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Looking ahead: November 2015

[Enya - Dark Sky Island]

No sooner did I bemoan the lack of November releases that I found myself adding a whole bunch of November releases to my wish list.

Enya, Dark Sky Island, Nov. 20

Enya usually takes about 3 to 5 years to turn around new albums, so the 7-year gap between 2008’s And Winter Came and Dark Sky Island is her longest stretch. The announcement was pretty sudden, and I certainly wouldn’t have learned about it had I not visited her official site on a total whim.

Björk, Vulnicura Strings, Nov. 27

Vulnicura has a pretty secure spot on the year-end Favorite Edition list, but it’ll be interesting to see whether Vulnicura Strings dislodges its predecessor from that spot.

Vinyl

Inventions, Blanket Waves, Nov. 13

Inventions is certainly turning out to be a prolific project for Matthew Cooper and Mark Smith. This 10-inch vinyl EP is the second release from the pair this year.

Nirvana, Nirvana, Nov. 13

The 2002 self-titled compilation gets reissued on Blu-Ray audio and vinyl.

Delays

Dolly Parton / Linda Ronstadt / Emmylou Harris, Complete Trio Collection

Early reports indicated this compilation would be released on Oct. 16, but then it fell off the release schedule with no indication of a new date.

Frank Ocean, Boys Don’t Cry

Frank Ocean hinted at a July release for his second album, and then, he fell off the face of the planet. He canceled some scheduled appearances, and July has long passed.

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Favorite Edition 2014 Revised

[DAngelo - Black Messiah]

It’s bound to happen that some albums from the previous year don’t get air time on the personal playlist till the following year, and as a result, they alter how the Favorite Edition list should have been compiled.

This time, two albums fell off the 2014 list — Sam Smith’s In the Lonely Hour, and Wayne Horvitz’s 55: Music and Dance in Concrete. I mentioned that Smith’s album could have been more adventurous, so that vulnerability led to his ouster. 55 is still some of Horvitz’s most adventurous music, but the gloom of MONO’s Rays of Darkness won out in the end.

In their place are albums by D’Angelo and Sturgill Simpson.

Continue reading »

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Looking ahead: January-March 2015

[Sleater-Kinney - No Cities to Love]

Barely two weeks into 2015, and the release schedule for the rest of the first quarter looks incredibly busy. Some of them are Musicwhore.org favorites, and others ought to be.

Sleater-Kinney, No Cities to Love, Jan. 20

NPR First Listen has featured No Cities to Love in this week before the album’s release, and damn if it doesn’t sound like Sleater-Kinney never went away.

The Decemberists, What a Terrible World, What a Wonderful World, Jan. 20

It’s probably too much to ask for this album to be the best R.E.M. has recorded since splitting up.

Exposé, Exposure (Deluxe Edition), Jan. 20

For an ’80s radio pop album, Exposure is pretty enduring. A deluxe edition, though, means endless remixes of the album’s four hit singles.

Kate Pierson, Guitars and Microphones, Feb. 17

Cindy Wilson’s absence was sorely felt on the B-52’s Good Stuff, the follow-up to the massive hit Cosmic Thing. So it’ll be interesting to hear how Kate Pierson sounds without the rest of the band around her.

Gang of Four, What Happens Next, Feb. 24

That’s the question with only Andy Gill as the only remaining original member of the band.

Shiina Ringo, “Shijou no Jinsei”, Feb. 25

Post-Tokyo Jihen Shiina Ringo has been sparse with new music, but with a new single arriving barely three months after an album, does this mean the drought has ended?

Madonna, Rebel Heart, March 10

I’m so past hoping this album is anywhere within league of Like a Prayer, Ray of Light or, heck, even Bedtime Stories. MDNA was just plain forgettable.

Inventions, Maze of Woods, March 17

Now, that’s a quick turn-around.

Death Cab for Cutie, Kintsugi, March 31

Chris Walla is no longer with the band and consequently no longer at the producer’s desk. Codes and Keys is the closest Death Cab has reached to the sublimity of The Photo Album or Transatlanticism since signing to a major label. So this album is pretty much make-or-break.

Björk, Vulnicura, March 2015

The most interesting aspect of this announcement, for me, is the silence from Nonesuch Records regarding its release.

Vinyl reissues

Guided By Voices, Bee Thousand, Jan. 27

On my list of Albums I Want Reissued on Vinyl, Bee Thousand resides in the upper echelon. Previous entries on said list included The Woods by Sleater-Kinney, The Photo Album by Death Cab for Cutie, the self-titled Metallica album and Floating Into the Night by Julee Cruise. All these titles appeared in 2014.

Sigur Rós, Ágætus Byrjun, Feb. 17

I’m also holding out hope for a Takk … reissue.

LOVE PSYCHEDELICO, ABBOT KINNEY, Feb. 18

All of LOVE PSYCHEDELICO’s albums are getting a vinyl reissue to coincide with a pair of retrospectives coming out the same day. ABBOT KINNEY, however, is the duo’s best.

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Favorite Edition 2014: Year Final

[John Luther Adams - Become Ocean]

 

Something I didn’t anticipate when I moved from Austin to Seattle in 2012 was a classical music scene with an audience receptive to modern works.

Seattle Symphony Orchestra includes a number of commissions throughout its season, and a chamber series focusing on modern works turns the lobby of Benaroya Hall into an informal setting. I got to hear Steve Reich’s Different Trains as part of a chamber music festival, and Town Hall has brought in the likes of Alarm Will Sound, Roomful of Teeth and NOW Ensemble.

So the year-end Favorite Edition for 2014 reflects my rekindled interest in new music. It’s easier to indulge when even the record shops make it a point to separate modern music from the common era.

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Favorite Edition 2014: Year Half

[Juanes - Loco de Amor]

Just because this site is no longer review-driven doesn’t mean I’ve stopped listening to newer releases, and no music writer worth her salt can resist the compulsion to make lists.

The first half of the Favorite Edition 2014 are the titles I anticipate will keep some sort of ranking by year’s end. The second half of the list is up for grabs.

  1. Juanes, Loco de Amor: This album could very well be Juanes’ best. The writing is some of his catchiest since La Vida es … Un Ratico, and producer Steve Lillywhite gives him a big arena sound. (It’s there in the drums.) Loco de Amor finds Juanes rejuvenated after the lackluster P.A.R.C.E.
  2. The Bad Plus, The Rite of Spring: I’ve been waiting for this album since a video of The Bad Plus performing the seminal Stravinsky ballet hit the Internet many years back. Similar to the trio’s reworking of Ligeti etudes, The Bad Plus rely on their virtuosity to give The Rite of Spring a fairly faithful reading.
  3. Royal Wood, The Burning Bright: I wasn’t very impressed with Royal Wood’s hitmaking album, We Were Born to Glory, and neither was he. So Wood retreated to Ireland, where he crafted The Burning Bright, an album steeped in heartache and cautious optimism.
  4. [Shiina Ringo - Gyakuyunyuu]Shiina Ringo, Gyakuyunyuu ~Kouwankyoku~: I had to listen to this album three times before I could orient myself to what was happening. Gyakuyunyuu is billed as a “self-cover album,” featuring songs Shiina contributed to other artists. I was half-expecting another Utaite Myouri, but instead, I got her strangest and most baffling solo album to date. The stylistic whiplash makes the album something of a hot but fascinating mess.
  5. Meredith Monk, Piano Songs: Double Edge recorded Monk’s Phantom Waltz back in 1992, and I’ve always wondered if there was more from where that came from. This album answers that question.
  6. Molotov, Agua Maldita: The blistering anger of Molotov’s previous decade has evolved into something much more tuneful.
  7. Inventions, Inventions: My first listen of Inventions’ self-titled album left no impression at all, but an extended coding session made me realize this album is actually quite compelling. I would put the Eluvium/Exploisions in the Sky ratio at around 60/40, though.
  8. [Sam Smith - In the Lonely Hour]Sam Smith, In the Lonely Hour: Sam Smith does indeed possess an incredible set of pipes. What he has yet to acquire is an adventurousness on the level of James Blake. This debut is appealing, but like Janelle Monae, Smith has potential that is not yet tapped.
  9. Ben Watt, Hendra: Do you miss Everything But the Girl? Hendra, Watt’s first solo album in a number of decades, picks up where Amplified Heart left off before Everything But the Girl ventured into electronic dance music.

And a few more favorites …

  • [Last Exit - Iron Path]Favorite reissue: Emmylou Harris, Wrecking Ball (Deluxe Edition)
  • Favorite catalog discovery: Neneh Cherry, Raw Like Sushi
  • Favorite vinyl find: Last Exit, Iron Path
  • Favorite late discover from 2013: Jason Isbell, Southeastern

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