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Favorite Edition Rewind: 2014

[Huck Hodge - Life Is Endless Like Our Field of Vision]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The 2014 list has already gone through one revision, and this version expands it slightly.

  1. D’Angelo and the Vanguard, Black Messiah
  2. John Luther Adams, Become Ocean
  3. Sturgill Simpson, Metamodern Sounds of Country Music
  4. Royal Wood, The Burning Bright
  5. The Bad Plus, The Rite of Spring
  6. Meredith Monk, Piano Songs
  7. Inventions, Inventions
  8. MONO, Rays of Darkness
  9. Shiina Ringo, Gyakuyunyuu ~Kouwankyoku~
  10. BADBADNOTGOOD, III

Other favorites from the year:

  • Juanes, Loco de Amor
  • The Drums, Encyclopedia
  • Cocco, Plan C
  • Shaprece, Molting EP
  • Huck Hodge, Life Is Endless Like Our Field of Vision
  • Taylor Swift, 1989
  • Sam Amidon, Lily-O
  • U2, Songs of Innocence

The year started with Juanes topping the list. He’s now been bumped off the Favorite 10 in favor of BADBADNOTGOOD. Despite that change, the Favorite 10 is pretty solid. The remaining list, however, has expanded to include The Drums and Taylor Swift.

You read that right.

I’ve been curious about 1989 for a while, but I felt no desire to stream it. Yet, a thrift store copy selling for $2 was more incentive to check it out. I wonder why that is? I ended up liking it more than I thought I would.

The Drums’ Encyclopedia didn’t start out as a favorite, but when I stopped expecting it to be a carbon copy of the self-titled debut, its strengths became apparent. That said, it’s really a strange album.

The last addition to the list is an album by Huck Hodge, a University of Washington music composition professor from whom I took a number of classes. I actually heard most of this album in class, so it made sense to own a copy of it.

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Purchase log, 2018-10-09

[Wayne Horvtiz - The Snowghost Sessions]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Wayne Horvitz, The Snowghost Sessions

Catalog

CD
  • Beyonce, Dangerously in Love
  • Bill Frisell, Quartet
  • Charles Mingus, Pithecanthropus Erectus
  • D’Angelo, Brown Sugar
  • Love, Forever Changes
  • Ponga, Ponga
  • Soundtrack, Grease

Vinyl

  • Camper Van Beethoven, Take the Skinheads Bowling
  • Doctors’ Mob, Sophomore Slump

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Purchase log, 2018-06-19

[NUMBER GIRL - Shibuya ROCKTRANSFORMED Joutai]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Black Flag, Damaged
  • D’Angelo, Voodoo
  • GLAY, pure soul
  • Joni Mitchell, Blue
  • Joni Mitchell, The Hissing of Summer Lawns
  • The Beatles, Abbey Road
  • The Human League, Crash
Vinyl
  • Joni Mitchell, Blue
  • Joni Mitchell, The Hissing of Summer Lawns
  • Sade, Lovers Rock
  • Sade, Soldier of Love
Blu Ray
  • NUMBER GIRL, Shibuya ROCKTRANSFORMED Joutai
  • NUMBER GIRL, Kirorku Eizou LIVE 1999-2002

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Favorite Edition 2010-2014

[Jason Isbell - Southeastern]

We’re half way into the second decade of the 2000s, and I haven’t seen much punditry on what albums have been emblematic of the decade. It’s probably because listening habits have moved on from albums even if the release cycle hasn’t.

My friend will be disappointed to learn I consider 2010 the start of the decade, so I’ll restrict my list to its first five years with 2010 included (i.e. 2010-2014.)

  1. Jason Isbell, Southeastern: “Songs That She Sang in the Shower” and “Elephant” pretty much sold me on this album, and everything else was just seduction.
  2. Tokyo Jihen, Sports: Shiina Ringo loosened her writing monopoly with the band, which then internalized her style to produce its best album.
  3. Jarell Perry, Simple Things: Part of me thinks this album is actually better than Frank Ocean’s channel ORANGE.
  4. John Luther Adams, Become Ocean: Does what it says on the tin very, very beautifully
  5. Frank Ocean, channel ORANGE: WHERE YOU AT FRANK??
  6. D’Angelo and the Vanguard, Black Messiah: So many of my friends lost their shit when this album was released that I had to hear it for myself.
  7. Santigold, Master of My Make-Believe: I love her music, but damn, her videos are disturbing.
  8. Sturgill Simpson, Metamodern Sounds of Country Music: What happens to country music when it ingests hallucinogens.
  9. Duran Duran, All You Need Is Now: Thank you, Mark Ronson, for bringing Duran Duran back to itself.
  10. Kuriyama Chiaki, CIRCUS: Getting Shiina Ringo to write a few tracks is a sure way for Japanese actresses to grab my attention.

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Favorite Edition 2014 Revised

[DAngelo - Black Messiah]

It’s bound to happen that some albums from the previous year don’t get air time on the personal playlist till the following year, and as a result, they alter how the Favorite Edition list should have been compiled.

This time, two albums fell off the 2014 list — Sam Smith’s In the Lonely Hour, and Wayne Horvitz’s 55: Music and Dance in Concrete. I mentioned that Smith’s album could have been more adventurous, so that vulnerability led to his ouster. 55 is still some of Horvitz’s most adventurous music, but the gloom of MONO’s Rays of Darkness won out in the end.

In their place are albums by D’Angelo and Sturgill Simpson.

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