missa Brevis
  • The Sonny Clark Memorial Quartet, Voodoo
  • William Byrd, Mass for Five Voices / Mass for Four Voices
  • Witold Lutoslawski, Concerto for Orchestra / Funeral Music / Venetian Games
  • Witold Lutoslawski, Symphonies Nos. 1 and 2
  • Witold Lutoslawski, Symphony No. 3

Reissues

Vinyl
  • Kate Bush, Remastered in Vinyl IV

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Favorite Edition Rewind: 1978

[Blondie - Parallel Lines]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Our retrospective ends at 1978 because my collection starts thinning out at this point. I was 6 years old at the time and just starting to become aware of songs on the radio. Of course, nothing on this list would have appealed to 6-year-old me.

  1. Steve Reich, Music for 18 Musicians
  2. Brian Eno, Ambient 1: Music for Airports
  3. Kate Bush, The Kick Inside
  4. Emmylou Harris, Quarter Moon in a Ten Cent Town
  5. Blondie, Parallel Lines
  6. Andrew Lloyd Webber, Variations
  7. Andy Gibb, Shadow Dancing
  8. Willie Nelson, Stardust
  9. Kate Bush, Lionheart
  10. The Police, Outlandos d’Amour

Other favorites from the year:

  • Clannad, In Concert
  • Rap Reiplinger, Poi Dog

I loved Blondie’s “Heart of Glass”, but when my dad saw her perform on Solid Gold, he hated her on sight. “She looks drugged,” he would complain, so I wasn’t allowed to listen to Blondie. That didn’t stop my brother from picking up the 7-inch singles for “The Tide Is High” and “Rapture.”

I can only imagine what dad would have said if he saw Kate Bush dancing in “Wuthering Heights.”

If any album on this list would have appealed to 6-year-old me, it would be Rap Reiplinger’s Poi Dog. Local radio played Reiplinger’s skits regularly, and I enjoyed hearing “Room Service” over and over again.

I didn’t realize those skits were available on an album. I thought only radio could broadcast them, so it wasn’t until Poi Dog was reissued on CD in 1992 that I could relive that thrill.

Reiplinger forged the Honolulu stand-up comic scene, and it died when he did in 1984. Or maybe it was the humorlessness of the 1980s.

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Favorite Edition Rewind: 1980

[ABBA - Greatest Hits, Vol. 2]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

If my 8-year-old self were in control of this list, the soundtrack to Xanadu would occupy the top spot. The only other title he might have recognized would be Diana. And he would have questioned the inclusion of AC/DC.

  1. U2, Boy
  2. David Bowie, Scary Monsters (and Super Creeps)
  3. Kate Bush, Never for Ever
  4. Diana Ross, Diana
  5. X, Los Angeles
  6. Grace Jones, Warm Leatherette
  7. Killing Joke, Killing Joke
  8. Talking Heads, Remain in Light
  9. AC/DC, Back in Black
  10. Emmylou Harris, Roses in the Snow

Other favorites from the year:

  • The Police, Zenyatta Mondatta
  • Soundtrack, Xanadu
  • ABBA, Super Trouper
  • The B-52’s, Wild Planet

The roots of my collecting bug are anchored in 1980.

I would bug my mom to buy me 7-inch singles. I was told I didn’t have the sufficient capacity to judge whether a full album would be worth the purchase price. My mom wasn’t about to drop cash on a set of songs if only one of them would entertain me.

So I amassed quite a lot of singles — “Tell It Like Is” by Heart, “A Lover’s Holiday” by Change, “Stomp!” by the Brothers Johnson.

I was, however, a pest about ABBA. The age of eight seems to be the right level of maturity for ABBA to sink its sugary hooks into an impressionable mind. My niece was crazy for Mamma Mia, the movie musical, right around the age I bugged my parents to get me their Greatest Hits, Vol. 2. The first volume didn’t have “Chiquitita.”

Video games interrupted my interest in music for four years, so it makes me wonder in how much more trouble I’d be today without that disruption.

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Favorite Edition Rewind: 1982

[The Waitresses - Wasn't Tomorrow Wonderful?]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

From here on out, you’ll see a lot of names repeat on these lists. These selections reflect my tastes as an adult rather than what I would have been listening to at the time.

  1. Duran Duran, Rio
  2. Clannad, Fuaim
  3. ABC, The Lexicon of Love
  4. Bruce Springsteen, Nebraska
  5. Kate Bush, The Dreaming
  6. The Waitresses, Wasn’t Tomorrow Wonderful
  7. Roxy Music, Avalon
  8. X, Under the Big Black Sun
  9. Soundtrack, Tron
  10. Midnight Oil, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1

The only album on this list I actually listened to in 1982 was the soundtrack to Tron. I was all about the video game, and I dug the special effects in the movie. I was, however, too young to understand how awful the screenplay was.

I saw the Waitresses on Solid Gold and absolutely loved “I Know What Boys Like.” By the time I would start collecting music, the Waitresses had already recessed into one-hit wonder memory. But the song left such an indelible print, I would seek it out in my first year of college.

Duran Duran’s Rio was released that year, but I had no inkling of it at the time. Music was a passive activity. The car radio or my siblings’ boomboxes keep me informed of the days’ hits, but my passion lie with video games — an activity my parents curtailed because they equated it with gambling.

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Purchase log, 2018-12-04

[Mikami Chisako - I AM Ready!]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Mikami Chisako, I AM Ready!

Catalog

CD
  • 808 State, Utd. State 90
  • Anthrax, Sound of White Noise
  • Death from Above 1979, You’re a Woman, I’m a Machine
  • Giovanni Palestrina, Missa pro defunctis / Motets (Chanticleer)
  • Helmet, Strap It On
  • Jean Grae, This Week
  • Jesu, Jesu
  • M.I.A., /\/\ /\ Y /\
  • mclusky, The Difference Between Me and You Is I’m Not on Fire
  • Peter Gabriel, Secret World Live
  • The Jesus and Mary Chain, 21 Singles
Vinyl
  • Kate Bush, Before the Dawn
  • Simon and Garfunkel, Sounds of Silence
  • Sinéad O’Connor, Am I Not Your Girl?
  • Soundtrack, Star Wars
  • Soundtrack, The Rocky Horror Picture Show
  • Talking Heads, Little Creatures
  • Talking Heads, Stop Making Sense

Reissues

CD
  • Kate Bush, Remastered Part II
Vinyl
  • Kate Bush, Remastered in Vinyl III

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Favorite Edition Rewind: 1985

[The Outfield - Play Deep]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

This list is the last of the original years covered in my previous survey. The Favorite 10 hasn’t changed, but the extended list has gotten longer.

  1. Tears for Fears, Songs from the Big Chair
  2. Sting, The Dream of the Blue Turtles
  3. Arcadia, So Red the Rose
  4. ABC, How to Be a Zillionaire!
  5. 10,000 Manaics, The Wishing Chair
  6. Clannad, Macalla
  7. Kate Bush, Hounds of Love
  8. Soundtrack, Macross Song Collection
  9. Midnight Oil, Red Sails in the Sunset
  10. Andrew Lloyd Webber, Requiem

Other favorites from the year::

  • Camper Van Beethoven, Telephone Free Landslide Victory
  • Eurythmics, Be Yourself Tonight
  • Hiroshima, Another Place
  • The Pogues, Rum Sodomy and the Lash
  • Simple Minds, Once Upon a Time
  • Sade, Promise
  • Hüsker Dü, New Day Rising
  • The Replacements, Tim
  • The Outfield, Play Deep
  • INXS, Listen Like Thieves
  • Lisa Lisa and Cult Jam with Full Force, Lisa Lisa and Cult Jam with Full Force
  • The Power Station, The Power Station
  • The Family, The Family
  • Prince and the Revolution, Around the World in a Day

Younger Me would approve of most of this list.

He would have gasped at the inclusion of Prince, considering the Sibling Rivalry Collection Race was at its height, and this kind of intrusion would be accompanied by a drubbing.

And he would groaned at the inclusion of The Outfield. Older Me would then advise him to wait 20 years before a real appreciation could begin.

I capped this survey at 1985 because my collection before that year wasn’t extensive enough for much punditry. Weekly visits to thrift shops in the last three years have allowed me to fill in enough gaps to keep going till 1978.

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Purchase log, 2018-11-27

[Kate Bush - Rematered Part I]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Anthrax, Persistence of Time
  • Anthrax, Spreading the Disease
  • Deafheaven, Sunbather
  • Death Cab for Cutie, The Forbidden Love E.P.
  • Hüsker Dü, Land Speed Record
  • Hüsker Dü. Zen Arcade
  • Johnny Cash, At San Quentin (The Complete 1969 Concert)
  • Led Zeppelin, III
  • Mastodon, Blood Mountain
  • Mastodon, Crack the Skye
  • Mastodon, Leviathan
  • Ministry, The Land of Rape and Honey
  • Siouxsie and the Banshees, Superstition
  • The Beatles, The Beatles (White Album)
  • The Jesus and Mary Chain, Automatic
  • The Julianna Hatfield Three, Become What You Are
  • The Mars Volta, Amputechture
  • The Mars Volta, Frances the Mute

Reissues

CD
  • Kate Bush, Remastered Part 1
Vinyl
  • Bill Frisell, Nashville
  • Kate Bush, The Red Shoes
  • Madonna, Ray of Light (RSD Black Friday 2018)
  • The B-52’s, Cosmic Thing (RSD Black Friday 2018)

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Favorite Edition Rewind: 1993

[Wu-Tang Clan - Enter the Wu-Tang (36 Chambers)]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.

  1. Duran Duran, The Wedding Album
  2. Bill Frisell, Have a Little Faith
  3. John Zorn / Naked City, Absinthe
  4. Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
  5. Spiny Norman, Crust
  6. The Love Gods, Hujja Hujja Fishla
  7. Michael Nyman, The Piano
  8. Wayne Horvitz / Pigpen, Halfrack
  9. Clannad, Banba
  10. Emerson Sting Quartet, American Originals: Ives / Barber String Quartets

Other favorites from the year:

  • Kate Bush, The Red Shoes
  • Emmylou Harris, Cowgirl’s Prayer
  • Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
  • Cypress Hill, Black Sunday
  • Digable Planets, Reachin’
  • U2, Zooropa
  • Julee Cruise, The Voice of Love
  • Sting, Ten Summoner’s Tales

This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.

That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.

The extended list includes music that would have been ignored by the person who compiled the Favorite 10.

My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.

Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.

Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.

All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.

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Favorite Edition Rewind: 2005

[Antony and the Johnsons - I Am a Bird Now]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I remember not being much impressed with 2005. So much so, I made a half-arsed attempt at a Favorite Edition list and didn’t even call it such. It’s taken a lot of sifting to arrive at the present form of the list.

  1. Sigur Ros, Takk …
  2. Antony and the Johnston, I Am a Bird Now
  3. Ann-Sally, Brand-New Orleans
  4. Kate Bush, Aerial
  5. … And You Will Know Us by the Trail of Dead, Worlds Apart
  6. Bob Mould, Body of Song
  7. Sleater-Kinney, The Woods
  8. Yorico, Cocoon
  9. Duran Duran, Beautiful Colours
  10. Kawai Kenji, TV Animation BLEACH Original Soundtrack 1

Other favorites of the year:

  • Enya, Amarantine
  • Grizzly Bear, Horn of Plenty
  • Levi Kreis, One of the Ones
  • Madonna, Confessions on a Dancefloor

The list goes through much shuffling due to some late discoveries. I didn’t pick up Anthony and the Johnsons till 2006 and Ann-Sally much later. BLEACH wouldn’t be appointment viewing till the following year.

The extended list gets pared down a lot. Fuji Fabric, Sasagawa Miwa and toddle make room for Grizzly Bear and Levi Kreis.

I was so desperate to find entries, I included catalog titles from Gang of Four and John Zorn. In hindsight, that was the signal my priorities were starting to shift.

Toward the end of 2005, I relaunched this site as a traditional blog instead of the interactive zine it had been. My interest in Japanese popular music started to wane, and I reached an age where the music of my youth was being reimagined — some would say misinterpreted — by up and coming bands.

2005 marked the beginning of the end of Musicwhore.org ver. 1.0.

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