Sometimes, you have to judge an album by its cover.
In the case of Identities by Infomatik, it’s an intricate jewel case wired with electronics.
I ran across a copy of the EP during a volunteer shift at Lifelong Thrift Store. The case was falling apart because the electronics had been dislodged. At first, I thought someone was crazy enough to ditch a copy of Tristan Perich’s 1-Bit Symphony, but a closer examination of the album credits ruled that out.
Then I had to wonder — what kind of band would go this amount of effort to craft such complex packaging?
I reached a dead end when I attempted to visit the band’s web site, which had long been surrendered to domain squatters. The Wayback Machine gives some hint of who this band was. A Google search on the band’s requires the use of quotations, otherwise Google will assume you want to search “informatik” instead of “infomatik”. (The best terms to use: “infomatik” band.)
In the mid-2000s, the band got a lot of good press in Seattle, eventually releasing a full-length album, Technologies. Obviously, Infomatik is no longer, the band’s members scattered to the wind and any evidence of their existence relegated to difficult web searches and a scant entry in Discogs.
It’s a pity.
Infomatik threw its hat into the ring of ’80s revivalism so prevalent at the time. The synths are grimy, the live beats as danceable as anything found in a machine, and the vocals a satisfying balance of deadpan and angst. They may descend from Killing Joke and Wire, but they understood what made those bands good.
I was so thoroughly impressed with Identify that I tracked down Technologies. All the tracks from Identify found their way to Technologies, but it’s none the worse for it.
In the mid-’00s, the infrastructure to get music online was in its infancy, so none of these releases are available through any of the usual digital services. As of this writing, a single copy each of Identify and Technologies are for sale on Discogs in the $30 range.
With my volunteer discount, I took Identify home for $0.83. I snagged the last remaining copy of Technologies on Amazon Marketplace for less than $2. The shipping cost more than the disc.
Unlike 2018’s Both Directions at Once, this album is not so much lost as unreleased. Coltrane recorded a soundtrack for the film Le chat dans le sac, but most of the sessions were not used in the final cut.
Sturgill Simpson, Sound and Fury, Sept. 27
Judging by the first single, I don’t think this album can be called “country.” The fact it will be accompanied by an anime film is about as far from country as anyone gets.
BBMAK, Powerstation, Oct. 11
Finally! A date! Albeit for the digital release. I don’t need an autographed copy of the CD, which is available for pre-order on the band’s site. I’m hoping a normal, vanilla pre-order will be available. Soon.
Jason Isbell and 400 Unit, Jason Isbell and 400 Unit, Oct. 18
I remember when I was really getting into Southeastern, I tried listening to Isbell’s previous albums. At the time, I didn’t really warm up to Sirens in the Ditch or the self-titled album with 400 Unit. I think enough time has passed since then to revisit what I passed over. Also arriving on the same date is Here We Rest. Both albums have been remixed and remastered.
Michael Kiwanuka, Kiwanuka, Oct. 27
I picked up Michael Kiwanuka’s debut, Home Again, from Goodwill for $1.99. I liked it enough to pick up Love & Hate at full price.