As it often happens when compiling the year-end favorite list, a few discoveries don’t reveal themselves till after deadline. At this point, none of these albums pose a threat to anything on the 2015 list, but that may change.
Software Giant, We Are Overcome
I thought Chicago singer-songwriter Dylan Rice had fallen off a corner of the earth. He released his second solo album in 2010, then seemingly disappeared. As it turned out, he joined a band in 2013, which then went on to unleash its debut album We Are Overcome in 2015.
Billing itself as “Less Claypool sitting in with Kraftwerk”, Software Giant reminds me more of the grunge jazz of Wayne Horvitz’s early ’90s outfit Pigpen. The music is a bit too human for its mechanistic aspirations — Morrissey singing with New Order is another description — but we can forgive the band for having a live drummer instead of a machine. Rice has the kind of gorgeous croon that makes me wish he were more prolific.
The Weeknd, Beauty Behind the Madness
PBR&B is a pretty awful term, but it’s succinct in describing the kind of R&B music that appeal to rockist snobs such as myself.
Various recommendations led me to the Weeknd. Beauty Behind the Madness has slowly seeped into my consciousness. I find myself humming portions of the album during those rare moments when no music is playing on my devices.
The collaborative approach to this split album works incredibly well. Rather than devote one side to each band, Gaytheist and Rabbits exchange songs and band members throughout. It ends up sounding like the work of one unit, a true case of the sum being greater than the parts.
Andrew Norman, Play, Boston Modern Orchestra Project
Ask yourself what an orchestra would sound like performing Naked City’s Torture Garden.