Favorite Edition 2015: Half year

[Björk - Vulnicura]

2015 is turning out to be one of those years where the really good albums suck so much oxygen out of the rest of the release schedule that it’s tough to put together even a speculative list.

That’s a long-winded way to say Sleater-Kinney’s return has pretty much overshadowed everyone else.

    • Sleater-Kinney, No Cities to Love: Sleater-Kinney left at the height of their career, and a 10-year hiatus did nothing to dim that achievement.
    • Björk, Vulnicura: I like Björk best when she’s more beat-oriented because her more introspective work tends to meander. This album is too wrenching to mess around.
    • Madonna, Rebel Heart: I would agree this album is Madge’s best since Ray of Light mostly because it’s head and shoulders above the last few meandering discs she put out, Confessions on the Dancefloor not withstanding.
    • Steve Grand, All American Boy: The rockist in me should rally against everything about this album, but I can’t bring myself to do it.
    • Takaakira “Taka” Goto, Classical Punk and Echoes Under the Beauty: The decidedly non-orchestral direction of MONO’s Rays of Darkness was a welcome direction that I feared this album would be a relapse. It’s not.
    • Kronos Quartet, Tundra Songs: I was bracing myself for more international crossover, but this album is some pretty adventurous and spellbinding music.
    • Torche, Restarter: I liked Harmonicraft, but Gaytheist’s Stealth Beats was more my speed. Then Torche recorded this album.
    • Emmylou Harris and Rodney Crowell, The Traveling Kind: I hate to say this, but this album is what you would expect from artists with the calibers of Emmylou Harris and Rodney Crowell. Old Yellow Moon, though, kind of exceeded that.

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