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Favorite Edition Rewind: 2011

[Edwin Outwater - From Here on Out]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Spotify finally arrived in the US in 2011, and at the time, digital releases meant iTunes downloads. Vinyl album releases still came with CDs to go with them.

Like 2012, the 2011 Favorite Edition doesn’t alter the original list very much, and releases from that year haven’t really made its way into my collection since then.

  1. Duran Duran, All You Need Is Now
  2. Kuriyama Chiaki, CIRCUS
  3. Chiara String Quartet, Jefferson Freidmann: String Quartets Nos. 2 and 3
  4. SuiseiNoboAz, THE (OVERUSED) END OF THE WORLD and I MISS YOU MUH-FUH
  5. MO’SOME TONEBENDER, MO’SOME TONEBENDER
  6. Matt Alber, Constant Crows
  7. James Blake, James Blake
  8. Steve Reich, WTC 9/11 / Mallet Quartet / Dance Patterns
  9. Jason Isbell and 400 Unit, Here We Rest
  10. Frank Ocean, nostalgia, ULTRA

Other favorites from the year:

  • Edwin Outwater, From Here On Out (Kitchener-Waterloo Symphony)
  • Kronos Quartet / Kimmo Pohjonen / Samuli Kosminen, Uniko
  • NOW Ensemble, Awake
  • The Decemberists, The King Is Dead
  • itsnotyouitsme, Everybody’s Pain Is Magnificent
  • John Lunn, Downton Abbey
  • Death Cab for Cutie, Codes and Keys
  • Abigail Washburn, City of Refuge

Jason Isbell and Frank Ocean are retroactive additions. I wouldn’t have been aware of either artist before 2011. nostalgia, ULTRA is probably Ocean’s best album, and Here We Rest shows Isbell prepared for the breakthrough of Southeastern two years later.

Kronos Quartet and The Decemberists get bumped from the Favorite 10 as a result.

Edwin Outwater is a late discovery but also emblematic of the music I was exploring at the time. His album with the Kitchener-Waterloo Symphony is about as literal as you can get with the term “indie classical”.

2011 was also the final year I lived in Austin, Texas. I didn’t get around to posting the year-end list till March 2012 because I was busy with my move to Seattle in January.

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Favorite Edition Rewind: 2012

[Cody ChesnuTT - Landing on a Hundred]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

What I find most remarkable about the 2012 list is the number of albums listed under honorable mentions. The revised list has culled a lot of those titles. I probably listed so many because I didn’t feel passionate enough about any of them.

  1. Solange, True
  2. Santigold, Master of My Make-Believe
  3. Jeremy Denk, Ligeti/Beethoven
  4. … And You Will Know Us By the Trail of Dead, Lost Songs
  5. Frank Ocean, channel ORANGE
  6. Cody Chesnutt, Landing on a Hundred
  7. ASIAN KUNG-FU GENERATION, Landmark
  8. ZAZEN BOYS, Stories
  9. Tokyo Jihen, Shinyawaku
  10. Duran Duran, A Diamond in the Mind

Other favorites from the year:

  • Scissor Sisters, Magic Hour
  • Roomful of Teeth, Roomful of Teeth
  • Gossip, A Joyful Noise
  • Tokyo Jihen, Tokyo Collection
  • TOUMING MAGAZINE, TOUMING MAGAZINE FOREVER
  • OBLIVION DUST, 9 Gates of Bipolar
  • Gaytheist, Stealth Beats

Cody ChesnuTT dislodges Scissor Sisters from the original list, and Frank Ocean jumps up a few spots. Otherwise, there are no remarkable changes.

If anything, 2012 has turned out to be something of a dud year. When I review my purchases in subsequent years, 2012 releases are scant, and most of the albums I bought that year only garner no more than a 3-star rating.

 

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Favorite Edition Rewind: 2015

[Gaytheist / Rabbits - Gay*Bits]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

2015 started strong with the return of Sleater-Kinney, and it stayed strong all the way through the release of the Hamilton cast recording. That said, the list goes through quite a number of changes, consolidating some stragglers and bouncing a few titles off.

  1. Lin-Manuel Miranda, Hamilton: An American Musical
  2. Kendrick Lamar, To Pimp a Butterfly
  3. Sleater-Kinney, No Cities to Love
  4. Jason Isbell, Something More Than Free
  5. Torche, Restarter
  6. Björk, Vulnicura
  7. Deebs and Jarell Perry, Shift
  8. Steve Grand, All-American Boy
  9. Janet Jackson, Unbreakable
  10. Gaytheist/Rabbits, Gay*Bits

Other favorites from the year:

  • Software Giant, We Are Overcome
  • Miguel, Wildheart
  • Madonna, Rebel Heart
  • Duran Duran, Paper Gods
  • Enya, Dark Sky Island
  • The Weeknd, Beauty Behind the Madness
  • Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit
  • ASIAN KUNG-FU GENERATION, Wonder Future
  • Andrew Norman, Play
  • Troye Sivan, Blue Neighborhood

The Favorite 10 sees one title switched out — Gaytheist and Rabbit’s split EP for Miguel’s Wildheart. Father John Misty, Takaakira Goto, Seattle Symphony and Kronos Quartet make way for Andrew Norman, Troye Sivan and Software Giant.

Eight years into 2010s, 2015 is so far turning out to be my favorite year for the decade. The hierarchy of the list gives a false sense of preference — some of the albums outside of the Favorite 10 got as much play time as those at the top of the list.

Duran Duran and Enya could have occupied spots in the Favorite 10 if the field weren’t so crowded.

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Purchase log, 2018-08-21

 

[Julee Cruise - Three Demos]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Duran Duran, The Ultra Chrome, Latex and Steel Tour
  • Perfume, Future Pop
Vinyl
  • Steve Grand, not the end of me
  • Julee Cruise, Three Demos

Catalog

CD
  • Claude Debussy, Images (1894) / Estampes / Images, Series I and II (Paul Jacobs)
  • Led Zeppelin, untitled (fourth album)
Vinyl
  • Aretha Franklin, Who’s Zoomin’ Who?
  • Soundtrack, Who’s That Girl?

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Purchase log, 2018-04-24

[Duran Duran - Budokan]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

It’s the Record Store Day 2018 entry!

New Releases

Vinyl
  • Brian Eno with Kevin Shields, The Weight of History / Only Once Away My Son
  • Cypress Hill, Black Sunday Remixes
  • David Bowie, Let’s Dance Demo
  • Duran Duran, Budokan
  • Jason Isbell and 400 Unit, Live at Twist & Shout 11.16.07
  • John Luther Adams, Canticles of the Sky (Oliver Coates)
  • Living Colour, “Live at CBGB’s” Tuesday 12/19/89
  • Rage Against the Machine, Democratic National Convention 2000
  • Sufjan Stevens, Mystery of Love
  • The Streets, Remixes + B-Sides
  • Wilco, Live at the Troubador L.A. 1996

Catalog

CD
  • Culture Club, Colour By Numbers
  • Elvis Costello, This Year’s Model
  • Frank Zappa, Ship Too Late to Save a Drowning Witch
  • Heart, Heart
  • Lee Morgan, The Sidewinder
  • The Jimi Hendrix Experience, Are You Experienced? (Remastered)
  • The Stone Roses, The Stone Roses

Reissues

 Vinyl
  • Florian Fricke, Florian Fricke Spielt Mozart
  • Prince, 1999 (1983 single disc version)
  • Uncle Tupelo, No Depression — Demos

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Favorite Edition: Desert Island

[Duran Duran - Rio]

Nobody talks about desert island discs any more.

In fact, a whole generation of readers might find the premise a bit preposterous — a list of 10 albums with which you would want to be stranded on a desert island. You had to suspend belief that you had an infinite electrical supply and a working playback device.

Then music escaped its physical confines, and iPods allowed people to carry entire music collections with them, which today’s subscription services dwarf in terms of supply.

But the desert island disc list still makes for a good thought exercise — in this era of abundance, what would you do in a moment of scarcity? What 10 albums feel as comfortable and reliable as that old jacket or blanket?

I think it’s only in the last decade that my list has finalized.

Duran Duran, Rio

As a teenager, my desert island disc list would have probably included Duran Duran in most slots. While I would hate to leave behind The Wedding Album, Rio is pretty much the go-to album for any Duranie.

Kronos Quartet, Black Angels

The Quartet for Strings No. 8 by Dmitri Shostakovich would be my desert island classical piece — I never tire hearing it. This album introduced me to the piece, and the title work has also become essential repertoire for me.

John Zorn, Naked City

I imagine there will be many frustrating days living on a desert island, and this album would help greatly to cope with those days.

Emmylou Harris, Wrecking Ball

Growing up in Hawaii meant automatically dismissing country music. Emmylou Harris introduced me to the better stuff.

Neutral Milk Hotel, In the Aeroplane Over the Sea

I was introduced to this album in 2009, right around the time it was starting to get difficult to find something new to move me. So yeah, I was surprised myself.

Cocco, Bougainvillia
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
Shiina Ringo, Karuki Zaamen Kuri no Hana

I feel a bit self-conscious over the fact three Japanese titles show up on this list, but given the number of really good albums that clustered around 1999-2004, it’s was tough keeping SUPERCAR, AJICO and fra-foa off the list, let alone the two Shiina Ringo albums that preceded Karuki Zaamen Kuri no Hana.

Robin Holcomb, Robin Holcomb

This album reminds me that pop songwriting doesn’t always need to be sweet.

U2, The Joshua Tree

To be honest, this album usually fights for its spot on the list with In Tua Nua’s The Long Acre.

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Purchase log: 2018-02-20

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New Releases

CD / Vinyl
  • Laurie Anderson and Kronos Quartet, Landfall

Catalog

CDs
  • Gustav Holst / Edgard Varèse, Holst: The Planets / Varèse: Arcana
  • John Coltrane, Coltrane Plays The Blues
  • John Coltrane, Standards
  • Thelonious Monk, The Composer
Vinyl
  • New York Dolls, Too Much Too Soon
  • Wilco, Being There
Blu Ray
  • Duran Duran, A Diamond in the Mind: Live 2011

 

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Favorite Edition 2017 Year Final

[Living Colour - Shade]

2017 was a rather active year in music, but when it came to new releases, I opted to leave a lot of stuff on the shelf. A decade ago, new albums by Arcade Fire and Grizzly Bear would have been breathlessly awaited. I don’t get the sense either had much staying power beyond their release dates.

As a result, I ended up purchasing a total of 34 new titles, approximately 7 percent of my total buying activity. The remaining purchases? Catalog and reissues. This list, in other words, comes from a small pool of albums.

  1. Onitsuka Chihiro, Syndrome
  2. Royal Wood, Ghost Light
  3. RADWIMPS, Your name.
  4. Sam Smith, The Thrill of It All
  5. Sam Amidon, The Following Mountain
  6. Kronos Quartet, Folk Songs
  7. Gaytheist, Let’s Jam Again Soon
  8. Living Colour, Shade
  9. Jason Isbell and 400 Unit, The Nashville Sound
  10. Renée Fleming, Distant Light

Sam Smith and Living Colour are the big changes from the mid-year listThe Thrill of It All isn’t as weird as I hoped it could be, but it’s a more appealing album than Smith’s debut.

Shade is the perfect soundtrack for the frustration of living under the current administration. Pre-release press mention the blues as a springboard for the album, but really, Living Colour transform the blues in ways that are nigh unrecognizable.

Other favorites from the year:

  • Eluvium, Shuffle Drone: I hate both the repeat and shuffle buttons on my playback mechanisms. That said, Matthew Cooper deserves mad props for creating an album that puts both buttons to excellent use.
  • Sampha, Process: I admit I didn’t listen to this album till a few weeks ago, once it started showing up on year-end favorite lists.
  • David Rawlings, Poor David’s Almanack: My long-simmering discovery of Gillian Welch will have to wait for another entry, but it’s the reason David Rawlings shows up here.
  • Shiina Ringo, Gyakuyunyuu ~Kuukoukyoku~: Part of me misses the rocking Ringo-chan of the early 2000s, but then hearing these songs side-by-side with the artists who recorded them first deepens my appreciation for her.
  • Sufjan Stevens / Nico Muhly / Bryce Dessner / James McAlister, Planetarium: It helps to have heard this album with a laser light show.
  • The Drums, Abysmal Thoughts: Jonny Pierce takes over the show.
  • Cocco, Cocco 20 Shuunen Kinen Special Live at Nippon Budokan ~Ichi no Kan x Ni no Kan~: The live performances don’t stray too far from what’s heard in the studio, but Cocco’s voice doesn’t seem to have aged a bit.
  • Duran Duran, Thanksgiving Live at Pleasure Island: If you’re a fan of the seriously-underrated Medazzaland, this live album is a must-have.

 

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A wish list of vinyl reissues

[Fastball - All the Pain Money Can Buy]

When you can find a second-hand vinyl copy of Suzanne Vega’s Solitutde Standing for $1, does the world really need a reissue that costs $30? Same goes for the soundtrack to Top Gun — was it really such a cultural watershed?

Vinyl reissues make up just a sliver of recorded music sales, but it’s the only sector experiencing rapid growth. So if Please Hammer Don’t Hurt ‘Em by MC Hammer can get a reissue, then nothing should stop the following titles from showing up on wax. From what I can tell, none of these titles have ever been issued on vinyl.

Fastball, All the Pain Money Can Buy

The stars aligned for Fastball on this album, but tensions in the band prevented them from capitalizing on that momentum. It still holds up well after nearly 20 years. Reissued on Nov. 9, 2018.

Patty Griffin, Flaming Red

You need look no further than Silver Bell to hear how well Flaming Red would sound on vinyl. Griffin doesn’t usually indulge her rock side, but like the title of this album, she burns when she does.

Freedy Johnston, This Perfect World

This album was in constant rotation on my player back in 1994, and I didn’t care if it storm up the charts. It didn’t, so the likelihood for a reissue are slim. Reissued Feb. 2019.

Hajime Chitose, Hainumikaze

I’ve so far not been impressed by vinyl pressings of domestic Japanese albums. The market is still driven mostly by CDs, so Japanese labels don’t put much care into the sound of vinyl releases. In my fantasy world where they did, I would so want to hear Hajime Chitose’s voice on vinyl.

Onitsuka Chihiro, INSOMNIA

All the ballads on this album should make remastering it for vinyl not insurmountable. Right?

Hem, Rabbit Songs

I’m surprised the only album in Hem’s discography available on vinyl is Departures and Farewells. I would have thought Rabbit Songs had been reissued a long time ago.

Utada Hikaru, Ultra Blue

The last Utada album to be issued on vinyl was DEEP RIVER. Reissued April 27, 2022

Duran Duran, Medazzaland

The masters for Duran Duran’s most underrated album is owned by the band, so the fate of a vinyl reissue is entirely up to them. Nick Rhodes has mentioned he would love to see it happen. Reissued Oct. 14, 2022.

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45 Albums for 45 Years: A Birthday Retrospective (1980s)

[The Art of Noise - In Visible Silence]

In 1987, I turned 15 years old, an age when music discovery exerted its strongest pull. The same Spotify analysis that charted music tastes over time claims most teen-agers highly identify with popular titles. Had the same study been done when I was a teen, I probably would have been an outlier point.

Kronos Quartet, Black Angels

The first Kronos Quartet album I purchased was Winter Was Hard, and it was something of a Reader’s Digest for modern classical music. Then Black Angels followed, and it exploded my perception of what music could be.

John Zorn, Naked City

I was a pissed-off teen for a lot of reasons, most of them mundane. But it gave me drive to find music that would alienate everyone around me, and the howls of Yamantaka Eye and John Zorn fit the bill nicely.

In Tua Nua, The Long Acre

This album introduced me to the idea that popularity is not the same thing as merit. I couldn’t find a filler track anywhere on this album, and the confrontational “The Innocent and the Honest Ones” mirrored my own dissatisfaction with being raised in a monotheistic culture. It should have been a hit, but mostly, you’ll find it in the 99 cent bins.

U2, The Joshua Tree

U2 had to score a number one album in order for radio stations in Hawaii to pay attention. I knew about the band beforehand but hadn’t taken the plunge till I saw the video for “With or Without You.”

Andrew Lloyd Webber, The Phantom of the Opera

Andrew Lloyd Webber gets a lot of flack for his signature hit tunes, but for a young burgeoning composer, his scores are incredibly instructional. I’ve yet to encounter another pop writer who can make a hook out of an atonal melody.

The Art of Noise, In Visible Silence

Before I learned about Kronos Quartet, John Zorn or Andrew Lloyd Webber, I encountered the Art of Noise. I would later learn (Who’s Afraid Of …?) The Art of Noise! had some bonafide songcraft, but its follow-up, In Visible Silence, essentially jettisoned all that.

Arcadia, So Red the Rose

Of the two Duran Duran splinter projects from 1985, Arcadia hews closest to the parent band and engenders the most sentiment from long-time fans.

Stephen Sondheim, Sunday in the Park with George

Sunday in the Park with George arrived at time in my life when I was just starting to learn about modern classical music. I looked to Lloyd Webber to bridge my interests in classical and pop musics, and I turned to Sondheim to go further into modernism.

Eurythmics, Sweet Dreams (Are Made of This)

I loved Eurythmics singles, but their albums tended to have quite a bit of filler. Sweet Dreams is the deserved obvious choice, but Savage and In the Garden deserve some props.

Duran Duran, Rio

This tops my Desert Island Disc list, so of course, it’s going to be here.

Wendy Carlos, TRON Original Soundtrack

I listened to this soundtrack to death because I loved the computer graphics of the movie. It wasn’t till much later that I discovered how rich Carlos’ harmonic language was. This soundtrack pretty much planted the seed that would be nourished by the Art of Nosie, Kronos Quartet, John Zorn and classical music after 1900.

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