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Favorite Edition 2019 Year Half

[Jamila Woods - Legacy! Legacy!]

One of these years, I’m not going to have a big enough pool from which to draw a mid-year Favorite Edition list. This year got close.

  • Weezer, Weezer (Teal Album): The big criticism of this cover album is the slavish reproduction of the originals, as if Weezer did nothing to inject its own personality in these songs. The studio geek in me, however, marvels at such a feat. It may be a karaoke exercise, but it’s a painstaking one, not unlike art students reproducing the masters.
  • Jeremy Denk, c.1300-c.2000: It’s a tricky proposition to distill seven centuries of music in a single program, but Denk takes an admirable stab at it. I have no objections to his choices.
  • James Blake, Assume Form: Blake’s previous album was lengthy and not terribly engaging. He rights the ship on this one.
  • John Luther Adams, Become Desert: Where Become Ocean explored the Seattle Symphony’s lower and middle registers, Become Desert hovers almost exclusively in the upper ends.
  • Shiina Ringo, Sandokushi: Shiina’s first three albums looms large over the rest of her work, Tokyo Jihen included. Sandokushi is a fascinating mess — lots of seemingly disparate songs threaded together as a single program. It’s jarring but coherent, and probably the best summation of her style thus far.
  • Jamila Woods, Legacy! Legacy!: Like Parquet Courts’ Wide Awake, Legacy! Legacy! was playing on a record store sound system and made me stop to find out who is Jamila Woods.
  • Solange, When I Get Home: There are no obvious singles on this album, which is fine because it’s not intended to be a singles album.
  • Madonna, Madame X: A quotation of Tchaikovsky’s signature work could have backfired, but when the Nutcracker interrupts “Dark Ballet,” it doesn’t feel forced. The singles preceding the release of Madame X didn’t hint at this kind of creative stretch.
  • The Drums, Brutalism: Jonny Pierce tones down the Joy Division influence and brings forth the beats.

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Purchase log, 2019-05-21

[Soundtrack - Macross: Ai Oboete Imasu Ka?]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

I traveled to Austin for the record convention this past weekend. I didn’t find much of what I wanted, but I did find a lot of what I didn’t know I wanted. This list includes purchases at Waterloo Records and End of an Ear.

New releases

CD
  • Jamila Woods, Legacy! Legacy!
  • Kronos Quartet with Masha and Marjan Vadat, Placeless

Catalog

CD
  • a-ha, Hunting High and Low
  • Bill Frisell, Before We Were Born
  • Dwight Yoakam, Buenas Noches from a Lonely Room
  • Grizzly Bear, Shields
  • Johnny Cash, At Folsom Prison
  • Joy Division, Closer
  • Robert Palmer, Pride
  • Robert Palmer, Some People Can Do What They Like
  • Shovels & Rope, Swimmin’ Time
  • Tomita, The Planets
  • Witold Lutoslawski, Symphonies / Concertos / Vocal and Choral Works
Vinyl
  • Branford Marsalis Quartet, Crazy People Music
  • Everything But the Girl, Everything But the Girl
  • Franz Josef Haydn, Streichquartette, op. 20, 2 & 4 (Quarteto Esterhazy)
  • Giovanni Palestrina, Pope Marcellus Mass / Stabat Mater / Three Motets (Pro Cantione Antiqua, Bruno Turner)
  • Janet Jackson, Janet Jackson
  • Johnny Cash, At Folsom Prison
  • Kacey Musgraves, Same Trailer Different Park
  • Marilyn Manson, Antichrist Superstar
  • Megadeth, So Far … So Good … So What!
  • Olivier Messiaen, La Nativité du Seigneur (Jennifer Bate)
  • Olivier Messiaen / Toru Takemitsu, Messiaen: Turangalîla Symphony / Takemitsu: November Steps (Toronto Symphony, Seiji Ozawa)
  • Seawind, Seawind
  • The Old 97s, Too Far to Care
  • Soundtrack, Macross: Ai Oboete Imasu Ka?
  • Soundtrack, The Iron Giant
  • Various Artists, Brown Bags to Stardom
  • Various Artists, Boulez, Messiaen & Koechlin
  • Various Artists, Music by Busoni, Franz Schmidt and Lutoslawski

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