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Purchase log, 2018-11-20

[Hajime Chitose - Hajime Uta]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Hajime Chitose, Hajime Uta ~Hajime Chitose Amami Shimauta-shuu~
  • Midnight Oil, Armistice Day: Live at the Domain, Sydney

Catalog

CD
  • ABC, Absolutely
  • Brooklyn Rider, Spontaneous Symbols
  • Dead Can Dance, Spleen and Ideal
  • Franz Josef Hadyn, String Quartets, Op. 20 “Sun”, 1-3 (Kodály Quartet)
  • Franz Josef Hadyn, String Quartets, Op. 20 “Sun”, 4-6 (Kodály Quartet)
  • Godspeed You! Black Emperor, F# A# ∞
  • Scissor Sisters, Ta-Dah
  • The Notwist, Neon Golden
  • The Rustavi Choir, Georgian Voices
Vinyl
  • Olivia Newton-John, Physical
  • Renée Fleming, Dark Hope
  • The Pointer Sisters, Break Out

Reissues

CD
  • Art of Noise, In No Sense? Nonsense! (Deluxe Edition)
  • Fastball, All the Pain Money Can Buy (Deluxe Edition)
Vinyl
  • Eurythmics, Peace
  • Fastball, All the Pain Money Can Buy (Deluxe Edition)

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Favorite Edition Rewind: 2001

[Fugazi - The Argument]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

As I mentioned in the original entry for the 2001 list, 75 percent of the year was actually really decent, especially where music was concerned. The Favorite 10 from that year remains unchanged.

  1. AJICO, Fukamidori
  2. fra-foa, Chuu no Fuchi
  3. Quruli, Team Rock
  4. eX-Girl, Back to the Mono Kero
  5. ACO, Material
  6. the brilliant green, Los Angeles
  7. Cocco, Sangrose
  8. Res, How I Do
  9. Utada Hikaru, Distance
  10. Onitsuka Chihiro, Insomnia

Other favorites from the year:

  • Hajime Chitose, Kotonoha
  • MONO, Under the Pipal Tree
  • Fugazi, The Argument
  • Low, Things We Lost in the Fire
  • Death Cab for Cutie, The Photo Album
  • bloodthirsty butchers, Yamane
  • Kicell, Yume
  • Shea Seger, The May Street Project
  • Rufus Wainwright, Poses
  • Semisonic, All About Chemistry
  • Missy Elliott, Miss E … So Addictive
  • Gillian Welch, Time (The Revelator)
  • The Shins, Oh, Inverted World!
  • soulsberry, The end of vacation
  • Sigur Rós, Agætis Byrjun
  • Guided By Voices, Isolation Drills

Like 2002 and 2003, the extended list for 2001 overruns with quality stuff, and I’ve only added to it.

I got Gillian Welch’s Hell Among the Yearlings as part of a gift bag from a Waterloo Records holiday party. I didn’t get around to listening to it till about 15 years later, and I had to play catch-up.

I’ve known about Low for years, but I didn’t hear them till MONO shared a bill with them in concert.

The annual Friends of the Library Book Sale hooked me up with Fugazi’s End Hits for $1, so I sought out The Argument to round out my collection. I vaguely remember the news of Fugazi’s hiatus upsetting my Waterloo coworkers. I hadn’t yet jumped on the bandwagon.

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Favorite Edition Rewind: 2002

[Quruli - THE WORLD IS MINE]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

If you want an explanation for the length of this list, see 2002: An important year in music for the 2000s. This 2002 list has gone through a few ranking changes and added even more titles.

  1. Hem, Rabbit Songs
  2. … And You Will Know Us by the Trail Of Dead, Source Code and Tags
  3. Kronos Quartet, Nuevo
  4. The Streets, Original Pirate Material
  5. Hajime Chitose, Hainumikaze
  6. NUMBER GIRL, NUM-HEAVYMETALLIC
  7. Quruli, THE WORLD IS MINE
  8. Zoobombs, love is funky
  9. Hatakeyama Miyuki, Diving into your mind
  10. Patty Griffin, 1,000 Kisses

Other favorites from the year:

  • UA, Dorobou
  • Queens of the Stone Age, Songs for the Deaf
  • Damien Jurado and Gathered In Song, I Break Chairs
  • Pedro the Lion, Control
  • Wilco, Yankee Hotel Foxtrot
  • Missy Elliott, Under Construction
  • The Decemberists, Castaways and Cutouts
  • Sonic Youth, Murray Street
  • Sleater-Kinney, One Beat
  • Kylie Minogue, Fever
  • The Roots, Phrenology
  • ISIS, Oceanic
  • The White Stripes, White Blood Cells
  • The Hives, Veni Vidi Vicious
  • Catilin Cary, While You Weren’t Looking
  • BUGY CRAXONE, Northern Hymns
  • N.E.R.D., In Search Of …
  • The Books, Thought for Food
  • Nappy Roots, Watermelon, Chicken & Gritz
  • Minako, Suck It till Your Life Ends mata wa Shine Made Sono Mama Yatte Iro
  • The Flaming Lips, Yoshimi Battles the Pink Robot
  • Shiratori Maika, Hanazono
  • The Back Horn, Shinzou Orchestra
  • Joan Jeanrenaud, Metamorphosis

I picked up Original Pirate Material for $1 at Lifelong Thrift Shop, and now I understand why it was all over the place in 2002. I couldn’t open a music magazine without seeing Mike Skinner mentioned in it. I’m pretty sure the sample of Dvorak’s Symphony No. 9 sealed my admiration for the album.

THE WORLD IS MINE is something of a mea culpa. At the time of its release, I recognized the album as being Quruli’s most complex, but I just couldn’t get into it. I probably felt that it didn’t go far enough if it was going to be ambitious.

Well, the joke’s on me. I listened to it again before its reissue on vinyl, and I really dug it, much more than Antenna, which I praised effusively at the time. So it knocked Minako’s one and only album off the Favorite 10. UA also had to make room for the Streets.

The extended list includes albums I originally dismissed: Murray Street by Sonic Youth and One Beat by Sleater-Kinney.

I remember stocking Nappy Roots during my shifts at Waterloo Records and wondering what the big deal was. A $1 copy from Lifelong Thrift Shop  16 years later educated me. I probably wouldn’t have been exposed to Nappy Roots, The Decemberists or ISIS without having worked at Waterloo.

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Favorite Edition Rewind: 2006

[BORIS - PINK]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

At the time, SLOTH LOVE CHUNKS edged Utada Hikaru for the top spot of 2006, but Ultra Blue has proven far more durable. This list has gone through quite a number of changes.

  1. Utada Hikaru, Ultra Blue
  2. SLOTH LOVE CHUNKS, Shikakui Vision
  3. VOLA & THE ORIENTAL MACHINE, Waiting for My Food
  4. Furukawa Miki, Mirrors
  5. Tokyo Jihen, Otona (Adult)
  6. Gnarls Barkley, St. Elsewhere
  7. Boris, Pink
  8. The Roots, Game Theory
  9. Lorraine Hunt-Lieberson, Neruda Songs
  10. Nick Lachey, What’s Left of Me

Other favorites of the year:

  • ACO, mask
  • J Dilla, Donuts
  • Hajime Chitose, Hanadairo
  • Now It’s Overhead, Dark Light Days
  • Envy, Insomniac Doze
  • The Gossip, Standing in the Way of Control
  • ASIAN KUNG-FU GENERATION, Fan Club

I’ve known about Boris for as long as I’ve been following Japanese music, but I never made time for them until I picked up Pink at Goodwill for $2. Well, hell …

I wouldn’t have listened to the Roots or J Dilla at the time. Hip-hop had diversified to have its own underground, and that was just so much history that I wasn’t willing to unpack. I’ve only started exploring hip-hop with any seriousness in the last year.

Lorraine Hunt-Lieberson was quite the late discovery. I didn’t pick up Neruda Songs till 2008, but it quickly became a favorite, dislodging Ex-Boyfriends completely off the list.

When I was first introduced to ASIAN KUNG-FU GENERATION, I dismissed them as “eastern youth lite”. The joke was on me — I don’t even own an eastern youth album anymore, and I’ve purchased ASIAN KUNG-FU GENERATION on vinyl.

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A wish list of vinyl reissues

[Fastball - All the Pain Money Can Buy]

When you can find a second-hand vinyl copy of Suzanne Vega’s Solitutde Standing for $1, does the world really need a reissue that costs $30? Same goes for the soundtrack to Top Gun — was it really such a cultural watershed?

Vinyl reissues make up just a sliver of recorded music sales, but it’s the only sector experiencing rapid growth. So if Please Hammer Don’t Hurt ‘Em by MC Hammer can get a reissue, then nothing should stop the following titles from showing up on wax. From what I can tell, none of these titles have ever been issued on vinyl.

Fastball, All the Pain Money Can Buy

The stars aligned for Fastball on this album, but tensions in the band prevented them from capitalizing on that momentum. It still holds up well after nearly 20 years.

Patty Griffin, Flaming Red

You need look no further than Silver Bell to hear how well Flaming Red would sound on vinyl. Griffin doesn’t usually indulge her rock side, but like the title of this album, she burns when she does.

Freedy Johnston, This Perfect World

This album was in constant rotation on my player back in 1994, and I didn’t care if it storm up the charts. It didn’t, so the likelihood for a reissue are slim.

Hajime Chitose, Hainumikaze

I’ve so far not been impressed by vinyl pressings of domestic Japanese albums. The market is still driven mostly by CDs, so Japanese labels don’t put much care into the sound of vinyl releases. In my fantasy world where they did, I would so want to hear Hajime Chitose’s voice on vinyl.

Onitsuka Chihiro, INSOMNIA

All the ballads on this album should make remastering it for vinyl not insurmountable. Right?

Hem, Rabbit Songs

I’m surprised the only album in Hem’s discography available on vinyl is Departures and Farewells. I would have thought Rabbit Songs had been reissued a long time ago.

Utada Hikaru, Ultra Blue

The last Utada album to be issued on vinyl was DEEP RIVER.

Duran Duran, Medazzaland

The masters for Duran Duran’s most underrated album is owned by the band, so the fate of a vinyl reissue is entirely up to them. Nick Rhodes has mentioned he would love to see it happen.

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