In 1987, I turned 15 years old, an age when music discovery exerted its strongest pull. The same Spotify analysis that charted music tastes over time claims most teen-agers highly identify with popular titles. Had the same study been done when I was a teen, I probably would have been an outlier point.
Kronos Quartet, Black Angels
The first Kronos Quartet album I purchased was Winter Was Hard, and it was something of a Reader’s Digest for modern classical music. Then Black Angels followed, and it exploded my perception of what music could be.
John Zorn, Naked City
I was a pissed-off teen for a lot of reasons, most of them mundane. But it gave me drive to find music that would alienate everyone around me, and the howls of Yamantaka Eye and John Zorn fit the bill nicely.
In Tua Nua, The Long Acre
This album introduced me to the idea that popularity is not the same thing as merit. I couldn’t find a filler track anywhere on this album, and the confrontational “The Innocent and the Honest Ones” mirrored my own dissatisfaction with being raised in a monotheistic culture. It should have been a hit, but mostly, you’ll find it in the 99 cent bins.
U2, The Joshua Tree
U2 had to score a number one album in order for radio stations in Hawaii to pay attention. I knew about the band beforehand but hadn’t taken the plunge till I saw the video for “With or Without You.”
Andrew Lloyd Webber, The Phantom of the Opera
Andrew Lloyd Webber gets a lot of flack for his signature hit tunes, but for a young burgeoning composer, his scores are incredibly instructional. I’ve yet to encounter another pop writer who can make a hook out of an atonal melody.
The Art of Noise, In Visible Silence
Before I learned about Kronos Quartet, John Zorn or Andrew Lloyd Webber, I encountered the Art of Noise. I would later learn (Who’s Afraid Of …?) The Art of Noise! had some bonafide songcraft, but its follow-up, In Visible Silence, essentially jettisoned all that.
Arcadia, So Red the Rose
Of the two Duran Duran splinter projects from 1985, Arcadia hews closest to the parent band and engenders the most sentiment from long-time fans.
Stephen Sondheim, Sunday in the Park with George
Sunday in the Park with George arrived at time in my life when I was just starting to learn about modern classical music. I looked to Lloyd Webber to bridge my interests in classical and pop musics, and I turned to Sondheim to go further into modernism.
Eurythmics, Sweet Dreams (Are Made of This)
I loved Eurythmics singles, but their albums tended to have quite a bit of filler. Sweet Dreams is the deserved obvious choice, but Savage and In the Garden deserve some props.
Duran Duran, Rio
This tops my Desert Island Disc list, so of course, it’s going to be here.
Wendy Carlos, TRON Original Soundtrack
I listened to this soundtrack to death because I loved the computer graphics of the movie. It wasn’t till much later that I discovered how rich Carlos’ harmonic language was. This soundtrack pretty much planted the seed that would be nourished by the Art of Nosie, Kronos Quartet, John Zorn and classical music after 1900.
An analysis of Spotify data in 2015 quantified how listeners stray from popular titles as they age. I don’t know if the music I listened to in my 20s could have ever been called “popular”, but compared to the excitement of discovery in the ’80s, the ’90s were bit of a let-down.
Grunge was conflated to represent all forms of post-punk music, and the major label gold rush to find the next Nirvana eventually dead-ended into Nickelback. In response, I took up Celtic music, downtown New York jazz, modern classical music, Japanese indie rock and country music.
I was at sea.
Shiina Ringo, Shousou Strip
Sure, the loud guitars, infectious melodies and epic production could have won me over, but it was the conclusion of “Gibusu” where the effects go utterly bugfuck that convinced me Shiina Ringo was a keeper.
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
I may have eventually found my way to Sonic Youth and Pixies by some other means, but it was NUMBER GIRL that was my gateway to old school punk.
Madonna, Ray of Light
This album arrived when I was exploring the gay bars in Austin after I moved away from home. I still like this album. I cannot say the same for gay bars or Austin.
Neutral Milk Hotel, In the Aeroplane Over the Sea
Like probably most people who love this album to death, I didn’t discover it till about many, many years after it was released. But it has enough of a late-’90s patina to evoke that period.
The few articles about Cocco translated into English I found on the Internet at the time seemed to credit her for paving the way for Utada Hikaru and Shiina Ringo, and we should all be thankful for that.
Steve Reich, Music for 18 Musicians (Nonesuch)
I wouldn’t encounter this 1996 Nonesuch recording till it was compiled in a 2005 boxed set. Philip Glass was waning as my favorite minimalist, and this recording pretty much catapulted Reich to the top.
Emmylou Harris, Wrecking Ball
The only people in Hawaii who listened to country music lived on the military bases. But a interview promo disc of Emmylou Harris talking about Wrecking Ball got me interested in the album. It made my move to Austin, Texas two years later slightly more plausible.
Talitha Mackenzie, Solas
As much I loved Clannad and Enya, Talitha Mackenzie drew the connections between Scottish waulking songs and hip-hop, Bulgarian folk music and techno.
Duran Duran, The Wedding Album
It was great seeing people getting back into Duran Duran, but I don’t think my love for this album would have been reinforced without the aid of the Tiger Mailing List, the first Internet community in which I participated.
Smashing Pumpkins, Gish
Nevermind would have been the easy choice, but I would have never picked up the seminal Nirvana album if Butch Vig hadn’t worked with Smashing Pumpkins on Gish beforehand.
The moment I announced I’m taking a break, a whole bunch of new releases appear on the schedule. I’d be remiss not to preview them.
Royal Wood, Ghost Light, Jan. 27
Ghost Light was released in Canada back in April 2016, but an international release had to wait till now. The cover for this edition — Wood in silhouette — matches the title, but I prefer the Canadian cover because Wood looks hotter in a t-shirt.
Sleater-Kinney, Live in Paris, Jan. 27
I’m still kicking myself for missing the band’s three-night run in Seattle.
Onitsuka Chihiro, Syndrome, Feb. 1
I haven’t paid much attention to Onitsuka Chihiro since her lackluster cover album FAMOUS MICROPHONE. So it was a surprise to find out she’s on yet another new label, and she released an independent album with a band in 2014.
Deee-Lite, World Clique (Deluxe Edition), March 3
Yeah, it’s about time this album got the reissue treatment.
George Michael, Listen Without Prejudice, Vol. 1 (Deluxe Edition), March 3
I’ll deal with George Michael’s untimely death in a future entry. I didn’t pick up this album till after I heard the news, and I can understand both the initial underwhelming reception and its subsequent critical acclaim.
Cocco, 20 Shuunen Request Best + Rare Track, March 21
What? I’ve been listening to Cocco for 20 years now?
The Old 97s, Too Far to Care, Jan. 13
When I first started buying up vinyl in 2013, I considered getting the reissue of Too Far to Care. I decided against it because I wanted to track down titles preceding the CD era first. By the time I was ready to get it, all the copies had been snatched up. I snagged a used copy two weeks before I saw Music on Vinyl would reissue the original album without the bonus tracks. *sigh*
MONO, Under the Pipal Tree, Jan. 20
I don’t think MONO really topped this debut album till Hymn to the Immortal Wind.
Madonna, The Immaculate Collection (Colored Vinyl), Jan. 24
Am I really going to drop cash on a compilation where I have most of the tracks on other vinyl releases? Evidently.
Eurythmics, Greatest Hits, Jan. 27
I still have all the Eurythmics albums I bought back in the ’80s. I only had to flesh out my collection with In the Garden and We Too Are One.
Madonna, Confessions on the Dance Floor, Jan. 31
This album was really welcome after a pair of back-to-back disappointments with Music and American Life.
Eluvium, Copia, Feb. 3
I would be so on board with a reissue of An Accidental Memory in Case of Death.
Duran Duran, The Wedding Album, Feb. 10
Let’s see if this release date sticks. I think it’ll have been nearly a year since this reissue popped up on the schedule.
John Zorn, Spy Vs. Spy: Music of Ornette Coleman, March 3
I found an original Nonesuch pressing of this album many months back, but it’s a definite recommendation for anyone who loves Naked City.
It’s probably way too early to start anticipating 2017 first quarter releases, but I’ve already placed a few orders for next month.
The Flaming Lips, Oczy Mlody, Jan. 13, 2017
I lost track of the Flaming Lips right around 2009’s Embryonic. I don’t even think I checked out The Terror, which would have been an appropriate title for 2016.
Renée Fleming, Distant Light, Jan. 20, 2017
As probably the only indie rock fan who genuinely liked Dark Hope, I’m totally on board with Renée Fleming performing Björk. I’m hoping she uses her alto range.
The Magnetic Fields, 50 Song Memoir, March 3, 2017
Nonesuch has already started posting excerpts from this album, and I keep wondering when someone is going to make a jukebox musical out of Stephin Merritt songs. I don’t think Merritt is necessarily the best interpreter of his songs, but since other singers haven’t yet taken up his music, it’s not a hypothesis I can prove.
Quruli, Sayonara Stranger, Dec. 28, 2016
Quruli, Zukan, Dec. 28, 2016
Quruli, TEAM ROCK, Jan. 25, 2017
Quruli, THE WORLD IS MINE, Jan. 25, 2017
For Quruli’s 20th anniversary, HMV is reissuing the band’s albums on vinyl. I’ve already placed orders for TEAM ROCK and THE WORLD IS MINE. At the time, I gave Antenna a good review, but I’ve changed my mind since then. Zukan and Sayonara Stranger are also important titles to own, but they’re not priorities for me personally.
The Killers, Hot Fuss, Jan. 13, 2017
This reissue has been delayed multiple times since May 2016. What?
Duran Duran, The Wedding Album, Jan. 13, 2017
I’m still skeptical about this reissue, since it too has bounced around the release schedule for nearly a year now.
Well, Frank Ocean finally dropped his much anticipated album Blonde. I think the fall 2016 release schedule can get drunk and go home now.
John Adams, Scheherezade.2, Sept. 30
John Adams brought Scheherezade.2 to the Seattle Symphony last season. Leila Josefowicz must have dropped some mean gauntlet for Adams to create a work of such athleticism. I’m not sure if I absorbed enough of the piece in the concert hall because that was a lot of music.
Steve Reich, The ECM Recordings, Sept. 30
From what I can tell on Amazon, this reissue of Steve Reich’s albums on ECM won’t split the movements of each work into individual tracks. That would seem to be an important oversight to correct on a reissue.
MONO, Requiem for Hell, Oct. 14, 2016
Reports indicate the orchestras are on their way back on this album.
Nico Muhly and Tietur, Confessions, Oct. 21
Songs inspired by YouTube comments performed by a Baroque ensemble — if anyone can make this premise work, it’s Nico Muhly.
Shaprece, COALS, Oct. 28
Shaprece’s performance with Seattle Symphony was riveting, and I’ve been looking forward to this album since.
Ty Herndon, House on Fire, Nov. 11
Ty Herndon announced this album was to be released back in May when he performed in Seattle back in February, but now it looks like he has some label interest. No date has been specified for the release.UPDATE, 09/11/2016: Herndon announced a release date of Nov. 11, 2016, with pre-orders starting on Oct. 11, i.e. National Coming Out Day.
Angelo Badalamanti, Music from Twin Peaks, Sept. 9
I can’t hear that descending/ascending bass line without picturing the dancing little man.
Madonna, Something to Remember, Sept. 13
Ray of Light seems to have dropped off the release schedule for now with Something to Remember taking its place.
Emmylou Harris, Red Dirt Girl, Sept. 23
Like Wrecking Ball before it, Red Dirt Girl was a pivotal album for Emmylou Harris, marking her transition from interpreter to songwriter.
Kronos Quartet, Pieces of Africa, Sept. 23
I’m hoping this release is the first in a series of Kronos Quartet vinyl reissues because I’m not yet in the financial straits to track down the European pressing of Black Angels.
Duran Duran, The Wedding Album, Sept. 23
This reissue was actually listed for a March release, which came and went without notice. Then it popped back up for September.
Sting, The Studio Collection, Sept. 30
Brand New Day and Sacred Love make their first appearance on vinyl, but the only album I’m really interested in is Ten Summoner’s Tales, a European release of which I can still snag online.
Like Demo 1979 before it, this unofficial live album from Duran Duran surprised me when I found it while flipping through the stacks at Jive Time Records. It’s housed in a generic sleeve with a photocopy of the track listing taped to the front, and it isn’t even an accurate listing.
The Duran Duran Wiki says it was recorded at the Hammersmith Odeon in December 1981. At one point during the concert, Simon Le Bon refers to “Last Chance on the Stairway” as “a new song”.
That was a transitionary time for the band. The biggest hits had yet to be written, so the set list includes three b-sides from the self-titled debut. The erroneous “Instrumental Jam” listed at the end of Side A actually consists of “Late Bar” and “Khanada”. “Faster Than Light” and “To The Shore” round out the once and future rarities.
The band is on fire in this performance, tearing through the songs with the exuberance captured on Arena. The rough edges from the 1979 demo had been smoothed out.
I’ve seen Duran Duran a number of times, and the rarest song I’ve heard them play is “Friends of Mine”. So it’s a treat to hear b-sides part of a set list. I probably won’t fall down the rabbit hole of collecting Duran Duran bootlegs as a result of this purchase, but I’m glad I got to hear something other than the hits done live.
It’s nearly half way through the year, and the Favorite Edition 2016 list is pretty sparse. Every new release I’ve bought this year is on the list because I don’t have enough to fill the list out. So I’m pretty much watching out for vinyl reissues.
Anohni, Hopelessness, May 6
I miss Anohni (a.k.a. Antony Hegerty). I only ever seem to encounter him on Björk albums any more.
10,000 Maniacs, Our Time in Eden, May 3
This album was released on vinyl in Europe back in 1992. I nearly bought a used copy of it. I already have the first three Maniacs albums on vinyl, which I originally bought in the ’80s. In My Tribe also gets reissued the same day.
Enya, The Memory of Trees, May 6
The Memory of Trees makes its first appearance on vinyl with this reissue, which also sees the return of Watermark and Shepherd Moons.
The Killers, Hot Fuss, June 17
Have you seen the resale value of the original vinyl release of this album? We’re talking triple digits.
Sonic Youth, Murray Street, June 17
Amazon originally listed April 22 as a release date, but now it’s changed to June 17.
LeAnn Rimes, Blue, July 8
People were awed by how much the teenaged LeAnn Rimes sounded like Patsy Cline at the time this album was released. I remember playing it on the stereo at the student newspaper office in college. For some reason, we were all really into it.
Duran Duran, Duran Duran (The Wedding Album), Sept. 23
I still haven’t seen much corroboration for this reissue. I don’t even think the band knows it’s being planned. Amazon originally listed Feb. 12 as a release date, but it came and went without a single copy in sight. I would be a lot more anxious for this reissue, but I dropped a pretty penny for a used copy of a Korean issue.
My first reaction as I compiled this entry was, “Yay! Some of my favorite artists are releasing new music!” My second reaction was, “Why are they all waiting till April?”
Explosions in the Sky, The Wilderness, April 1
Take Care, Take Care, Take Care tread familiar territory and felt a bit worn out. The preceding single from this new album, “Disintegration Anxiety”, sounds like the band is aiming for a new sound. I hope it’s a successful effort.
Duran Duran, Girls on Film – 1979 Demo, April 1
Andy Wickett offers a CD-R of the 1979 Duran Duran demo, but it looks like he’s licensed it to Cleopatra for a proper reissue.
Ben Watt, Fever Dream, April 8
I find it fascinating how Ben Watt has spent years building his DJ creds, but his solo work so far has nothing to do with the club.
Sturgill Simpson, A Sailor’s Guide to the Earth, April 15
Sturgill Simpson + concept album via Marvin Gaye = Take my money, please!
Rufus Wainwright, Take All My Loves: Nine Shakespeare Sonnets, April 22
I put more stock in Rufus Wainwright’s classical creds than any other pop star because his first effort in the genre was a full-blown opera.
UA, JaPo, May 11
I wondered where UA has been. She deserved a long break after more than a decade of releasing albums year after year. But which UA are we going to get — the adventurer or the tunesmith?
Ty Herndon, TBD, May 15
At the end of his El Corazón acoustic set back in Feb. 2016, Ty Herndon announced his new album would arrive on May 15, his first since coming out in 2014.
Sade, The Best of Sade, March 11
I already have the first three Sade albums on vinyl, and this compilation pretty much covers those albums. I don’t really need this record, but … I want it.
Loretta Lynn, Van Lear Rose, March 18
Has it really been more than a decade since Loretta Lynn did that whole thing with Jack White?
Janet Jackson, Unbreakable, April 1
I imagine all the clogged up record pressing plants prevented this album from being released at the same time as the CD.
Sonic Youth, Sister, April 8
Gradus ad Daydream Nation.
Patty Griffin, 1000 Kisses, April 15
This reissue will do nicely till Flaming Red gets somewhere on the release schedule.
We’re half way into the second decade of the 2000s, and I haven’t seen much punditry on what albums have been emblematic of the decade. It’s probably because listening habits have moved on from albums even if the release cycle hasn’t.
My friend will be disappointed to learn I consider 2010 the start of the decade, so I’ll restrict my list to its first five years with 2010 included (i.e. 2010-2014.)
Jason Isbell, Southeastern: “Songs That She Sang in the Shower” and “Elephant” pretty much sold me on this album, and everything else was just seduction.
Tokyo Jihen, Sports: Shiina Ringo loosened her writing monopoly with the band, which then internalized her style to produce its best album.
Jarell Perry, Simple Things: Part of me thinks this album is actually better than Frank Ocean’s channel ORANGE.
John Luther Adams, Become Ocean: Does what it says on the tin very, very beautifully
Frank Ocean, channel ORANGE: WHERE YOU AT FRANK??
D’Angelo and the Vanguard, Black Messiah: So many of my friends lost their shit when this album was released that I had to hear it for myself.
Santigold, Master of My Make-Believe: I love her music, but damn, her videos are disturbing.
Sturgill Simpson, Metamodern Sounds of Country Music: What happens to country music when it ingests hallucinogens.
Duran Duran, All You Need Is Now: Thank you, Mark Ronson, for bringing Duran Duran back to itself.
Kuriyama Chiaki, CIRCUS: Getting Shiina Ringo to write a few tracks is a sure way for Japanese actresses to grab my attention.
Concert reviews were always something I wanted to write for this site, but I never drummed up the gumption to jot down my thoughts about shows after I attend them. In reality, I didn’t want shows to become means to an end, in the same way album purchases had become source for reviews.
Still, I go to a lot of concerts, and it feels awkward not mentioning them at least once.
So I’m going to do a year-end overview of all the shows I’ve attended in the past year.