A few titles didn’t get included in the last round-up of new releases, and the release schedule for late autumn hasn’t quite yet coalesced. So this list is thinner than I prefer.
Perfume, Future Pop, Aug. 15
We probably reached peak Perfume two albums ago, if the cool reception to COSMIC EXPLORER is any indication. Imaginative videos can’t quite make up for the weakness of the last few singles, but will either stop me from placing a pre-order? Unlikely.
Blood Orange, Negro Swan, Aug. 24
How did I miss news about a new album by Dev Hynes?
[Checks date of Instagram post.]
Oh, he announced it when my mom was in town and caught the flu, about a week before I would become briefly unemployed. Has it really been two years since the release of Freetown Sound?
Mandy Barnett, Strange Conversation, Sept. 21
I’ve Got a Right to Cry is a classic album that has been relegated to bargain bins and thrift store shelves. The Owen Bradley-produced album probably did too good of a job calling up the ghost of Patsy Cline, whom Barnett has portrayed on stage.
Barnett recently did a duet with Kenny Chesney, which … whatever. But I would still check out this album because I’ve Got a Right to Cry is an album that just doesn’t wear out, even after nearly two decades.
Jason Isbell and 400 Unit, Live from the Nyman, Oct. 19
It’s easy to marvel at how effortlessly it seems Jason Isbell spins his tales, but when he shreds on stage, it’s a sight to behold.
Fastball, All the Pain Money Can Buy (Deluxe Edition), Nov. 9
Oh, hey, it looks like part of my wish is coming true — All the Pain Money Can Buy is headed for a vinyl release, albeit saddled with bonus material for its 20th anniversary, which I’m pretty sure I’ll be getting anyway.
Janelle Monáe, Dirty Computer, Sept. 28
Tags: blood orange, fastball, janelle monae, jason isbell, looking ahead, mandy barnett, perfume
It’s time we turn this list around. Instead of tracking the favorite new releases of 2018, I’ll start with my favorite catalog discoveries. The vast majority of my listening these days is old music that’s new to me, so let’s pretend no longer I have a read on anything current.
- Patti Smith, Horses: PJ Harvey sure owes a lot to Patti Smith. The first time I played Horses, there were moments I thought I was listening to Polly Jean. This album confounded me, thus forcing me to play it multiple times, each time engaging me more than the last. Smith has been described as the godmother of punk, and I half expected a proto-Sleater-Kinney. Nah, man. That’s not it at all.
- The Jimi Hendrix Experience, Are You Experienced?: Maybe it’s because of Emmylou Harris and Kronos Quartet that made this album feel instantly familiar, or maybe its influence extends as far as the arm of Sauron.
- Roxy Music, Avalon: Smooth
- Bruce Springsteen, Nebraska: This shit is dark.
- Joni Mitchell, Court and Spark: Without some schooling in Charles Mingus and John Coltrane, I wouldn’t have understood how ground-breaking this album is. Otherwise, the cheap imitations it spawned would have been my only reference.
- Fugazi, The Argument: I didn’t think anything could top 13 Songs or Repeater, but this album comes damn close.
- Dwight Yoakam, Guitars Cadillacs Etc. Etc.: Honky-tonk AF
- Benjamin Gibbard / Andrew Kenny, Home, Vol. 5: Even after 15 years, this split EP holds together well.
- Janelle Monáe, Dirty Computer: This is the album I wished The ArchAndroid was. I still think she hasn’t yet recorded her Shousou Strip.
- Laurie Anderson and Kronos Quartet, Landfall: I found myself engaged in this album more than I expected.
- Various Artists, Adam to Eve no Ringo: Shiina Ringo is one of the best songwriters, because the strength of her writing cuts through even the most ordinary interpretation of her songs.
- Thomas Bartlett and Nico Muhly, Peter Pears: Balinese Ceremonial Music: It’s an improbable concept album based on transcriptions of Balinese gamelan music by English composer Colin McPhee. In execution, it’s a stronger concept than the Planetarium album Muhly did with Sufjan Stevens, Bryce Dessner and James McAlister.
- Steve Grand, not the end of me: Grand has gone through some serious shit since his debut album, and this sprawling sophomore effort lays it all out.
- Utada Hikaru, Hatsukoi: Check out the rhythmic modulation on “Chikai”. She does some amazing obfuscation with the downbeat.
- Igor Stravinsky, Chant Funèbre / La Sacre Du Printemps: It seems Funeral Song didn’t really answer the question of how Stravinsky bridged his Scriabin-influenced early work with the Firebird and all that came after.
- Tracey Thorn, Record: Tracey Thorn returns to the dancefloor, thank deities.
Tags: andrew kenny, benjamin gibbard, bruce springsteen, dwight yoakam, favorite edition, fugazi, igor stravinsky, janelle monae, jimi hendrix, joni mitchell, kronos quartet, laurie anderson, nico muhly, patti smith, roxy music, steve grand, thomas bartlett, tracey thorn, utada hikaru, various artists
I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.
- Janelle Monáe, Dirty Computer
- SUPERCAR, PERMAFROST
- The Jimi Hendrix Experience, Electric Ladyland
- J Dilla, Donuts
- The Art of Noise, In Visible Silence (Deluxe Edition)
- The Streets, Original Pirate Material
Tags: j dilla, janelle monae, jimi hendrix, purchase log, supercar, the art of noise, the streets, tomita
I like April Fools Day and Halloween, but I’m never ambitious enough to pull of a prank or a costume.
SUPERCAR, PERMAFROST, April 25
I think I’m covered in terms SUPERCAR best albums, but the special edition of this compilation comes with a Blu Ray edition of the video collection P.V.D. COMPLETE 10th Anniversary Edition. I would have gotten that Blu Ray without the CD.
Janelle Monáe, Dirty Computer, April 27
I have to admit I would rather much see Janelle Monáe on screen than in sound. She was terrific in both Hidden Figures and Moonlight, and I would watch the hell out of a Cindy Mayweather movie. But the only album of hers I remotely like is the Metropolis EP.
Courtney Barnett, Tell Me How You Really Feel, May 18
Sometimes I Sit and Think, and Sometimes I Just Sit was one of many great albums to emerge in 2015, but I’ve not yet cottoned to anything else.
Various Artists, Adam to Eve no Ringo (Shiina Ringo Tribute), May 23
The artists contributing to this Shiina Ringo tribute album don’t seem to be very adventurous. Given the two volumes of Reimport albums, I would have thought Tomosaka Rie or Kuriyama Chiaki would have participated. And did anyone ask Mukai Shuutoku?
U2, All That You Can’t Leave Behind, April 13
All That You Can’t Leave Behind was the mea culpa album for Pop, which is also being reissued on vinyl at the same time.
Tags: courtney barnett, janelle monae, looking ahead, shiina ringo, supercar, u2, various artists