All posts by Greg Bueno

Purchase log, 2018-12-11

[Wolf Hall - Tudor Music Soundtrack]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

In addition to big scores at the thrift shops, I headed up to Vancouver, BC to visit Sikora’s Classical Records before it closed down for good.

New releases

CD
  • ASIAN KUNG-FU GENEARTION, Hometown
  • Wayne Horvitz, Those Who Remain

Catalog

CD
  • Alarm Will Sound, Modernists
  • Anton Webern, Complete Webern (Pierre Boulez)
  • Bob Mould, Workbook
  • Cocteau Twins, Heaven or Las Vegas
  • DJ Shadow, The Private Press
  • Fugazi, Instrument Soundtrack
  • George Antheil, Symphony No. 4 ‘1942’ / Symphony No. 5 / Over the Plains (John Storgårds, BBC Philharmonic)
  • ISIS, Panopticon
  • John Adams, Absolute Jest / Grand Pianola Music (Michael Tilson Thomas, San Francisco Symphony)
  • John Rutter, Requiem
  • mclusky, mclusky do dallas
  • The Dillinger Escape Plan with Mike Patton, Irony Is a Dead Scene
  • The Mars Volta, De-Loused in the Comatorium
  • Tweet, Southern Hummingbird
  • yMusic, Balance Problems
  • Soundtrack, Star Wars: A New Hope
  • Soundtrack, Star Wars: The Empire Strikes Back
  • Soundtrack, Wolf Hall: Tudor Music

Vinyl

  • Giovanni Palestrina, Missa Papae Marcelli / Missa Brevis
  • The Sonny Clark Memorial Quartet, Voodoo
  • William Byrd, Mass for Five Voices / Mass for Four Voices
  • Witold Lutoslawski, Concerto for Orchestra / Funeral Music / Venetian Games
  • Witold Lutoslawski, Symphonies Nos. 1 and 2
  • Witold Lutoslawski, Symphony No. 3

Reissues

Vinyl
  • Kate Bush, Remastered in Vinyl IV

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Favorite Edition Rewind: 1978

[Blondie - Parallel Lines]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Our retrospective ends at 1978 because my collection starts thinning out at this point. I was 6 years old at the time and just starting to become aware of songs on the radio. Of course, nothing on this list would have appealed to 6-year-old me.

  1. Steve Reich, Music for 18 Musicians
  2. Brian Eno, Ambient 1: Music for Airports
  3. Kate Bush, The Kick Inside
  4. Emmylou Harris, Quarter Moon in a Ten Cent Town
  5. Blondie, Parallel Lines
  6. Andrew Lloyd Webber, Variations
  7. Andy Gibb, Shadow Dancing
  8. Willie Nelson, Stardust
  9. Kate Bush, Lionheart
  10. The Police, Outlandos d’Amour

Other favorites from the year:

  • Clannad, In Concert
  • Rap Reiplinger, Poi Dog

I loved Blondie’s “Heart of Glass”, but when my dad saw her perform on Solid Gold, he hated her on sight. “She looks drugged,” he would complain, so I wasn’t allowed to listen to Blondie. That didn’t stop my brother from picking up the 7-inch singles for “The Tide Is High” and “Rapture.”

I can only imagine what dad would have said if he saw Kate Bush dancing in “Wuthering Heights.”

If any album on this list would have appealed to 6-year-old me, it would be Rap Reiplinger’s Poi Dog. Local radio played Reiplinger’s skits regularly, and I enjoyed hearing “Room Service” over and over again.

I didn’t realize those skits were available on an album. I thought only radio could broadcast them, so it wasn’t until Poi Dog was reissued on CD in 1992 that I could relive that thrill.

Reiplinger forged the Honolulu stand-up comic scene, and it died when he did in 1984. Or maybe it was the humorlessness of the 1980s.

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Favorite Edition Rewind: 1979

[The Manhattan Transfer - Extensions]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1979 is officially the year I started collecting music. And it’s all because of a post-disco hit about the Twilight Zone theme song. This list, though, couldn’t have been compiled till 2006.

  1. Gang of Four, Entertainment!
  2. Andrew Lloyd Webber, Evita
  3. Stephen Sondheim, Sweeney Todd
  4. Philip Glass, Einstein on the Beach
  5. Midnight Oil, Head Injuries
  6. Talking Heads, Fear of Music
  7. The Clash, London Calling
  8. Michael Jackson, Off the Wall
  9. The Police, Reggatta de Blanc
  10. Emmylou Harris, Blue Kentucky Girl

Other favorites from the year:

  • The Manhattan Transfer, Extensions
  • The B-52’s, The B-52’s

The hit in question is “Twilight Tone” by the Manhattan Transfer.

Though more renowned as a jazz vocal quartet, the group wouldn’t get on my radar till “Twilight Tone” invaded the airwaves. Search YouTube for a performance of the song on a variety show — it’s amazing what people will endure for art. Or gimmickry.

My parents relented and bought the Extensions album for me. Of course, I played “Twilight Tone” to death, but I also dug the other songs on the album. Unlike “Twilight Tone”, they ranged from doo-wop to a capella. One song was a bizarre novelty with the singers voices rendered at chipmunk speed. You could say this was Manhattan Transfer’s disco album.

I’ve included it in the extended list. As fond as I am of the album, I have a better sense of what 1979 really offered as a year in music.

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Concert Edition 2018

[UW School of Music Composition Studio, June 5, 2018]

After Sturgill Simpson’s November 2016 concert at the Paramount, I knew my days of rock music concert-going were waning. That was two hours on my feet, and I recognized I had little of the stamina that got me through those kinds of shows in my 30s.

So in 2018, I limited my concerts to classical events. Mostly.

Seattle Symphony, Stravinsky: Funeral Song, Benaroya Hall, Jan. 6

The most interesting piece on the program wasn’t the west coast premiere of Igor Stravinsky’s Funeral Song — it was Gyorgi Ligeti’s Violin Concerto.

Seattle Chamber Music Festival, Shostakovich: Quartet for Strings No. 8, Benaroya Hall, Jan. 27

This performance was the second time I heard the Shostakovich Eighth Quartet at the Seattle Chamber Music Festival. The second movement gets me every time.

Seattle Symphony, John Luther Adams: Become Desert, Benaroya Hall, March 31

Pretty much a single chord for an hour, but it was surprising to hear the choirs enter from behind me.

Seattle Symphony, [untitled 2], Benaroya Hall, April 27

I’ve been attending untitled concerts since their inception in 2012. Not all of the programs sink in, and I can’t honestly remember what the Nikoleav and Rastakov pieces on the program sound like.

Seattle Symphony, Sibelius: Kullervo, Benaroya Hall, June 2

The premiere of Andrew Norman’s Cello Concerto was postponed, and the replacement pieces on the program didn’t interest me. So I traded my ticket for Kullervo.

UW School of Music, Composition Studio, Music Building 213, June 5

I performed at this concert! And I premiered one of my own pieces! It’s called Feldman and Messiaen at the Airport with Eno, and it’s scored for violin, ukulele, melodica and piano. I gave myself the violin part, which consisted of playing a single note for 8 counts every few seconds.

Seattle Symphony, [untitled 3], June 15

I must have been exhausted after the spring I’ve had because I don’t remember a single note played that evening.

Sam Smith, Key Arena, Sept. 8

Based on his studio albums thus far, you would think Smith would be something of a sad sack, but he made those songs of heartbreak sound positively rousing at Key Arena. I just wished the teenagers sitting next to me didn’t shine their phone screens in my face.

Seattle Symphony, [untitled 1], Benaroya Hall, Oct. 12

Even if I don’t rush out and learn about every piece that gets programmed in the [untitled] series, I still like the sense of discovery that comes with seeing unfamiliar music performed live. That said, Hans Abraham’s Schnee was quite the memorable performance.

St. Lawrence String Quartet, Meany Hall, Oct. 25

I didn’t know St. Lawrence String Quartet did a TED Talk on Haydn’s “Sun” quartets, so I wasn’t prepared for the night’s performance to include a lecture. I also didn’t anticipate that I would immediately get into Haydn.

Brooklyn Rider, Meany Hall, Nov. 13

The first half of Brooklyn Rider’s concert featured new works by women, all dealing with the theme of healing. The second half was Beethoven’s op. 132. I bought a CD to help the quartet fund a recording of the pieces featured on the evening’s program.

 

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Favorite Edition Rewind: 1980

[ABBA - Greatest Hits, Vol. 2]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

If my 8-year-old self were in control of this list, the soundtrack to Xanadu would occupy the top spot. The only other title he might have recognized would be Diana. And he would have questioned the inclusion of AC/DC.

  1. U2, Boy
  2. David Bowie, Scary Monsters (and Super Creeps)
  3. Kate Bush, Never for Ever
  4. Diana Ross, Diana
  5. X, Los Angeles
  6. Grace Jones, Warm Leatherette
  7. Killing Joke, Killing Joke
  8. Talking Heads, Remain in Light
  9. AC/DC, Back in Black
  10. Emmylou Harris, Roses in the Snow

Other favorites from the year:

  • The Police, Zenyatta Mondatta
  • Soundtrack, Xanadu
  • ABBA, Super Trouper
  • The B-52’s, Wild Planet

The roots of my collecting bug are anchored in 1980.

I would bug my mom to buy me 7-inch singles. I was told I didn’t have the sufficient capacity to judge whether a full album would be worth the purchase price. My mom wasn’t about to drop cash on a set of songs if only one of them would entertain me.

So I amassed quite a lot of singles — “Tell It Like Is” by Heart, “A Lover’s Holiday” by Change, “Stomp!” by the Brothers Johnson.

I was, however, a pest about ABBA. The age of eight seems to be the right level of maturity for ABBA to sink its sugary hooks into an impressionable mind. My niece was crazy for Mamma Mia, the movie musical, right around the age I bugged my parents to get me their Greatest Hits, Vol. 2. The first volume didn’t have “Chiquitita.”

Video games interrupted my interest in music for four years, so it makes me wonder in how much more trouble I’d be today without that disruption.

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Favorite Edition Rewind: 1981

[Go Gos - Beauty and the Beat]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

If there were a year I was least interested in music, it would be 1981. And it was a remarkable turn of events, because I had amassed quite a 7-inch collection the year before.

  1. Duran Duran, Duran Duran
  2. Lou Harrison, Three Pieces for Gamelan with Soloists / String Quartet Set
  3. Eurythmics, In the Garden
  4. U2, October
  5. The Police, Ghost in the Machine
  6. ABBA, The Visitors
  7. Black Flag, Damaged
  8. Brian Eno and David Byrne, My Life in the Bush of Ghosts
  9. Bucker and Garcia, Pac-Man Fever
  10. Rick Springfield, Working Class Dog

Other favorites from the year:

  • Go-Go’s, Beauty and the Beat
  • Gang of Four, Solid Gold
  • Grace Jones, Nightclubbing

1981 marked the start of my fascination with the classic video games of the era. I would also take an interest in computers and programming. My parents actively discouraged me from pursuing either interest, but it would not stop me from sneaking away to the arcade when we went to the local malls.

That didn’t mean I was totally unaware of music. Of the titles on this list, I would have listened to the Police, ABBA, Rick Springfield, the Go-Go’s and Buckner and Garcia. And I would have definitely seen Grace Jones in the press.

If there was one album I really wanted to get at the time, it would have been Pac-Man Fever by Buckner and Garcia, mostly for the maze patterns on the inner sleeve that would have help you to win the game.

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Favorite Edition Rewind: 1982

[The Waitresses - Wasn't Tomorrow Wonderful?]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

From here on out, you’ll see a lot of names repeat on these lists. These selections reflect my tastes as an adult rather than what I would have been listening to at the time.

  1. Duran Duran, Rio
  2. Clannad, Fuaim
  3. ABC, The Lexicon of Love
  4. Bruce Springsteen, Nebraska
  5. Kate Bush, The Dreaming
  6. The Waitresses, Wasn’t Tomorrow Wonderful
  7. Roxy Music, Avalon
  8. X, Under the Big Black Sun
  9. Soundtrack, Tron
  10. Midnight Oil, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1

The only album on this list I actually listened to in 1982 was the soundtrack to Tron. I was all about the video game, and I dug the special effects in the movie. I was, however, too young to understand how awful the screenplay was.

I saw the Waitresses on Solid Gold and absolutely loved “I Know What Boys Like.” By the time I would start collecting music, the Waitresses had already recessed into one-hit wonder memory. But the song left such an indelible print, I would seek it out in my first year of college.

Duran Duran’s Rio was released that year, but I had no inkling of it at the time. Music was a passive activity. The car radio or my siblings’ boomboxes keep me informed of the days’ hits, but my passion lie with video games — an activity my parents curtailed because they equated it with gambling.

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Favorite Edition Rewind: 1983

[Duran Duran - Seven and the Ragged Tiger]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The 1983 Favorite Edition list is not terribly cosmopolitan. And why should it? I would have been 11 years old at the time, and pre-teens, even precocious ones, aren’t renowned for sophistication.

  1. Eurythmics, Sweet Dreams (Are Made of This)
  2. Clannad, Magical Ring
  3. U2, Live Under a Blood Red Sky
  4. David Bowie, Let’s Dance
  5. Duran Duran, Seven and the Ragged Tiger
  6. R.E.M., Murmur
  7. Huey Lewis and the News, Sports
  8. The Police, Synchronicity
  9. 10,000 Maniacs, Secrets of the I Ching
  10. The Waitresses, Bruiseology

Other favorites from the year:

  • Toto, IV
  • Culture Club, Colour By Numbers
  • Violent Femmes, Violent Femmes
  • Cyndi Lauper, She’s So Unusual
  • The Pointer Sisters, Break Out

MTV was the big driver of music in this era, but I wouldn’t have known it because my parents refused to subscribe to cable. The household wouldn’t welcome cable TV till well after I had moved out after college … in 1997.

So my exposure to music in 1983 was limited to American Bandstand and Solid Gold. For a short while, a syndicated TV show called Prime Time Videos aired on broadcast affiliates, but it would not last.

I was still heavily into Pac-Man, even though my parents refused to welcome a game console or computer into the house. It’s a wonder how I’ve made computer programming my career.

So if this list seems particularly safe, it’s a reflection of the limited avenues of consumption. It’s probably why I have such a voracious appetite now.

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Purchase log, 2018-12-04

[Mikami Chisako - I AM Ready!]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Mikami Chisako, I AM Ready!

Catalog

CD
  • 808 State, Utd. State 90
  • Anthrax, Sound of White Noise
  • Death from Above 1979, You’re a Woman, I’m a Machine
  • Giovanni Palestrina, Missa pro defunctis / Motets (Chanticleer)
  • Helmet, Strap It On
  • Jean Grae, This Week
  • Jesu, Jesu
  • M.I.A., /\/\ /\ Y /\
  • mclusky, The Difference Between Me and You Is I’m Not on Fire
  • Peter Gabriel, Secret World Live
  • The Jesus and Mary Chain, 21 Singles
Vinyl
  • Kate Bush, Before the Dawn
  • Simon and Garfunkel, Sounds of Silence
  • Sinéad O’Connor, Am I Not Your Girl?
  • Soundtrack, Star Wars
  • Soundtrack, The Rocky Horror Picture Show
  • Talking Heads, Little Creatures
  • Talking Heads, Stop Making Sense

Reissues

CD
  • Kate Bush, Remastered Part II
Vinyl
  • Kate Bush, Remastered in Vinyl III

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Favorite Edition Rewind: 1984

[Thompson Twins - Into the Gap]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

And now we enter some new territory. I didn’t start collecting music in earnest till 1985, and I wouldn’t start exploring catalog music till 2005. Raiding thrift shops has allowed me to fill in a lot of history, which is why were expanding the range of this retrospective to as far back as 1978. Today, we start with 1984.

  1. Stephen Sondheim, Sunday in the Park with George
  2. The Replacements, Let It Be
  3. Soundtrack, Amadeus
  4. Andersson / Rice / Ulvaeus, Chess
  5. Art of Noise, Who’s Afraid of? … the Art of Noise!
  6. Madonna, Like a Virgin
  7. Prince and the Revolution, Purple Rain
  8. Bruce Springsteen, Born in the USA
  9. Arvo Pärt, Tabula Rasa
  10. Thompson Twins, Into the Gap

Other favorites from the year:

  • Guadalcanal Diary, Walking in the Shadows of the Big Man
  • Nena, 99 Luftballons
  • Eurythmics, 1984 (For the Love of Big Brother)
  • Sade, Diamond Life

I was much more into arcade video games — the classic era of Pac-Man and Galaga — than music in 1984. The only album I owned from that time is 99 Luftballons. Everything else I would discover later.

My 12-year-old self would not have known what to make of the Replacements or Arvo Pärt. He would have scoffed and wretched over the idea that Madonna or Prince could rank on such a list. They were his brother’s albums, after all.

He certainly did not have the sophistication or patience for two LPs of Mozart, although he might have really liked watching Amadeus.

And he would have definitely protested the inclusion of Bruce Springsteen on the list, all the while gazing lustily after the cover of Born in the USA.

He would have totally understood the Thompson Twins, though.

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