Travis Higdon ran Peek-a-Boo Records out of an office we both worked at during the late ’90s. At first, I found that misappropriation of office resources distasteful. Then, the office politics pissed me off, and I thought Travis could have done more to misappropriate office resources.
But meeting him introduced me to his band, The Kiss-Offs, who attracted quite a bit of buzz in the Austin music press. The band’s debut album, Goodbye Private Life, became one of my favorites in 1999. They split up after releasing a second album, Rock Bottom, in 2001.
Peek-a-Boo had a pretty nice roster around that time. The Prima Donnas were reviving the ’80s at a time when everyone shat on the ’80s. Silver Scooter was a proto-Death Cab for Cutie with a bassist who really, really dug New Order’s Peter Hook.
But I missed out on the band Travis formed before the Kiss-Offs: The 1-4-5s.
A few months ago, a used LP of the 1-4-5s’ Rock Invasion showed up at Jive Time Records. I hadn’t thought about Travis or Peek-a-Boo in years till I saw that LP. I didn’t buy it right away because, as usual, I was cash-strapped. But it did afford me some time to find an EP Peek-a-Boo released called “Unsafe at 45 RPM“.
I’ve made my distaste of garage rock known, but I don’t mind garage rock from people I admire. So I eventually picked up Rock Invasion.
It’s fast. It’s bratty. It’s lo-fi. It has “rock” in the every song title on the album.
I particularly liked how there was a hidden track … on vinyl. Given the space constraints of an LP, the songs on Rock Invasion are pretty compact if a portion of groove real estate can be devoted to a gap of silence.
I can hear hints of the Kiss-Offs in the 1-4-5s, but the songcraft that would mark Travis’ later bands is not on display here. The 1-4-5s, like their name suggests, kept things rustic. At the tempos they played, there was no time for complexity.