Archives

Purchase log, 2018-10-16

[Morton Feldman - The Viola in My Life]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Alban Berg, Wozzeck (Claudio Abbado, Vienna Philharmonic)
  • Bob Dylan, The Times They Are A-Changin’
  • Digable Planets, Reachin’ (A New Refutation of Time and Space)
  • Emerson, Lake and Palmer, Pictures at an Exhibition
  • French Frith Kaiser Thompson, Live, Love, Larf & Loaf
  • John Adams, Century Rolls
  • John Coltrane, Sun Ship
  • Megadeth, So Far, So Good … So What!
  • Roxy Music, For Your Pleasure
  • The National, Boxer
Vinyl
  • Morton Feldman, The Viola in My Life / False Relationships and the Extended Ending

Reissues

CD
  • Johnny Hates Jazz, Turn Back the Clock (Deluxe Edition)

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Looking ahead, October-November 2018

[Bill Frisell - Nashville]

Quite a number of interesting vinyl reissues and deluxe editions coming down the pike …

Cher, Dancing Queen, Sept. 28

I think some gay cultural norm dictates I should show interest in this convergence of iconography, and I do, albeit more from an anthropological standpoint.

Johnny Hates Jazz, Turn Back the Clock (Deluxe Edition), Oct. 5

“Shattered Dreams” is an awesome single, and Turn Back the Clock was a decent album — something I’m glad I encountered but couldn’t consider a must-have. And yet I’m looking forward to this deluxe edition release.

Camouflage, Voices and Images (Deluxe Edition), Oct. 19

I actually like this album more than Turn Back the Clock, and the limited pressing of 1,500 copies for the CD (500 for vinyl) is nudging me to pre-order.

Sasagawa Miwa, Houjou -BEST ’03~’18-, Oct. 31

Has it really been 15 years since Sasagawa Miwa’s debut? This best album contains 10 previously released tracks, 3 new songs and a new version of “Himawari”.

Art of Noise, In No Sense? Nonsense! (Deluxe Edition), Nov. 2

This album doesn’t lend itself to singles as easily as In Visible Silence, but it’s a worthwhile, challenging listen, a period where the band pushed the limits of technology and music.

Dead Can Dance, Dionysus, Nov. 2

Dead Can Dance has always struck me as a band I should have been digging in high school, but at the time, their albums were available only as imports.

Hajime Chitose, Hajime Uta ~Chitose Hajime Amami Shimauta Shu~, Nov. 14

Hajime Chitose returns to her roots as a shima uta singer on this 7-track mini album.

Mikami Chisako, I AM Ready!, Nov. 28

Mikami Chisako starts anew with music reminiscent of fra-foa’s second album, if the YouTube clips on her official site are any indication. I have to admit I’ve missed her, and Chuu no Fuchi is still one of my favorite albums. It’s criminal that it’s out of print.

Vinyl

Living Colour, Time’s Up, Sept. 28

I’d be all over this reissue from Megaforce Records if I hadn’t already found an original pressing a number of years ago. This album doesn’t seem to have had the same impact as its predecessor, but it some ways, it expands and perhaps improves upon Vivid.

YEN TOWN BAND, Montage, Nov. 3

I’ve never encountered a vinyl reissue from YEN TOWN BAND that didn’t immediately sell out.

Utada Hikaru, Hatsukoi, Nov. 7

Any chance for a vinyl reissue of ULTRA BLUE?

Bill Frisell, Nashville, Nov. 9

Bill Frisell had always incorporated Americana, country and folk into his music, but Nashville is the strongest statement of those influences, resulting in one of his most accessible albums. Robin Holcomb shows up on two covers.

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