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Favorite Edition Rewind: 1999

[SUPERCAR - JUMP UP]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Here’s my matrix of the most important years in music for the last 4 decades:

  • 2010s: 2015 (so far)
  • 2000s: 2002
  • 1990s: 1998
  • 1980: 1987

The years adjacent to the ones listed are also pretty pivotal, which is the case for 1999. The list doesn’t change much, but a lot of great music came out that year.

  1. NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
  2. Shiina Ringo, Muzai Moratorium
  3. Utada Hikaru, First Love
  4. ACO, absolute ego
  5. Nina Hynes, Creation
  6. SUPERCAR, Jump Up
  7. The Flaming Lips, The Soft Bulletin
  8. Port of Notes, Complain Too Much
  9. Mandy Barnett, I’ve Got a Right to Cry
  10. The Kiss Offs, Goodbye Private Life

Other favorites from the year:

  • L’Arc~en~Ciel, ray
  • Jordan Knight, Jordan Knight
  • eX-Girl, Kero! Kero! Kero!
  • NUMBER GIRL, DESTRUCTION BABY
  • OBLIVION DUST, Reborn
  • UA, turbo
  • Moby, Play
  • Maná, MTV Unplugged
  • Dr.StrangeLove, Twin Suns
  • The Roots, Things Fall Apart
  • Fantastic Plastic Machine, Luxury
  • Asylum Street Spankers, Hot Lunch
  • Café Tacuba, Revés/Yo Soy

A retrospective addition of SUPERCAR bumps L’arc~en~Ciel to the extended list. Futurama was the first SUPERCAR album I owned, and I liked it so much, I was hesitant to explore the band’s early work, out of fear it wouldn’t live up.

As it turns out, Futurama was the last of SUPERCAR’s great albums. The first two albums are classics in their own right. I’ve yet to dig into Ookeah! and Ooyeah!

I’ve only added Moby, The Roots and Fantastic Plastic Machine to the extended list, but albums by Wilco, Rage Against the Machine, Built to Spill and Mos Def could have made it on there. I just wanted to avoid the kind of crowding we saw in 2002 and 2003.

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Favorite Edition Rewind: 2000

[Tomosaka Rie - Shoujo Robot]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.

  1. Shiina Ringo, Shouso Strip
  2. Cocco, Rapunzel
  3. NUMBER GIRL, SAPPUKEI
  4. SUPERCAR, Futurama
  5. eX-Girl, Big When Far, Small When Close
  6. Sleater-Kinney, All Hands on the Bad One
  7. Idlewild, 100 Broken Windows
  8. FEED, Make Every Stardust Shimmer!
  9. Tomosaka Rie, “Shoujo Robot”
  10. Sade, Lovers Rock

Other favorites from the year:

  • Do As Infinity, Break of Dawn
  • Yaida Hitomi, daiya-monde
  • PJ Harvey, Stories from the City, Stories from the Sea
  • OBLIVION DUST, Butterfly Head
  • At the Drive-In, Relationship of Command
  • L’Arc~en~Ciel, REAL
  • Bonnie Pink, Let Go
  • MISSILE GIRL SCOOT, Fiesta!
  • Smashing Pumpkins, MACHINA/The Machine of God
  • m-flo, Planet Shining
  • Juanes, Fíate Bien
  • Emmylou Harris, Red Dirt Girl
  • U2, All That You Can’t Leave Behind
  • La Ley, Uno
  • Sinéad O’Connor, Faith and Courage
  • Soundtrack, High Fidelity
  • BBMak, Sooner or Later

At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.

Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯

Idlewild’s 1000 Broken Windows takes the spot vacated by U2.

Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.

I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.

The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.

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Favorite Edition Rewind: 2001

[Fugazi - The Argument]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

As I mentioned in the original entry for the 2001 list, 75 percent of the year was actually really decent, especially where music was concerned. The Favorite 10 from that year remains unchanged.

  1. AJICO, Fukamidori
  2. fra-foa, Chuu no Fuchi
  3. Quruli, Team Rock
  4. eX-Girl, Back to the Mono Kero
  5. ACO, Material
  6. the brilliant green, Los Angeles
  7. Cocco, Sangrose
  8. Res, How I Do
  9. Utada Hikaru, Distance
  10. Onitsuka Chihiro, Insomnia

Other favorites from the year:

  • Hajime Chitose, Kotonoha
  • MONO, Under the Pipal Tree
  • Fugazi, The Argument
  • Low, Things We Lost in the Fire
  • Death Cab for Cutie, The Photo Album
  • bloodthirsty butchers, Yamane
  • Kicell, Yume
  • Shea Seger, The May Street Project
  • Rufus Wainwright, Poses
  • Semisonic, All About Chemistry
  • Missy Elliott, Miss E … So Addictive
  • Gillian Welch, Time (The Revelator)
  • The Shins, Oh, Inverted World!
  • soulsberry, The end of vacation
  • Sigur Rós, Agætis Byrjun
  • Guided By Voices, Isolation Drills

Like 2002 and 2003, the extended list for 2001 overruns with quality stuff, and I’ve only added to it.

I got Gillian Welch’s Hell Among the Yearlings as part of a gift bag from a Waterloo Records holiday party. I didn’t get around to listening to it till about 15 years later, and I had to play catch-up.

I’ve known about Low for years, but I didn’t hear them till MONO shared a bill with them in concert.

The annual Friends of the Library Book Sale hooked me up with Fugazi’s End Hits for $1, so I sought out The Argument to round out my collection. I vaguely remember the news of Fugazi’s hiatus upsetting my Waterloo coworkers. I hadn’t yet jumped on the bandwagon.

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