An analysis of Spotify data in 2015 quantified how listeners stray from popular titles as they age. I don’t know if the music I listened to in my 20s could have ever been called “popular”, but compared to the excitement of discovery in the ’80s, the ’90s were bit of a let-down.
Grunge was conflated to represent all forms of post-punk music, and the major label gold rush to find the next Nirvana eventually dead-ended into Nickelback. In response, I took up Celtic music, downtown New York jazz, modern classical music, Japanese indie rock and country music.
I was at sea.
Shiina Ringo, Shousou Strip
Sure, the loud guitars, infectious melodies and epic production could have won me over, but it was the conclusion of “Gibusu” where the effects go utterly bugfuck that convinced me Shiina Ringo was a keeper.
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
I may have eventually found my way to Sonic Youth and Pixies by some other means, but it was NUMBER GIRL that was my gateway to old school punk.
Madonna, Ray of Light
This album arrived when I was exploring the gay bars in Austin after I moved away from home. I still like this album. I cannot say the same for gay bars or Austin.
Neutral Milk Hotel, In the Aeroplane Over the Sea
Like probably most people who love this album to death, I didn’t discover it till about many, many years after it was released. But it has enough of a late-’90s patina to evoke that period.
The few articles about Cocco translated into English I found on the Internet at the time seemed to credit her for paving the way for Utada Hikaru and Shiina Ringo, and we should all be thankful for that.
Steve Reich, Music for 18 Musicians (Nonesuch)
I wouldn’t encounter this 1996 Nonesuch recording till it was compiled in a 2005 boxed set. Philip Glass was waning as my favorite minimalist, and this recording pretty much catapulted Reich to the top.
Emmylou Harris, Wrecking Ball
The only people in Hawaii who listened to country music lived on the military bases. But a interview promo disc of Emmylou Harris talking about Wrecking Ball got me interested in the album. It made my move to Austin, Texas two years later slightly more plausible.
Talitha Mackenzie, Solas
As much I loved Clannad and Enya, Talitha Mackenzie drew the connections between Scottish waulking songs and hip-hop, Bulgarian folk music and techno.
Duran Duran, The Wedding Album
It was great seeing people getting back into Duran Duran, but I don’t think my love for this album would have been reinforced without the aid of the Tiger Mailing List, the first Internet community in which I participated.
Smashing Pumpkins, Gish
Nevermind would have been the easy choice, but I would have never picked up the seminal Nirvana album if Butch Vig hadn’t worked with Smashing Pumpkins on Gish beforehand.
The moment I announced I’m taking a break, a whole bunch of new releases appear on the schedule. I’d be remiss not to preview them.
Royal Wood, Ghost Light, Jan. 27
Ghost Light was released in Canada back in April 2016, but an international release had to wait till now. The cover for this edition — Wood in silhouette — matches the title, but I prefer the Canadian cover because Wood looks hotter in a t-shirt.
Sleater-Kinney, Live in Paris, Jan. 27
I’m still kicking myself for missing the band’s three-night run in Seattle.
Onitsuka Chihiro, Syndrome, Feb. 1
I haven’t paid much attention to Onitsuka Chihiro since her lackluster cover album FAMOUS MICROPHONE. So it was a surprise to find out she’s on yet another new label, and she released an independent album with a band in 2014.
Deee-Lite, World Clique (Deluxe Edition), March 3
Yeah, it’s about time this album got the reissue treatment.
George Michael, Listen Without Prejudice, Vol. 1 (Deluxe Edition), March 3
I’ll deal with George Michael’s untimely death in a future entry. I didn’t pick up this album till after I heard the news, and I can understand both the initial underwhelming reception and its subsequent critical acclaim.
Cocco, 20 Shuunen Request Best + Rare Track, March 21
What? I’ve been listening to Cocco for 20 years now?
The Old 97s, Too Far to Care, Jan. 13
When I first started buying up vinyl in 2013, I considered getting the reissue of Too Far to Care. I decided against it because I wanted to track down titles preceding the CD era first. By the time I was ready to get it, all the copies had been snatched up. I snagged a used copy two weeks before I saw Music on Vinyl would reissue the original album without the bonus tracks. *sigh*
MONO, Under the Pipal Tree, Jan. 20
I don’t think MONO really topped this debut album till Hymn to the Immortal Wind.
Madonna, The Immaculate Collection (Colored Vinyl), Jan. 24
Am I really going to drop cash on a compilation where I have most of the tracks on other vinyl releases? Evidently.
Eurythmics, Greatest Hits, Jan. 27
I still have all the Eurythmics albums I bought back in the ’80s. I only had to flesh out my collection with In the Garden and We Too Are One.
Madonna, Confessions on the Dance Floor, Jan. 31
This album was really welcome after a pair of back-to-back disappointments with Music and American Life.
Eluvium, Copia, Feb. 3
I would be so on board with a reissue of An Accidental Memory in Case of Death.
Duran Duran, The Wedding Album, Feb. 10
Let’s see if this release date sticks. I think it’ll have been nearly a year since this reissue popped up on the schedule.
John Zorn, Spy Vs. Spy: Music of Ornette Coleman, March 3
I found an original Nonesuch pressing of this album many months back, but it’s a definite recommendation for anyone who loves Naked City.
What a spiteful year 2016 has turned out to be. I won’t hazard how subsequent years may turn out with the impending leadership change in Washington, D.C., but for now, 2016 has just been a veritable shitstorm.
In terms of music, 2016 has been lackluster. I encountered a lot of albums that were likable but very few I could really love. In a few instances, some of my favorite bands turned out some of their most interesting music in their careers, but I couldn’t muster excitement for them.
Sturgill Simpson, A Sailor’s Guide to Earth: Sturgill Simpson played a two-hour set with no encore at the Paramount Theatre in Seattle in November. He spent the first hour performing songs from his previous album. Then he spent the next hour playing A Sailor’s Guide to Earth from start to finish with a whole lot of room for jamming. That’s something a composer would do.
Henryk Górecki, Symphony No. 4: Insistent.
MONO, Requiem for Hell Of the two albums MONO released in 2014, Rays of Darkness was my favorite. I didn’t imagine the ideas on that album could be exploded.
Solange, A Seat at the Table: Solange not only out-Lemonaded Beyoncé, she also out-Blonded Frank Ocean.
Shaprece, COALS: Björk, if she were black.
Drive By Truckers, American Band: I’ve known about Drive By Truckers for years, but I finally took the plunge with this album. So that’s who took up the Uncle Tupelo mantle.
Cocco, Adan Ballet: This album won’t dislodge Rapunzel or Bougainvillia as a fan favorite, but it’s some of the best work she’s done since Sangrose.
Colvin & Earle, Colvin & Earle: This pairing of Steve Earle and Shawn Colvin looks unlikely on paper, but intuitively, you could tell the universe was ready for it.
Utada Hikaru, Fantôme: I’m beginning to realize Utada Hikaru was PBR&B before Solange started hanging out with Dirty Projectors.
Ty Herndon, House on Fire: It’s tough not to read some autobiography into this album, the first Ty Herndon released after revealing he’s gay. It’s also tough not to get swept up in the confidence and energy pouring out of the speakers.
Other notable albums:
Eluvium, False Readings On
Santigold, 99 Cents
Explosions in the Sky, The Wilderness
Blood Orange, Freetown Sound
Pixies, Head Carrier
Colin Stetson, Sorrow: A Reimagining of Gorecki’s Third Symphony
The Favorite Edition 2016 list will be published next week, and if it’s any indication, the release schedule for the rest of the year will probably not be terribly impressive.
James Blake, The Colour in Anything, July 1
Blake dropped this album many weeks back, and I’ve listened to it enough times to make me question whether I would really want to own a physical copy of it. Does it really need to have 17 tracks and be more than an hour long? A lot of interesting things happening on the album, and as many things that induce sleep.
YEN TOWN BAND, diverse journey, July 20
I wonder what prompted YEN TOWN BAND to reunite after 19 years. The band is actually fictional — CHARA played the role of Glico in the film Swallowtail, in which she led a group called YEN TOWN BAND. MONTAGE is probably one of my favorite CHARA-related albums.
Faith No More, We Care a Lot (Deluxe Edition), Aug. 19
I’m hoping a reissue of Introduce Yourself becomes an eventual reality.
Blood Orange, Freetown Sound, Aug. 19
I think Dev Hynes is responsible for softening my decades-long dim view of Michael Jackson.
Cocco, Adan Ballet, Aug. 24
Cocco has added stage and screen to her résumé as author and singer. So it’s no surprise the gaps between albums have gotten longer in the last few years. That makes Adan Ballet remarkable for coming out a year and 2 months since Plan C.
De La Soul, And the Anonymous Nobody, Aug. 26
I haven’t gotten through that backlog of De La Soul albums the trio offered for giving them my e-mail address.
Dead Can Dance, Dead Can Dance, July 8
Dead Can Dance, Spleen and Ideal, July 8
Dead Can Dance, Into the Labyrinth, July 8
I can haz Aion and Spiritchaser reissued on vinyl?
Madonna, Like a Prayer, July 12
Second-hand copies of the self-titled album, Like a Virgin and True Blue can be found for reasonable prices. Like a Prayer, on the other hand, is a bit harder to find, which makes it probably the only recent reissue worth getting.
XTC, Skylarking (Deluxe Edition), July 12
XTC, English Settlement (Deluxe Edition), July 12
Andy Partridge’s reissue label APE House is not messing around with these reissues, and the prices for them reflect that.
Sonic Youth, Murray Street, July 15
The release date for this reissue is a moving target. I imagine it will show up the next time I write this round-up.
Prince, Sign O the Times, Aug. 23
Prince, Lovesexy, Oct. 18
Prince, Graffiti Bridge, Nov. 22
Prince, Love Symbol Album, Dec. 13
I know I want to get the Love Symbol Album on vinyl. I’m partial to getting Lovesexy if I don’t find a used copy before then. I’m on the fence about Sign O the Times and Graffiti Bridge. And I’m disappointed The Black Album reissue was canceled.
John Zorn, Naked City, Aug. 26
I won’t tell you how much I spent on an original pressing of this album. So if you want it on vinyl, place your pre-order now!
In the past, I’d feature upcoming releases that were editorially interesting. That is, they looked interesting even if I would never listen to them. I’m changing that policy to feature only things I plan on exploring myself.
The Drums, Encyclopedia, Sept. 23
I admit — I started listening to The Drums because I caught a video of “Forever and Ever, Amen” and thought Jonny Pierce’s shirt … accentuated his physique. He tripped my gaydar, unreliable as it is. The self-titled debut album was pretty good. The follow-up, not as much. I’m willing to give this third album a shot, now that the band is down to a duo.
Steve Reich, Radio Rewrite, Sept. 30
Whatever Radiohead references Reich throws into this piece will be totally lost on me given my ambivalence about Radiohead, but I am interested to hear Jonny Greenwood’s complete re-recording of Electric Counterpoint.
Nico Muhly, Two Boys, Sept. 30
I was wondering at what point Nonesuch would snag Nico Muhly for a recording.
Sam Amidon, Lily-O, Sept. 30
I look forward to hearing what Bill Frisell contributes to Sam Amidon’s modernized folk.
Cocco, Plan C, Oct. 8
Part of me wondered whether Pas de Bourée was something to tide fans over till a proper album release. The next question is whether it’s a harbinger of what’s to come.
Shiina Ringo, Hi Izuru Tokoro, Nov. 5
Shiina Ringo resumed releasing singles as a solo artist a year before disbanding Tokyo Jihen, and she’s put out four thus far. Taken together, they don’t really hint at a direction her music would go. Her self-cover album Gyakuyunyuu was a fascinating mess. I’m interested to see how she pulls it all together.