Rewind takes a look at past Musicwhore.org reviews to see how they hold up today. The albums featured on Rewind were part of my collection, then sold for cash only to be reacquired later.
Back in 2014, I recounted how 100 Broken Windows by Idlewild departed my music collection, then returned. Thing is, I reviewed it back in 2001! I read that entry now and wonder, “Who the hell is this kid who wrote this?”
Name-checking the guitarists of Sonic Youth and R.E.M. pretty much revealed what little I knew of music while posturing how much I knew about music. I do find this paragraph anthropologically interesting:
Kurt Cobain and Nirvana, deities bless, brought punk kicking and screaming into the mainstream but in doing so locked record moguls into thinking what America needed was an entire decade of thrice-removed punk pop mixed with — cough — heavy metal.
The A.V. Club wrote a takedown on 1996, the year alternative music died. Five years on, the situation in rock music hadn’t improved. In fact, Nickelback and Limp Bizkit were in their prime when I typed that paragraph, and it led me to conclude 100 Broken Windows was awesome because nü metal suuuuuuuuucked.
The snark against Blur in the second sentence of my review is pretty dated now, although I don’t anticipate I’ll ever find any appeal in Oasis.