Like Demo 1979 before it, this unofficial live album from Duran Duran surprised me when I found it while flipping through the stacks at Jive Time Records. It’s housed in a generic sleeve with a photocopy of the track listing taped to the front, and it isn’t even an accurate listing.
The Duran Duran Wiki says it was recorded at the Hammersmith Odeon in December 1981. At one point during the concert, Simon Le Bon refers to “Last Chance on the Stairway” as “a new song”.
That was a transitionary time for the band. The biggest hits had yet to be written, so the set list includes three b-sides from the self-titled debut. The erroneous “Instrumental Jam” listed at the end of Side A actually consists of “Late Bar” and “Khanada”. “Faster Than Light” and “To The Shore” round out the once and future rarities.
The band is on fire in this performance, tearing through the songs with the exuberance captured on Arena. The rough edges from the 1979 demo had been smoothed out.
I’ve seen Duran Duran a number of times, and the rarest song I’ve heard them play is “Friends of Mine”. So it’s a treat to hear b-sides part of a set list. I probably won’t fall down the rabbit hole of collecting Duran Duran bootlegs as a result of this purchase, but I’m glad I got to hear something other than the hits done live.
It’s nearly half way through the year, and the Favorite Edition 2016 list is pretty sparse. Every new release I’ve bought this year is on the list because I don’t have enough to fill the list out. So I’m pretty much watching out for vinyl reissues.
Anohni, Hopelessness, May 6
I miss Anohni (a.k.a. Antony Hegerty). I only ever seem to encounter him on Björk albums any more.
10,000 Maniacs, Our Time in Eden, May 3
This album was released on vinyl in Europe back in 1992. I nearly bought a used copy of it. I already have the first three Maniacs albums on vinyl, which I originally bought in the ’80s. In My Tribe also gets reissued the same day.
Enya, The Memory of Trees, May 6
The Memory of Trees makes its first appearance on vinyl with this reissue, which also sees the return of Watermark and Shepherd Moons.
The Killers, Hot Fuss, June 17
Have you seen the resale value of the original vinyl release of this album? We’re talking triple digits.
Sonic Youth, Murray Street, June 17
Amazon originally listed April 22 as a release date, but now it’s changed to June 17.
LeAnn Rimes, Blue, July 8
People were awed by how much the teenaged LeAnn Rimes sounded like Patsy Cline at the time this album was released. I remember playing it on the stereo at the student newspaper office in college. For some reason, we were all really into it.
Duran Duran, Duran Duran (The Wedding Album), Sept. 23
I still haven’t seen much corroboration for this reissue. I don’t even think the band knows it’s being planned. Amazon originally listed Feb. 12 as a release date, but it came and went without a single copy in sight. I would be a lot more anxious for this reissue, but I dropped a pretty penny for a used copy of a Korean issue.
My first reaction as I compiled this entry was, “Yay! Some of my favorite artists are releasing new music!” My second reaction was, “Why are they all waiting till April?”
Explosions in the Sky, The Wilderness, April 1
Take Care, Take Care, Take Care tread familiar territory and felt a bit worn out. The preceding single from this new album, “Disintegration Anxiety”, sounds like the band is aiming for a new sound. I hope it’s a successful effort.
Duran Duran, Girls on Film – 1979 Demo, April 1
Andy Wickett offers a CD-R of the 1979 Duran Duran demo, but it looks like he’s licensed it to Cleopatra for a proper reissue.
Ben Watt, Fever Dream, April 8
I find it fascinating how Ben Watt has spent years building his DJ creds, but his solo work so far has nothing to do with the club.
Sturgill Simpson, A Sailor’s Guide to the Earth, April 15
Sturgill Simpson + concept album via Marvin Gaye = Take my money, please!
Rufus Wainwright, Take All My Loves: Nine Shakespeare Sonnets, April 22
I put more stock in Rufus Wainwright’s classical creds than any other pop star because his first effort in the genre was a full-blown opera.
UA, JaPo, May 11
I wondered where UA has been. She deserved a long break after more than a decade of releasing albums year after year. But which UA are we going to get — the adventurer or the tunesmith?
Ty Herndon, TBD, May 15
At the end of his El Corazón acoustic set back in Feb. 2016, Ty Herndon announced his new album would arrive on May 15, his first since coming out in 2014.
Sade, The Best of Sade, March 11
I already have the first three Sade albums on vinyl, and this compilation pretty much covers those albums. I don’t really need this record, but … I want it.
Loretta Lynn, Van Lear Rose, March 18
Has it really been more than a decade since Loretta Lynn did that whole thing with Jack White?
Janet Jackson, Unbreakable, April 1
I imagine all the clogged up record pressing plants prevented this album from being released at the same time as the CD.
Sonic Youth, Sister, April 8
Gradus ad Daydream Nation.
Patty Griffin, 1000 Kisses, April 15
This reissue will do nicely till Flaming Red gets somewhere on the release schedule.
We’re half way into the second decade of the 2000s, and I haven’t seen much punditry on what albums have been emblematic of the decade. It’s probably because listening habits have moved on from albums even if the release cycle hasn’t.
My friend will be disappointed to learn I consider 2010 the start of the decade, so I’ll restrict my list to its first five years with 2010 included (i.e. 2010-2014.)
Jason Isbell, Southeastern: “Songs That She Sang in the Shower” and “Elephant” pretty much sold me on this album, and everything else was just seduction.
Tokyo Jihen, Sports: Shiina Ringo loosened her writing monopoly with the band, which then internalized her style to produce its best album.
Jarell Perry, Simple Things: Part of me thinks this album is actually better than Frank Ocean’s channel ORANGE.
John Luther Adams, Become Ocean: Does what it says on the tin very, very beautifully
Frank Ocean, channel ORANGE: WHERE YOU AT FRANK??
D’Angelo and the Vanguard, Black Messiah: So many of my friends lost their shit when this album was released that I had to hear it for myself.
Santigold, Master of My Make-Believe: I love her music, but damn, her videos are disturbing.
Sturgill Simpson, Metamodern Sounds of Country Music: What happens to country music when it ingests hallucinogens.
Duran Duran, All You Need Is Now: Thank you, Mark Ronson, for bringing Duran Duran back to itself.
Kuriyama Chiaki, CIRCUS: Getting Shiina Ringo to write a few tracks is a sure way for Japanese actresses to grab my attention.
Concert reviews were always something I wanted to write for this site, but I never drummed up the gumption to jot down my thoughts about shows after I attend them. In reality, I didn’t want shows to become means to an end, in the same way album purchases had become source for reviews.
Still, I go to a lot of concerts, and it feels awkward not mentioning them at least once.
So I’m going to do a year-end overview of all the shows I’ve attended in the past year.
My dedication to Duran Duran is probably far above average compared to the non-Duranie population at large, but I’m friends with Duranies who make my fandom look half-assed.
So I was surprised Duran Duran’s Demo 1979 even existed when I spotted it at Jive Time Records. Of course, I imagined my Duranie friends would have known about this bootleg for decades.
Demo 1979 predates the involvement of Andy Taylor and Simon Le Bon. Andy Wickett’s off-kilter warble places these four tracks closer to the band’s punk roots. The hook for “Girls on Film” was already in place, but the song that would eventually become “Rio” had a completely different melody and went by the title “See Me Repeat Me”.
John Taylor and Roger Taylor hadn’t yet achieved their trademark rhythmic seamlessness, but at that early stage, you could hear it coming together. Nick Rhodes had far more gear to acquire before his portion of the sound could expand.
Back in 2010, Capitol reissued Duran Duran’s early catalog with a number of demos, including a vocal version of “Tel Aviv”. I thought those demos were a great insight to how the band works.
Demo 1979 goes even further. It opens up the idea of an alternate reality where Le Bon never became the band’s singer. Would they have conquered the world with anything other than Fab Five? I hesitate to imagine.
A lot of the earliest songs I wrote attempted to rip them off, an influence I made more blatant as my songwriting improved. A good percentage of my music collection consists of recordings by the band and various spin-off projects. As of this writing, I’ve seen them in concert five times in three different states: three times in Texas and one each New York and Washington.
In the early ’90s, I helped to administer Tiger List, one of the earliest fan communities on the Internet. They were partly responsible for the launch of my career as a web developer — one of the first sites I built was a FAQ about the band.
But the underlying drive behind all this fandom was the fact I developed some pretty hard crushes on Simon Le Bon and Roger Taylor in the 7th grade.
That would have been around 1984, when MTV made it a requirement for rock stars to be photogenic. Although my household didn’t subscribe to cable, a number of broadcast options made music videos accessible. One of these shows introduced me to Duran Duran.
Oddly enough, the effect of “Rio” and “New Moon on Monday” wasn’t immediately revelatory — I remember thinking they were fun, but I was more interested in Eurythmics — but they planted seeds when I later encountered “Hungry Like the Wolf” playing on a VCR display at a department store.
That was the clincher.
“The Reflex” was rocketing up the charts as well, making the song inescapable on any number of family drives with the radio blasting. When I finally attached the name “Duran Duran” too all these separate encounters, I sought them out.
Back then, music magazines would publish lyrics to hit songs, and one of them featured a centerfold of Simon Le Bon. He had on his white shirt and dark pants — his attire in the video for “The Reflex” — and held a microphone to his mouth.
He cut a striking figure, and that’s when I felt something a bit more than just admiration.
My attraction to Simon transferred to Roger after acquiring The Book of Words, a fan souvenir book containing lyrics to the band’s songs up to “The Wild Boys”. Oh, and there were plenty of pictures of the band. My copy is quite ragged from having thumbed through it an uncountable number of times.
I didn’t actually attach the word “attraction” to what I felt at the time, but I could sense it would get me in trouble if I didn’t provide cover for it. So I bought the band’s albums, dubbed them to cassette, played them repeatedly on the family boombox and studied them. Yes, my earliest lessons in how to arrange music came from picking apart how Duran Duran songs were put together.
I became an advocate for Duran Duran’s music because I lived in a time when a pre-teen boy wasn’t allowed to express physical attraction to male pop idols. When classmates attacked that choice, I stuck to the artfulness of the music, the album covers, the videos as my defense, but I knew I could talk about who was cutest with the best of the female fans.
But what started out as a cover became a defining influence. Duran Duran taught me it was OK not to learn the blues progression. They encouraged me to find other artists with a sense for adventure, and they demonstrated that art and commerce aren’t mutually exclusive.
That era had any number of pop stars that could have been the catalyst for my sexual awakening — subsequent crushes include Sting, Huey Lewis, Robert Palmer and even Bruce Springsteen — but Duran Duran was the first, and they ended up being much more.
During the summer, everyone is touring, or gearing up for the fall release schedule. So there’s not much to seek out over the next few months. I do find it surprising that news about fall releases has been pretty scant.
Shiina Ringo, “Nagaku Mijikai Matsuri / Kamisama, Hotokesama”, Aug. 5
Is another album on the way? This single would be the third Ringo-chan has released since her last studio album, Hi Izuru Tokoro.
The Replacements, The Twin/Tone Years, Aug. 11
The Rhino-era albums have already undergone the vinyl reissue treatment, and the exorbitant prices for the Twin/Tone albums on the collector’s market certainly demonstrate a demand. So this set has been a long time coming.
Georg Holm, Orri Páll Dýrason, Hilmar Örn Hilmarsson, Kjartan Holm, Circe, Aug. 28 (digital), Sept. 11 (physical)
Two members of Sigur Rós, plus the band’s touring guitarist team up with composer Hilmar Örn Hilmarsson for a soundtrack to a BBC documentary.
Everything But the Girl, Walking Wounded (Deluxe Edition), Sept. 11
The Salvo label in the UK finishes a reissue campaign of Everything But the Girl’s studio albums with Walking Wounded and Temperamental. I’m sticking with just Walking Wounded because Temperamental doesn’t age very well.
Duran Duran, Paper Gods, Sept. 11
All You Need Is Now restored my faith in the band after a long time meandering in the wild during the W. Bush era. The lead-off single from Paper Gods has enough Nile Rodgers to cue some Notorious nostalgia. The artwork, though, is the laziest I’ve seen on a Duran Duran album. Even Red Carpet Massacre showed more effort.
Janet Jackson, Unbreakable, Oct. 2
I didn’t realize how much I missed Janet till she announced her return. I have no idea what seven years has done for her music, and I kind of don’t care.
Henryk Górecki, Symphony No. 4, Oct. 16
Górecki passed away before he could complete his fourth symphony, but a piano score with detailed annotations allowed his son Mikolaj to orchestrate it. Nonesuch is going ballers with this release by also reissuing the Symphony No. 3 on vinyl and compiling a box set of Górecki’s works recorded by the label. Let’s just call Oct. 16 Górecki Day.
Part of me still misses ICE Magazine, the publication dedicated to reporting on new releases and reissues. Super Deluxe Edition has done a good job recapturing the kind of reporting that went into ICE. I’ve adjusted to using Pause and Play for tracking new releases, but sometimes, I get more relevant information from the personalization features on Discogs.
ICE launched in the early ’90s to track compact disc releases. It ended publication just as the download market ate into CD sales. If a similar publication were to launch today, it would probably report on which artists have made their content exclusive on which streaming service. And vinyl. Talk about turnabout being fair play.
10,000 Maniacs, Twice Told Tales, April 28
This latest incarnation of 10,000 Maniacs brings Mary Ramsey back into the fold and welcomes a guitarist who also doubles on vocals. For this album, the Maniacs reach for the roots, covering the traditional music that has informed their sound.
Roomful of Teeth, Render, April 28
Sometimes I wonder what would happen if I had the temerity to stick with my composition studies in college. It might have sounded like the stuff happening in Brooklyn with the likes of Roomful of Teeth, So Percussion and Alarm Will Sound.
Takaakira Goto, Classical Punk and Echoes Under Beauty, May 5
Taka wrote this album around the time MONO started getting orchestral. I’ve enjoyed the rougher sound of Rays of Darkness too much to want to go back in time.
Emmylou Harris and Rodney Crowell, The Traveling Kind, May 12
Brian Ahrens didn’t produce this second duet album, but Harris and Crowell wanted The Traveling Kind to reflect where they are as artists now. It’s hard not to have high expectations.
Deebs/Jarrell Perry, Shift, May 19
A lot of attention will focus on the second album by Frank Ocean, but for my money, Jarrell Perry does a far more adventurous job pushing the edges of R&B.
Faith No More, Sol Invictus, May 19
Yeah, yeah, insert grumbling about Jim Martin’s lack of involvement here. I’m still curious.
NOW Ensemble, Dreamfall, May 26
See above about labelmates Roomful of Teeth.
Jason Isbell, Something More Than Free, July 17
Damn, Jason Isbell is looking mighty fine on that cover photo. I couldn’t get enough of Southeastern, so I’ve spent the last few months devouring his 2011 album Here We Rest. Now a new set is just going to keep this jones going.
Frank Ocean, Boys Don’t Cry, July 2015
Hey, Frank, could you convince Universal Music to put out a decent vinyl issue of channel ORANGE as well? Thanks.
Duran Duran, TBD, September 2015
Not since Colin Thurston has Duran Duran worked with the same producer twice. Mark Ronson brought out not just the vintage sound of Duran Duran but also the unmistakable essence of a Duran Duran song. Here’s hoping the latter gets retained if the former evolves.