Monthly Archives: March 2016
Why should I be surprised the vinyl bug that bit me hard in 2013 has expanded its scope to include reissues never released on vinyl? It’s because I’ve already back-filled my pre-owned collection, and I still can’t get enough. Record Store Day doesn’t make it any easier.
Guided By Voices, Please Be Honest, April 22
Back again? Oh, it’s another configuration.
Dolly Parton / Emmylou Harris / Linda Ronstadt, Complete Trio Collection, Sept. 9
Finally! This reissue was rumored to be available back in October 2015, on the same day as Henryk Górecki’s Symphony No. 4. Now it’s turned into a bigger deal, with simultaneous vinyl releases.
Lin-Manuel Miranada, Hamilton, April 15
This musical is more than two-hours long. I don’t think it’s all going to fit on two LPs.
Sonic Youth, Murray Street, April 22
I remember this album getting overplayed on the Waterloo Records in-store stereo system. I think it’s why I sold it for cash after a few years.
Rufus Wainwright, Poses, May 6
I didn’t like Rufus Wainwright at first. His nasal voice is an acquired taste, but the writing on Poses won me over, and I’ve been a fan ever since. This album appears on vinyl for the first time.
Moby, Play, May 13
I haven’t listened to this album in more than 15 years. I didn’t really need to because it wasn’t licensed to holy hell at the time.
Dolly Parton / Emmylou Harris / Linda Ronstadt, Trio II, Sept. 9
At the time this album was released, it seemed the trio couldn’t really give it a heavy promotional push. I remember one TV appearance where Linda Ronstadt lost it, and then everyone was back to boy bands and pop idols.
Record Store Day
Emmylou Harris, Wrecking Ball
Why limit this album to Record Store Day? Really, it should just be in print on vinyl. Period.
Clint Mansell / Kronos Quartet, Requiem for a Dream
I saw Requiem for a Dream with some friends during its theatrical release. I left the theater recognizing it was a good film. I just didn’t like it. I don’t own the soundtrack, and while I collect Kronos on vinyl when I can, I’m pretty ambivalent about this release.
Death Cab for Cutie, “Tractor Rape Chain / Black Sun”
I was nicely surprised by Death Cab for Cutie’s cover of “Bad Reputation” by Freedy Johnston. “Tractor Rape Chain” is also one my favorite Guided By Voices songs.
Shadowy Men on a Shadowy Planet, I Guess We’re a Fucking Surf Band After All
I have no doubts I won’t get my hands on this release, but I’m only interested in Savvy Show Stoppers. I hope at some point Yep Roc splits this box set into individual reissues.
Tags: clint mansell, death cab for cutie, dolly parton, emmylou harris, guided by voices, kronos quartet, lin-manuel miranda, linda ronstadt, looking ahead, moby, rufus wainwright, shadowy men on a shadowy planet, sonic youth
I’ll admit Máire Brennan’s second solo album, Misty Eyed Adventures, took a few weeks of constant play before I grew to like it. That meant, of course, it would go on the chopping block in one of many collection purges. I bought it when it was released in 1996, and I imagine it exited my collection some time in the early 2000s.
The opening track, “Days of the Dancing”, is one of those songs you don’t forget easily. Máire, of course, is the voice of Clannad, and it’s a voice tightly coupled with Celtic music. “Days of the Dancing”, however, was rooted entirely in Spain. The Moor-ish modes, the Latin rhythms — it’s probably the furthest she’s ventured outside of the Brennan clan’s foundational sound.
I recently had a craving to hear that song again, and I thought the streaming services would have it. And they do — in the United Kingdom, not the United States. So it was down to the music shop I went where I found a used copy.
Hearing the album again, I’m struck by how reflective the title is to the music. Máire really does make some adventurous choices on this album. “Heroes” consists entirely of Máire and her singing siblings backed only by percussion. A re-recording of “Éirigh Suas A Stóirín” replaces the folk band with a string quartet out of an Arvo Pärt piece. Even the straight-forward cover of Joni Mitchell’s “Big Yellow Taxi” feels new.
So it made me think — why did I let this album go but kept her self-titled album, which is also not available on any streaming service in the US?
I’ll blame the impatience of youth. Máire was an easily likable album that quickly went in regular rotation on my Walkman and Discman. I had hopes Misty Eyed Adventures would be the same, but that effort to appreciate it served as a penalty when it came time for a purge. But the work to build that appreciation wasn’t as easily forgotten, and rediscovering it ended up a lot easier.
Young people are so rash.
Tags: clannad, maire brennan, the ones that nearly got away
Back in October, I attended a conference in Chicago and stayed with my sister to save on hotel costs. When I’ve visited her in the past, I would pretty much ride along wherever they went, not really getting a sense of her neighborhood.
This time around, I scheduled a day where I would explore the city by myself, visiting as many record stores as I could before the conference started. Thankfully, almost all these stores had websites with searchable inventory, so I knew where I wanted to go and what I wanted to find.
Reckless Records has three locations, and somehow I managed to hit all three during my stay. Real estate in the city’s core is tight, so Reckless optimizes its space by filing only the CD booklets in its bins. That leaves floor space for records. I spent a lot of time on the store’s web site searching through my various wish lists and managed to find everything I’d intended to get. It’s probably the best way to shop because flipping through a stack of paper booklets is a lot more challenging than flipping through a bin of jewel cases. The Wicker Park and Lakeview locations are much larger than the location in the Loop, so I would recommend visiting those shops first.
I didn’t find anything on my shopping list at Dusty Grooves, but I do like the store’s layout. CDs take up the perimeter of the floor with records bins in the center. Disc cases are labeled with enough an artists name to scan quickly through an alphabetized section. For example, I looked for Bill Frisell in the jazz section and could quickly find approximately where he would be filed just by looking for the first three letters of his last name. Dusty Groove’s inventory gave off a very curated vibe — it’s not as thorough as the stock at Reckless, but it is diverse.
I had bought two copies of the Sibelius Symphony No. 1 conducted by Sir Colin Davis, and both had a lot of surface noise. Shuga Records’ web site indicated it had a copy, so I stopped by to see if I could grab it. It wasn’t on the floor, but the clerk at the counter did find it for me in a back room. The floor space is about half the size of Dusty Groove and the Wicker Park Reckless location, so it makes sense that some stock won’t be on the floor. As it turns out, the third time was the charm — Shuga’s copy of the Sibelius first symphony is the one I’m keeping.
Jazz Record Mart
I found a longbox at Jazz Record Mart. It was a copy of Where in the World? by the Bill Frisell Band, and if I didn’t already own the disc, I would have bought it. Jazz Record Mart was the most impressive store in my visit for its size and its focus. The floor space was easily as big if not larger than Reckless, but as its name indicates, the stock is almost entirely jazz. I went down the list of Naked City alumni and found everyone — Frisell, Wayne Horvitz, Fred Frith, Joey Baron and John Zorn himself. There’s a tiny section for modern classical music and a cursory row for rock. But if you want jazz, this shop will have it.
Tags: chicago, record stores
My first reaction as I compiled this entry was, “Yay! Some of my favorite artists are releasing new music!” My second reaction was, “Why are they all waiting till April?”
Explosions in the Sky, The Wilderness, April 1
Take Care, Take Care, Take Care tread familiar territory and felt a bit worn out. The preceding single from this new album, “Disintegration Anxiety”, sounds like the band is aiming for a new sound. I hope it’s a successful effort.
Duran Duran, Girls on Film – 1979 Demo, April 1
Andy Wickett offers a CD-R of the 1979 Duran Duran demo, but it looks like he’s licensed it to Cleopatra for a proper reissue.
Ben Watt, Fever Dream, April 8
I find it fascinating how Ben Watt has spent years building his DJ creds, but his solo work so far has nothing to do with the club.
Sturgill Simpson, A Sailor’s Guide to the Earth, April 15
Sturgill Simpson + concept album via Marvin Gaye = Take my money, please!
Rufus Wainwright, Take All My Loves: Nine Shakespeare Sonnets, April 22
I put more stock in Rufus Wainwright’s classical creds than any other pop star because his first effort in the genre was a full-blown opera.
UA, JaPo, May 11
I wondered where UA has been. She deserved a long break after more than a decade of releasing albums year after year. But which UA are we going to get — the adventurer or the tunesmith?
Ty Herndon, TBD, May 15
At the end of his El Corazón acoustic set back in Feb. 2016, Ty Herndon announced his new album would arrive on May 15, his first since coming out in 2014.
Sade, The Best of Sade, March 11
I already have the first three Sade albums on vinyl, and this compilation pretty much covers those albums. I don’t really need this record, but … I want it.
Loretta Lynn, Van Lear Rose, March 18
Has it really been more than a decade since Loretta Lynn did that whole thing with Jack White?
Janet Jackson, Unbreakable, April 1
I imagine all the clogged up record pressing plants prevented this album from being released at the same time as the CD.
Sonic Youth, Sister, April 8
Gradus ad Daydream Nation.
Patty Griffin, 1000 Kisses, April 15
This reissue will do nicely till Flaming Red gets somewhere on the release schedule.
Tags: ben watt, duran duran, explosions in the sky, janet jackson, looking ahead, loretta lynn, patty griffin, rufus wainwright, sade, sonic youth, sturgill simpson, ty herndon, ua