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Looking ahead: May-June 2017

[U2 - The Joshua Tree (30th Anniversary Edition)]

It seems all the bands in which I’m interested all decided to release their albums in May and June. To date, I have a total of four 2017 releases since the start of the year. Putting together the Favorite Edition Half Year is going to be tricky.

At the Drive-In, in*ter al*li*a, May 5

I can’t figure out why I’m looking forward this late-coming follow-up to Relationship of Command, an album I like but can’t listen to very often. And I wasn’t enough of a fan to follow either Mars Volta or Sparta.

Café Tacvba, Jei Beibi, May 5

I find it interesting that Café Tacvba is releasing this album through CD Baby. That means they’ve gone completely independent.

Midnight Oil, Full Tank, May 7
Midnight Oil, Overflow Tank, May 7

Tempting as these complete boxed sets may be, my current Midnight Oil collection occupies quite a bit of shelf space. Also, the import markup makes these sets fiscally untenable. Hey Sony, fans outside of Australia might be interested in some of these releases.

Juanes, Mis Planes Son Amarte, May 12

It’s a visual album about a man going into outer space to find the woman of his dreams. I would be interested to see how Café Tacvba would tackle the same plot.

PWR BTTM, Pageant, May 12

Anyone who has Grindr or Scruff installed on his phone would probably check out a band called PWR BTTM.

Art of Noise, In Visible Silence (Deluxe Edition), May 19

The weirdest album I acquired in 1986. The b-sides are terrific.

Kishida Shigeru, Symphony No. 1, May 24

If the orchestral work Kishida released last year as a digital single is any indication, don’t expect a musical metamorphosis on the level of C. Kip Winger.

Sam Amidon, The Following Mountain, May 26

His first album of original music.

Cody Chesnutt, My Love Divine Degree, June 2

It’s been a while. I had wondered if another 10 years would pass before another Cody Chesnutt album would arrive.

U2, The Joshua Tree (30th Anniversary Deluxe Edition), June 2

I already have the 20th Anniversary edition, so really, I just want the white cover with the color photo.

Kronos Quartet, Folk Songs, June 9

For a while there, I thought Kronos had moved on from Nonesuch, given the number of albums the ensemble has released on other labels. This collaborative album with Sam Amidon, Natalie Merchant, Rhiannon Giddens and Olivia Chaney is the first Kronos has released on Nonesuch since 2012, not counting various anthologies.

Dan Messe, Amelie: A New Musical, June 9

I’m not sure what draws me to this cast recording — the fact it’s based on Amelie or the fact it was written by a member of Hem.

Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister, Planetarium, June 9

Well, somebody had to update Gustav Mahler’s The Planets

The Drums, Abysmal Thoughts, June 16

Jonny Pierce goes full Roland Orzabal ca. 1993, becoming the sole member of his band The Drums.

Jason Isbell and 400 Unit, The Nashville Sound, June 16

I would be OK with Jason Isbell and Sturgill Simpson releasing albums on alternating years.

Vinyl

Midnight Oil, The Vinyl Collection, May 7

I would like to get Redneck Wonderland, Breathe and Head Injuries on vinyl. I could do without Capricornia, Earth and Sun and Moon and Place Without a Postcard. Maybe separate releases down the line? Outside Australia, even??

Emmylou Harris and the Nash Ramblers, At the Ryman, May 12

Harris’ shows at the Ryman gave the venue new life, and she returns for the venue’s 125th anniversary. So of course a reissue (on vinyl!) is in order.

En Vogue, Funky Divas, June 9

I’m disappointed rock bands haven’t turned “Free Your Mind” into a crossover classic.

Enya, A Day Without Rain, June 16
Enya, Amaratine, July 14

A Day Without Rain is Enya’s weakest album, and Amaratine went a long way to rectify it. That won’t stop me from getting both of them.

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Favorite Edition 2014 Revised

[DAngelo - Black Messiah]

It’s bound to happen that some albums from the previous year don’t get air time on the personal playlist till the following year, and as a result, they alter how the Favorite Edition list should have been compiled.

This time, two albums fell off the 2014 list — Sam Smith’s In the Lonely Hour, and Wayne Horvitz’s 55: Music and Dance in Concrete. I mentioned that Smith’s album could have been more adventurous, so that vulnerability led to his ouster. 55 is still some of Horvitz’s most adventurous music, but the gloom of MONO’s Rays of Darkness won out in the end.

In their place are albums by D’Angelo and Sturgill Simpson.

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Favorite Edition 2014: Year Final

[John Luther Adams - Become Ocean]

 

Something I didn’t anticipate when I moved from Austin to Seattle in 2012 was a classical music scene with an audience receptive to modern works.

Seattle Symphony Orchestra includes a number of commissions throughout its season, and a chamber series focusing on modern works turns the lobby of Benaroya Hall into an informal setting. I got to hear Steve Reich’s Different Trains as part of a chamber music festival, and Town Hall has brought in the likes of Alarm Will Sound, Roomful of Teeth and NOW Ensemble.

So the year-end Favorite Edition for 2014 reflects my rekindled interest in new music. It’s easier to indulge when even the record shops make it a point to separate modern music from the common era.

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Favorite Edition 2014: Year Half

[Juanes - Loco de Amor]

Just because this site is no longer review-driven doesn’t mean I’ve stopped listening to newer releases, and no music writer worth her salt can resist the compulsion to make lists.

The first half of the Favorite Edition 2014 are the titles I anticipate will keep some sort of ranking by year’s end. The second half of the list is up for grabs.

  1. Juanes, Loco de Amor: This album could very well be Juanes’ best. The writing is some of his catchiest since La Vida es … Un Ratico, and producer Steve Lillywhite gives him a big arena sound. (It’s there in the drums.) Loco de Amor finds Juanes rejuvenated after the lackluster P.A.R.C.E.
  2. The Bad Plus, The Rite of Spring: I’ve been waiting for this album since a video of The Bad Plus performing the seminal Stravinsky ballet hit the Internet many years back. Similar to the trio’s reworking of Ligeti etudes, The Bad Plus rely on their virtuosity to give The Rite of Spring a fairly faithful reading.
  3. Royal Wood, The Burning Bright: I wasn’t very impressed with Royal Wood’s hitmaking album, We Were Born to Glory, and neither was he. So Wood retreated to Ireland, where he crafted The Burning Bright, an album steeped in heartache and cautious optimism.
  4. [Shiina Ringo - Gyakuyunyuu]Shiina Ringo, Gyakuyunyuu ~Kouwankyoku~: I had to listen to this album three times before I could orient myself to what was happening. Gyakuyunyuu is billed as a “self-cover album,” featuring songs Shiina contributed to other artists. I was half-expecting another Utaite Myouri, but instead, I got her strangest and most baffling solo album to date. The stylistic whiplash makes the album something of a hot but fascinating mess.
  5. Meredith Monk, Piano Songs: Double Edge recorded Monk’s Phantom Waltz back in 1992, and I’ve always wondered if there was more from where that came from. This album answers that question.
  6. Molotov, Agua Maldita: The blistering anger of Molotov’s previous decade has evolved into something much more tuneful.
  7. Inventions, Inventions: My first listen of Inventions’ self-titled album left no impression at all, but an extended coding session made me realize this album is actually quite compelling. I would put the Eluvium/Exploisions in the Sky ratio at around 60/40, though.
  8. [Sam Smith - In the Lonely Hour]Sam Smith, In the Lonely Hour: Sam Smith does indeed possess an incredible set of pipes. What he has yet to acquire is an adventurousness on the level of James Blake. This debut is appealing, but like Janelle Monae, Smith has potential that is not yet tapped.
  9. Ben Watt, Hendra: Do you miss Everything But the Girl? Hendra, Watt’s first solo album in a number of decades, picks up where Amplified Heart left off before Everything But the Girl ventured into electronic dance music.

And a few more favorites …

  • [Last Exit - Iron Path]Favorite reissue: Emmylou Harris, Wrecking Ball (Deluxe Edition)
  • Favorite catalog discovery: Neneh Cherry, Raw Like Sushi
  • Favorite vinyl find: Last Exit, Iron Path
  • Favorite late discover from 2013: Jason Isbell, Southeastern

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