So many gay male artists are releasing new music this summer, it makes me wonder why they all didn’t put everything out in June. But muses can’t be rushed. Nor marketing plans.
Steve Grand, Not the End of Me, July 6
I listen to a lot of really serious music. I need Steve Grand to stop me from being too melancholy.
Luciano Berio, Sinfonia (Roomful of Teeth, Seattle Symphony, Ludovic Morlot), July 20
I went to the Saturday performance of this piece on the recommendation of my music theory professor.
Jake Shears, Jake Shears, Aug. 10
I’ve never really cottoned to Scissor Sisters, even though they seem to be in my wheelhouse.
Death Cab for Cutie, Thank You for Today, Aug. 17
The first two albums of Death Cab’s major label of phase made me wonder if they would follow R.E.M.’s downward creative trajectory in a similar fashion, but Codes and Keys and Kintsugi actually stemmed that tide. I’m not encouraged by the band’s comparison of this new album to Narrow Stairs, however.
Julee Cruise, Three Demos, Aug. 17
I loved Floating Into the Night, so I’m curious to hear these early drafts. A reissue of The Voice of Love also arrives the same day.
Troye Sivan, Bloom, Aug. 31
I was nowhere near the target market for Blue Neighborhood, but I liked it anyway.
Craig Armstrong, Sun on You, Sept. 7
Craig Armstrong is known more for his film scores, mostly because few of his studio albums get US releases. Here’s hoping a streaming release makes up for that drought.
Renée Fleming, Broadway, Sept. 7
A Broadway album? With Andrew Lloyd Webber’s “Tell Me on a Sunday”? And a song from Stephen Sondheim’s A Little Night Music that isn’t “Send in the Clowns”? OK, Renée Fleming, I’ll bite.
Prince, Piano and a Microphone 1983, Sept. 14
Sure, I’m curious enough to check out this set of demos, but what I’d like to know is when the vinyl reissue campaign will get to the Love Symbol album.
U2, Achtung Baby, July 27
U2, Zooropa, July 27
Zooropa is an odd album in the U2 canon, recorded in a spontaneous rush with experiments that work (“Numb”) and some that fail (“Lemon”). Despite a lavish repackaging, Achtung Baby had not yet been reissued in stand-alone black vinyl.
Tags: craig armstrong, death cab for cutie, jake shears, julee cruise, looking ahead, prince, steve grand, troye sivan
Why should I be surprised the vinyl bug that bit me hard in 2013 has expanded its scope to include reissues never released on vinyl? It’s because I’ve already back-filled my pre-owned collection, and I still can’t get enough. Record Store Day doesn’t make it any easier.
Guided By Voices, Please Be Honest, April 22
Back again? Oh, it’s another configuration.
Dolly Parton / Emmylou Harris / Linda Ronstadt, Complete Trio Collection, Sept. 9
Finally! This reissue was rumored to be available back in October 2015, on the same day as Henryk Górecki’s Symphony No. 4. Now it’s turned into a bigger deal, with simultaneous vinyl releases.
Lin-Manuel Miranada, Hamilton, April 15
This musical is more than two-hours long. I don’t think it’s all going to fit on two LPs.
Sonic Youth, Murray Street, April 22
I remember this album getting overplayed on the Waterloo Records in-store stereo system. I think it’s why I sold it for cash after a few years.
Rufus Wainwright, Poses, May 6
I didn’t like Rufus Wainwright at first. His nasal voice is an acquired taste, but the writing on Poses won me over, and I’ve been a fan ever since. This album appears on vinyl for the first time.
Moby, Play, May 13
I haven’t listened to this album in more than 15 years. I didn’t really need to because it wasn’t licensed to holy hell at the time.
Dolly Parton / Emmylou Harris / Linda Ronstadt, Trio II, Sept. 9
At the time this album was released, it seemed the trio couldn’t really give it a heavy promotional push. I remember one TV appearance where Linda Ronstadt lost it, and then everyone was back to boy bands and pop idols.
Record Store Day
Emmylou Harris, Wrecking Ball
Why limit this album to Record Store Day? Really, it should just be in print on vinyl. Period.
Clint Mansell / Kronos Quartet, Requiem for a Dream
I saw Requiem for a Dream with some friends during its theatrical release. I left the theater recognizing it was a good film. I just didn’t like it. I don’t own the soundtrack, and while I collect Kronos on vinyl when I can, I’m pretty ambivalent about this release.
Death Cab for Cutie, “Tractor Rape Chain / Black Sun”
I was nicely surprised by Death Cab for Cutie’s cover of “Bad Reputation” by Freedy Johnston. “Tractor Rape Chain” is also one my favorite Guided By Voices songs.
Shadowy Men on a Shadowy Planet, I Guess We’re a Fucking Surf Band After All
I have no doubts I won’t get my hands on this release, but I’m only interested in Savvy Show Stoppers. I hope at some point Yep Roc splits this box set into individual reissues.
Tags: clint mansell, death cab for cutie, dolly parton, emmylou harris, guided by voices, kronos quartet, lin-manuel miranda, linda ronstadt, looking ahead, moby, rufus wainwright, shadowy men on a shadowy planet, sonic youth
Barely two weeks into 2015, and the release schedule for the rest of the first quarter looks incredibly busy. Some of them are Musicwhore.org favorites, and others ought to be.
Sleater-Kinney, No Cities to Love, Jan. 20
NPR First Listen has featured No Cities to Love in this week before the album’s release, and damn if it doesn’t sound like Sleater-Kinney never went away.
The Decemberists, What a Terrible World, What a Wonderful World, Jan. 20
It’s probably too much to ask for this album to be the best R.E.M. has recorded since splitting up.
Exposé, Exposure (Deluxe Edition), Jan. 20
For an ’80s radio pop album, Exposure is pretty enduring. A deluxe edition, though, means endless remixes of the album’s four hit singles.
Kate Pierson, Guitars and Microphones, Feb. 17
Cindy Wilson’s absence was sorely felt on the B-52’s Good Stuff, the follow-up to the massive hit Cosmic Thing. So it’ll be interesting to hear how Kate Pierson sounds without the rest of the band around her.
Gang of Four, What Happens Next, Feb. 24
That’s the question with only Andy Gill as the only remaining original member of the band.
Shiina Ringo, “Shijou no Jinsei”, Feb. 25
Post-Tokyo Jihen Shiina Ringo has been sparse with new music, but with a new single arriving barely three months after an album, does this mean the drought has ended?
Madonna, Rebel Heart, March 10
I’m so past hoping this album is anywhere within league of Like a Prayer, Ray of Light or, heck, even Bedtime Stories. MDNA was just plain forgettable.
Inventions, Maze of Woods, March 17
Now, that’s a quick turn-around.
Death Cab for Cutie, Kintsugi, March 31
Chris Walla is no longer with the band and consequently no longer at the producer’s desk. Codes and Keys is the closest Death Cab has reached to the sublimity of The Photo Album or Transatlanticism since signing to a major label. So this album is pretty much make-or-break.
Björk, Vulnicura, March 2015
The most interesting aspect of this announcement, for me, is the silence from Nonesuch Records regarding its release.
Guided By Voices, Bee Thousand, Jan. 27
On my list of Albums I Want Reissued on Vinyl, Bee Thousand resides in the upper echelon. Previous entries on said list included The Woods by Sleater-Kinney, The Photo Album by Death Cab for Cutie, the self-titled Metallica album and Floating Into the Night by Julee Cruise. All these titles appeared in 2014.
Sigur Rós, Ágætus Byrjun, Feb. 17
I’m also holding out hope for a Takk … reissue.
LOVE PSYCHEDELICO, ABBOT KINNEY, Feb. 18
All of LOVE PSYCHEDELICO’s albums are getting a vinyl reissue to coincide with a pair of retrospectives coming out the same day. ABBOT KINNEY, however, is the duo’s best.
Tags: bjork, death cab for cutie, expose, gang of four, guided by voices, inventions, kate pierson, looking ahead, love psychedelico, madonna, shiina ringo, sigur ros, sleater-kinney, the decemberists